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N - Fine Arts - Concordia University Libraries Recent Acquisitions

Items in Fine Arts that were added to the Concordia University Libraries collection in the last 30 days.

  • Beyond recognition : representation, power, and culture / Craig Owens ; edited by Scott Bryson [and others] ; introduction by Simon Watney
    NX 165 O94 1992
    Perhaps more than any other recent writer, Craig Owens explored the relations among the discourses of contemporary art, sexuality, and power. His familiarity with the New York art world and its practitioners in the 1970's and 1980's makes his writing an unparalleled guide to one of the most riveting periods of contemporary culture.

  • Your art will save your life / Beth Pickens
    N 71 P395 2018

    "A survival guide for the creatives among us." --Nicole Georges, author of Fetch: How a Bad Dog Brought Me Home

    As a teenager visiting the Andy Warhol Museum, Beth Pickens realized the importance of making art. As an adult, she has dedicated her life to empowering working artists. Intimate yet practical, Your Art Will Save Your Life helps artists build a sustainable practice while navigating the world of MFAs, residencies, and institutional funding.

  • A history of ireland in 100 objects / Fintan O'Toole, the Irish Times
    NK 1175 O86 2013
    Objects don't just have stories, they tell stories. There is a certain paradox that surrounds them. They seem precise and fixed, literally tangible, yet they can put us in touch with the past in a direct and immediate way. What they said to their contemporaries may be different from what they say to us. Whether it's a silver tea urn from Georgian Dublin or an illuminated page from the Book of Kells, historical objects help us gain a more complex understanding of our past. When so much about the past - especially the Irish past - is contested, physical things can provide secure anchors in history. They ought to make things simpler, and yet, when an object is actually examined, this apparent simplicity quickly falls away. Such interesting objects tend to provoke more questions than they can answer. Over the past two years, Fintan O'Toole, the literary editor of the Irish Times, has selected 100 objects - the majority of which can be found in the National Museum of Ireland - to narrate a history of Ireland. These objects have been chosen simply for their ability to illuminate moments of change, development, or crisis. Articles on these historical objects appeared weekly in the Irish Times and are now being collected in book form by the Royal Irish Academy. The book will act as a reminder that people have inhabited Ireland for quite some time and have survived innumerable ordeals and challenges. *** "The objects....span the centuries from 5000 B.C. to 2005....a wooden fish trap from the Mesolithic era, found preserved in a bog in Co. Meath....St. Patrick's Confessio (460-90), the oldest surviving example of prose writing in Ireland....an emigrant's suitcase from the 1950s tells the story of Ireland's diasporic expansion. The final object was selected by readers from a shortlist of ten. A decomissioned AK47 assault rifle, it speaks to Ireland's recent history of strife and commitment to peace; its links with the larger world, and its own unique story." - Sheila Langan, Irish America Magazine, June-July 2013. *** "Thoughtfully written and thoroughly accessible to readers of all backgrounds, A History of Ireland in 100 Objects is both a fascinating browse and a repository of historical highlights made tangible, highly recommended." - The Midwest Book Review, Wisconsin Bookwatch, The World History Shelf, May 2013Ã?Â?Ã?Â?

  • The hegemony of heritage : ritual and the record in stone / Deborah L. Stein
    NA 6007 R3 S74 2018
    A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.

    The Hegemony of Heritage makes an original and significant contribution to our understanding of how the relationship of architectural objects and societies to the built environment changes over time. Studying two surviving medieval monuments in southern Rajasthan--the Ambika Temple in Jagat and the Ékalingji Temple Complex in Kailaspuri--the author looks beyond their divergent sectarian affiliations and patronage structures to underscore many aspects of common practice. This book offers new and extremely valuable insights into these important monuments, illuminating the entangled politics of antiquity and revealing whether a monument's ritual record is affirmed as continuous and hence hoary or dismissed as discontinuous or reinvented through various strategies. The Hegemony of Heritage enriches theoretical constructs with ethnographic description and asks us to reexamine notions such as archive and text through the filter of sculpture and mantra.

  • In praise of shadows / [edited by Séan Kissane ; translation: Jonathan Brennan, Fiona Elliot]
    NC 910 I5 2009
    This highly illustrated volume - produced for the exhibition of the same name held at the Irish Museum of Modern Art between November 2008 and January 2009 - focuses on shadows, shadow theatre, and silhouettes based on old folk tales and simple narratives, exploring the traditional art form of the shadow play and its influence on the world of contemporary art.

  • Curating as anti-racist practice / editors Natalie Bayer, Belinda Kazeem-Kamiński, Nora Sternfeld
    N 430 K87513 2018

  • Still life before still life / David Ekserdjian
    ND 1390 E37 2018
    A beautiful book that argues artists were fascinated by still life painting considerably earlier than previously thought

    This eloquent and generously illustrated book asserts that artists were fascinated by and extremely skilled at still life significantly earlier than previously thought. Instead of the genre beginning in the early 17th century, noted scholar David Ekserdjian explores its origins in classical antiquity and the gradual re-emergence of still life in Renaissance painting. The author presents a visual anthology of finely executed flowers, fruit, food, household objects, and furnishings seen in the background of paintings. Paintings are reproduced in full and paired with detailed close-ups of still-life elements within the work.

    Ekserdjian further examines both the artistic and symbolic significance of a chosen detail, as well as information about each artist's career. Featured works include radiant paintings from Renaissance greats such as Da Vinci, Dürer, Holbein, Michelangelo, Raphael, and Van Eyck, as well as the work of less-celebrated masters Barthélemy d'Eyck and Ortolano.

  • American Catholics and the Church of tomorrow : building churches for the future, 1925-1975 / Catherine R. Osborne
    NA 5212.5 M63 O82 2018

  • Art and war in the Pacific world : making, breaking, and taking from Anson's voyage to the Philippine-American War / J.M. Mancini
    N 9100 M36 2018
    The Pacific world has long been recognized as a hub for the global trade in art objects, but the history of art and architecture has seldom reckoned with another profound aspect of the region's history: its exposure to global conflict during the British and US imperial incursions of the eighteenth and nineteenth centuries. Art and War in the Pacific World provides a new view of the Pacific world and of global artistic interaction by exploring how the making, alteration, looting, and destruction of images, objects, buildings, and landscapes intersected with the exercise of force. Focusing on the period from Commodore George Anson's voyage to the Philippine-American War, J. M. Mancini's exceptional study deftly weaves together disparate strands of history to create a novel paradigm for cultural analysis.

  • László Moholy-Nagy : painting after photography / Joyce Tsai
    ND 522.5 M59 T79 2018
    This provocative book examines crucial philosophical questions László Moholy-Nagy explored in theory and practice throughout his career. Why paint in a photographic age? Why work by hand when technology holds so much promise? The stakes of painting, or not painting, were tied to much larger considerations of the ways art, life, and modernity were linked for Moholy and his avant-garde peers. Joyce Tsai's close analysis reveals how Moholy's experience in exile led to his attempt to recuperate painting, not merely as an artistic medium but as the space where the trace of human touch might survive the catastrophes of war. László Moholy-Nagy: Painting after Photography will significantly reshape our view of the artist's oeuvre, providing a new understanding of cultural modernism and the avant-garde.

  • A minimal future? : art as object 1958-1968 / Ann Goldstein ; essays by Diedrich Diederichsen [and others]
    N 6512.5 M5 M5626 2004
    As a new movement that arose in the 1950s and 1960s, Minimalism challenged traditional ideas about art-making and the art object. A Minimal Future? Art As Object 1958-1968, which accompanies a major exhibition at The Museum of Contemporary Art in Los Angeles, offers a redefinition of Minimalism by situating it in the context of the concurrent aesthetics of modernist abstraction, pop art and nascent ideas of conceptual art. Minimalism is presented as a range of strategies that propelled new definitions of the structure, form, material, image and production of the art object and renegotiated its relationship to space and to the spectator. Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called canonisation of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt and Lawrence Weiner that reflect the shifting object status of painting and sculpture. The text features original essays by prominent art historians and scholars. Diedrich Diedrichsen addresses the relationship between minimal art and music; Jonathan Flatley focuses on Donald Judd and Andy Warhol; Timothy Martin considers performance in relation to minimal art; James Meyer examines East and West Coast practices of Minimalism; and Anne Rorimer discusses the relationship of minimal to conceptual art. Exhibition curator Ann Goldstein contributes an introduction. Also included are individual entries on each of the artists, an extensive bibliography and an exhibition chronology. The 400-page book includes 300 images, most in colour.

  • Cultivating citizens : the regional work of art in the New Deal era / Lauren Kroiz
    NX 180 R38 K76 2018
    During the 1930s and 1940s, painters Grant Wood, Thomas Hart Benton, and John Steuart Curry formed a loose alliance as American Regionalists. Some lauded their depictions of the rural landscape and hardworking inhabitants of America's midwestern heartland; others deemed their painting dangerous, regarding its easily understood realism as a vehicle for jingoism and even fascism. Cultivating Citizens focuses on Regionalists and their critics as they worked with and against universities, museums, and the burgeoning field of sociology. Lauren Kroiz shifts the terms of an ongoing debate over subject matter and style, producing the first study of Regionalist art education programs and concepts of artistic labor.

  • Radical eroticism : women, art, and sex in the 1960s / Rachel Middleman
    N 8217 E6 M53 2018
    In the 1960s, the fascination with erotic art generated a wave of exhibitions and critical discussion on sexual freedom, visual pleasure, and the nude in contemporary art. Radical Eroticism examines the importance of women's contributions in fundamentally reconfiguring representations of sexuality across several areas of advanced art--performance, pop, postminimalism, and beyond. This study shows that erotic art made by women was integral to the profound changes that took place in American art during the sixties, from the crumbling of modernist aesthetics and the expanding field of art practice to the emergence of the feminist art movement. Artists Carolee Schneemann, Martha Edelheit, Marjorie Strider, Hannah Wilke, and Anita Steckel created works that exemplify these innovative approaches to the erotic, exploring female sexual subjectivities and destabilizing assumptions about gender. Rachel Middleman reveals these artists' radical interventions in both aesthetic conventions and social norms.

  • Ettore Sottsass : the glass / edited by Luca Massimo Barbero
    NK 5205 S67 A4 2017
    The brilliant architect and designer Ettore Sottsass "made glass" from 1947 until the end of his career. This volume documents the entire period of his glass oeuvre, from the series he designed in the 1970s for Vistosi to the Memphis collections of the 1980s, the symbolic forms of the 1990s, the stunning constructions for the Millennium House in Qatar, and the famous Kachinas. The wealth of images, the analysis of design and painting together with the coeval cultural and artistic context, and the summary of works including many unpublished pieces make this volume edited by Luca Massimo Barbero the first scientific study on Ettore Sottsass's works in glass and crystal

  • Manuel Neri & the assertion of modern figurative sculpture / introduction, Alexander Nemerov ; essay, Bruce Nixon
    NB 237 N419 A4 2017

    Manuel Neri is widely recognized for his life-size figurative sculptures in plaster, bronze, and marble. His work echoed the commitment of earlier artists, such as Alberto Giacometti and Marino Marini, who used the figure as a vehicle to express Modernist ideals in the aftermath of World War II. Manuel Neri and the Assertion of Modern Figurative Sculpture traces the development of these sculptural ideas of the figurative motif and illuminates the enduring sculptural form and humanist ideas present in Neri's work.

    Representing the breadth of the artist's oeuvre, this book offers insights into the development of Neri's sculpture and a fresh perspective on his contributions to contemporary art. With approximately 400 color images, it captures Neri's engagement with Modernism, tradition, and humanity's struggle to understand itself. An introduction by Alexander Nemerov and essay by Bruce Nixon illustrate Neri's lifelong involvement with the most creative traditions to capture the modern age--in all its contradictions, vulnerabilities, and possibilities--in the enduring mirror of the human body.

  • Who runs the artworld : money, power and ethics / Brad Buckley and John Conomos, editors
    N 8600 W496 2017
    Who Runs the Artworld: Money, Power and Ethics examines, using transdisciplinary strategies, the economics and mythologies of today's global artworld. It unmasks the complex web of relationships that now exist between, high profile curators, collectors, museum trustees and corporate sponsors, and the historic and ongoing complicity between the art and money markets. It also examines alternative models being deployed by curators and artists influenced by the 2008 global financial crisis and the international socio-political Occupy movement. With a particular focus on a renewed activism by artists, coupled with an institutional and social critique led by groups such as Liberate Tate, the Precarious Workers Brigade and Strike Debt. Who Runs the Artworld: Money, Power and Ethics is one of the first books that brings together a diverse range of thinkers.

  • Contemporary British ceramics and the influence of sculpture : monuments, multiples, destruction and display / Laura Gray
    NK 4085 G739 2018

    This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.

  • Terra Magna : Labrador / JC Roy
    ND 249 R69 A4 2017
    It took JC Roy years of painstaking dedication and travel to paint a scene from every town on the island of Newfoundland. And after seeing that grand vision made available to all in Fluctuat Nec Mergitur: JC Roy's Newfoundland, Roy headed north to finish the second half of his magnum opus. With Roy's singular brushwork, palette, and vision displayed in gorgeously rendered full-colour reproductions, and text in English, French, Innuaimun, and Inuttitut, Terra Magna is a magnetic tribute to the cultures and landscapes of The Big Land. Elegantly designed and remarkably affordable, this vibrant art book completes an imaginative project like no other and stands as an entirely unique testament to one artist's exhaustive and passionate commitment to a place.

  • The good lands : Canada through the eyes of artists / Laura Brandon, Victoria Dickenson, Patricia Grattan, Laurier Lacroix, Gerald McMaster, Naomi Fontaine, Lee Maracle ; foreword by Senator Murray Sinclair
    N 6545 G66 2017
    Fifty years ago, Canada celebrated its hundredth anniversary of Confederation. At Expo 67, in communities across the country, we celebrated our coming of age as a modern, bilingual, bicultural nation--a place where anyone from any culture could thrive. But beneath the applause and the cheerful music was a darker note. In his public address at the festivities, Chief Dan George lamented what Canada's centennial did not celebrate: the colonization and marginalization of Indigenous peoples who lived on these "good lands." Now in the year of Canada's 150th birthday, we honour a new understanding of our past. We have begun--at long last--to share in a process of national reconciliation and to come together to reimagine our contribution to a global future.Artists give form and meaning to both the land and the invisible landscape of the spirit, both the past and the future. The works of Canada's artists--both Indigenous and non-Indigenous, historical and contemporary--invite us to see our country and our place within it with new eyes. This book celebrates their visions, as well as the good lands we have shared and shaped for millennia that, in turn, have shaped us.

  • Annie Pootoogook : cutting ice / Nancy Campbell = Ini Putugu : tukisitittisimavuq takusinnggittunik / Nansi Kampu
    NC 143 P683 A4 2017

    When Annie Pootoogook won the Sobey Art Award in 2006, she cracked the glass ceiling for Inuit art, securing its place in contemporary Canadian art discourse and establishing herself as an artist of international importance. Her achievement sparked critical discussion around contemporary art as well as the absence, and growing presence, of Inuit art: an important conversation that continues to this day.

    The life and death of Annie Pootoogook is a story of national significance. The complex narratives weaving through her short life speak to possibility and heartbreak, truth and reconciliation, the richness of community, and the depths of tragedy. These complexities are recorded in her arresting pencil crayon compositions. Her frank, sometimes challenging, sometimes amusing images of everyday life, acutely observed and marked by a linear control as taut as a wire, declare her as a major contributor to the landscape of contemporary Inuit art.

    Annie Pootoogook: Cutting Ice accompanies an exhibition organized by the McMichael Canadian Art Collection, the gallery of record for works on paper from Annie Pootoogook's Inuit community of Kinngait (Cape Dorset). Under the direction of Nancy Campbell, this publication and the exhibition serve to commemorate the life and work of a remarkable artist a year after her tragically early death.

  • Revisiting Postmodernism / Sir Terry Farrell and Adam Nathaniel Furman
    NA 682 P67 F3 2017

    Revisiting Postmodernismoffers an engaging, wide-ranging and highly illustrated account of postmodernism in architecture from its roots in the 1940s to its ongoing relevance today. This book invites readers to see Postmodernism in a new light: not just a style but a cultural phenomenon that embraces all areas of life and thrives on complexity and pluralism, in contrast to the strait-laced, single-style, top-down inclination of its predecessor, Modernism. While focusing on architecture, this book also explores aspects such as urban masterplanning, furniture design, art and literature. Looking at Postmodernism through the lens of examples from around the world, each chapter explores the movement in the UK on the one hand, and its international counterparts on the other, reflecting on the historical movement but also how postmodernism influences practices today. This book offers the insider's view on postmodernism by Sir Terry Farrell, a recognised pioneer in the field of postmodern architecture and a prestigious and authoritative participant in the postmodern movement. Written by one of postmodernism's greatest pioneers Traces the origins of Postmodernism back to earlier than is generally suggested, and posits that figures usually considered as pure Modernists in fact sowed the seeds of Postmodernism - redefining our notion of what the term means. Covers postmodernism as it exists today and looks at examples from current postmodern practices. Focuses on architecture but also embraces other areas of design, culture and life, including urban planning and place making. Engaging, accessible tone, suitable for a broad range of readers - architects, students, designers and the public.

  • Emma & Edward looking sideways : loneliness and the cinematic / Mieke Bal ; co-curator, Ute Kuhlemann Falck; translation, Francesca M. Nichols
    ND 773 M8 B35 2017

  • Jean Paul Lemieux, la poétique de la souvenance
    ND 249 L4R6

  • The Treasury of San Marco, Venice / [the exhibition has been organized by Olivetti's Cultural Relations Department ... et al. ; photography, Mario Carrieri ; catalogue translation, Jane Clarey ... et al. ; edited by David Buckton with the help of Christopher Entwistle and Rowena Prior]
    NK 520 I8 V467 1985

  • We won't play nature to your culture / Barbara Kruger
    N 6797 K78A4X
page last updated on: Wednesday 18 July 2018
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