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N - Fine Arts - Concordia University Libraries Recent Acquisitions

Items in Fine Arts that were added to the Concordia University Libraries collection in the last 30 days.

  • Orientalist aesthetics : art, colonialism, and French North Africa, 1880-1930 / Roger Benjamin
    ND 1460 E95 B465 2003eb

  • Funny pictures : animation and comedy in studio-era Hollywood / edited by Daniel Goldmark and Charlie Keil
    NC 1766 U5 F866 2011eb

  • Ethnic drag : performing race, nation, sexuality in West Germany / Katrin Sieg
    NX 650 R34 S544 2009eb

  • Noli me tangere : on the raising of the body / Jean-Luc Nancy ; translated by Sarah Clift, Pascale-Anne Brault, and Michael Naas
    N 8053.7 N363 2008eb

  • Work sights : the visual culture of industry in nineteenth-century America / Vanessa Meikle Schulman
    N 72 I53 S385 2015eb

  • Urban forms and colonial confrontations : Algiers under French rule / Zeynep Çelik
    NA 2543 S6 C455 1997eb

  • Imagining identity in New Spain : race, lineage, and the colonial body in portraiture and casta paintings / Magali M. Carrera
    ND 1312 M44 C377 2003eb

  • Architecture in the family way : doctors, houses, and women, 1870-1900 / Annemarie Adams
    NA 7328 A336 1996eb

  • Reading popular prints, 1790-1870 / B.E. Maidment
    NE 962 M35 M353 1996eb

  • Giants of delft : Johannes Vermeer and the natural philosophers : the parallel search for knowledge during the age of discovery / Robert D. Huerta
    N 72 S3 H847 2003eb

  • The art of modern China / Julia F. Andrews and Kuiyi Shen
    N 7345 A537 2012eb

  • Nuns as artists : the visual culture of a medieval convent / Jeffrey F. Hamburger
    NK 1655 E35 H363 1997eb

  • Reinhard Reitzenstein : London Art Gallery in co-operation with the Carmen Lamanna Gallery, Oct. 3-30, 1977
    N 6549 R43 A4 1977

  • Macau Casino Complex / [edited] by Stefan Al
    NA 6810 M33 2018eb

  • Introducing Science through Images : Cases of Visual Popularization / Maria E. Gigante
    N 72 S3 G54 2018eb
    As funding for basic scientific research becomes increasingly difficult to secure, public support becomes essential. Because of its promise for captivating nonexpert publics, the practice of merging art and imagery with science has been gaining traction in the scientific community. While images have been used with greater frequency in recent years, their value is often viewed as largely superficial. To the contrary, Maria E. Gigante posits in Introducing Science through Images, the value of imagery goes far beyond mere aesthetics--visual elements are powerful communication vehicles.The images examined in this volume, drawn from a wide range of historical periods, serve an introductory function--that is, they appear in a position of primacy relative to text and, like the introduction to a speech, have the potential to make audiences attentive and receptive to the forthcoming content. Gigante calls them "portal" images and explicates their utility in science communication, both to popularize and mystify science in the public eye.Gigante analyzes how science has been represented by various types of portal images: frontispieces, portraits of scientists, popular science magazine covers, and award-winning scientific images from Internet visualization competitions. Using theories of rhetoric and visual communication, she addresses the weak connection between scientific communities and the public and explores how visual elements can best be employed to garner public support for research.

  • Architecture and Theology : The Art of Place / Murray A. Rae
    NA 2500 R324 2017eb

  • The Mitki and the Art of Postmodern Protest in Russia / Alexandar Mihailovic
    N 6996 M54 2017eb

  • Gary Larson and The Far Side / Kerry D. Soper
    NC 1429 L32 S67 2018eb

    Kerry D. Soper reminds us of The Far Side 's groundbreaking qualities and cultural significance in Gary Larson and "The Far Side." In the 1980s, Gary Larson (b. 1950) shook up a staid comics page by introducing a set of aesthetic devices, comedic tones, and philosophical frames that challenged and delighted many readers, even while upsetting and confusing others. His irreverent, single panels served as an alternative reality to the tame comedy of the family-friendly newspaper comics page, as well as the pervasive, button-down consumerism and conformity of the Reagan era.

    In this first full study of Larson's art, Soper follows the arc of the cartoonist's life and career, describing the aesthetic and comedic qualities of his work, probing the business side of his success, and exploring how The Far Side brand as a whole--with its iconic characters and accompanying set of comedic and philosophical frames--connected with its core readers. In effect, Larson reinvented his medium by creatively working within, pushing against, and often breaking past institutional, aesthetic, comedic, and philosophical parameters.

    Due to the comic's great success, it opened the door for additional alternative voices in comics and other popular mediums. With its intentionally awkward, minimalistic lines and its morbid humor, The Far Side expanded Americans' comedic palette and inspired up-and-coming cartoonists, comedians, and filmmakers. Soper re-creates the cultural climate and media landscape in which The Far Side first appeared and thrived, then assesses how it impacted worldviews and shaped the comedic sensibilities of a generation of cartoonists, comedy writers, and everyday fans.

  • Four Metaphors of Modernism : From Der Sturm to the Société Anonyme / Jenny Anger
    N 6494 M64 A645 2018eb

    Exploring the significance of metaphor in modern art

    "Where do the roots of art lie?" asked Der Sturm founder Herwarth Walden. "In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels." Walden's Der Sturm--the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910-1932)--has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice.

    Jenny Anger traces Walden's aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche--forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York's Soci#65533;t#65533; Anonyme (1920-1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism.

    Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction's connection with the real.

  • Environmental Design : Architecture, Politics, and Science in Postwar America / Avigail Sachs
    NA 2543 S6 S225 2018eb

    Much of twentieth-century design was animated by the creative tension of its essential duality: is design an art or a science? In the postwar era, American architects sought to calibrate architectural practice to evolving scientific knowledge about humans and environments, thus elevating the discipline's stature and enmeshing their work in a progressive restructuring of society. This political and scientific effort was called "environmental design," a term expanded in the 1960s to include ecological and liberal ideas. In her expansive new study, Avigail Sachs examines the theoretical scaffolding and practical legacy of this professional effort.

    Inspired by Lewis Mumford's 1932 challenge enjoining architects to go beyond visual experimentation and create complete human environments, Environmental Design details the rise of modernist ideas in the architectural disciplines within the novel context of sociopolitical rather than aesthetic responsibilities. Unlike today's "starchitects," environmental designers saw themselves as orchestrators of decision making more than auteurs of form and style. Viewing architectural practice as rooted in Progressive Era politics and the democratic process rather than the European avant-garde, Sachs plots how these social concepts spread via influential architecture schools. This rich examination of pedagogy and practice is a map to both the history of environmental design and the contemporary consequences of architecture understood as a pressing social concern.

  • Rembrandt's Religious Prints : The Feddersen Collection at the Snite Museum of Art / Charles M. Rosenberg
    NE 2054.5 R4 A4 2017eb

    Rembrandt's stunning religious prints stand as evidence of the Dutch master's extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the 70 religious prints through detailed background information on the artist's career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt's etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints-- modest, intimate, fragile objects--are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter.

  • Art History after Deleuze and Guattari / edited by Sjoerd van Tuinen and Stephen Zepke
    N 7475 A783 2017eb

  • Re-Assessing the Global Turn in Medieval Art History / edited by Christina Normore
    N 5975 R428 2018eb
    The growth in debates concerning the concept of 'the global' in medieval art history, and the more complex picture of Eurasian and African societies and material culture that has emerged in the past two decades has highlighted challenges to traditional art historical narratives, specializations, and scholarly training. And while these problems affect Byzantine, Islamic, Western medieval, and East Asian art history, there has been little conversation among scholars in these fields. A cutting-edge work on global medieval art, this volume offers a starting point for conversations among scholars working on multiple cultural regions.

  • Portraits of Human Monsters in the Renaissance : Dwarves, Hirsutes, and Castrati as Idealized Anatomical Anomalies / Touba Ghadessi
    N 8236 P4 G49 2017eb
    At the center of this interdisciplinary study are court monsters--dwarves, hirsutes, and misshapen individuals--who, by their very presence, altered Renaissance ethics vis-a-vis anatomical difference, social virtues, and scientific knowledge. The study traces how these monsters evolved from objects of curiosity, to scientific cases, to legally independent beings. The works examined here point to the intricate cultural, religious, ethical, and scientific perceptions of monstrous individuals who were fixtures in contemporary courts.

  • Concrete Changes : Architecture, Politics, and the Design of Boston City Hall / Brian M. Sirman
    NA 4433 B57 S57 2018eb

  • Ideals of the Body : Architecture, Urbanism, and Hygiene in Postrevolutionary Paris / Sun-Young Park
    NA 2543 S6 P375 2018eb

  • Selling Andrew Jackson : Ralph E. W. Earl and the Politics of Portraiture / Rachel Stephens
    N 7628 J33 S4 2018eb
    Selling Andrew Jackson is the first book-length study of the American portrait painter Ralph E. W. Earl, who worked as Andrew Jackson's personal artist from 1817 until Earl's death in 1838. During this period Jackson held Earl in close council, even providing him residence at the Hermitage, Jackson's home in Tennessee, and at the White House during his presidency. In this well-researched and comprehensive volume, Rachel Stephens examines Earl's role in Jackson's inner circle and the influence of his portraits on Jackson's political career and historical legacy.By investigating the role that visual culture played in early American history, Stephens reveals the fascinating connections between politics and portraiture in order to challenge existing frameworks for grasping the inner workings of early nineteenth-century politics. Stephens argues that understanding the role Earl played within Jackson's coterie is critical to understanding the trajectory of Jackson's career. Earl, she concludes, should be credited with playing the propagandistic role of image-shaper--long before such a position existed within American presidential politics. Earl's portraits became fine art icons that changed in character and context as Jackson matured from the hero of the Battle of New Orleans to the first common-man president to the leader of the Democratic party, and finally to the rustic sage of the Hermitage.Jackson and Earl worked as a team to exploit an emerging political culture that sought pictures of famous people to complement the nation's exploding mass culture, grounded on printing, fast communications, and technological innovation. To further this cause, Earl operated a printmaking enterprise and used his portrait images to create engravings and lithographs to spread Jackson's influence into homes and businesses. Portraits became vehicles to portray political allegiances, middle-class cultural aspirations, and the conspicuous trappings of wealth and power.Through a comprehensive analysis of primary sources including those detailing Jackson's politics, contemporary political cartoons and caricatures, portraits and prints, and the social and economic history of the period, Stephens illuminates the man they pictured in new ways, seeking to broaden the understanding of such a complicated figure in American history.

  • Exiled in Modernity : Delacroix, Civilization, and Barbarism / David O'Brien
    ND 553 D33 O23 2018eb

  • Nazi Exhibition Design and Modernism / Michael Tymkiw
    N 4396 T96 2018eb

    A new and challenging perspective on Nazi exhibition design

    In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon and reconfigured the practices and principles of modernism when designing exhibition spaces and the objects within. In this book, Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship"--attempts to elicit experiences among exhibition-goers that would pique their desire to become involved in wider processes of social and political change.

    For historians of art, architecture, performance, and other forms of visual culture, Nazi Exhibition Design and Modernism unravels long-held assumptions, particularly concerning the ideological stakes of participation.

  • Mexican Costumbrismo : Race, Society, and Identity in Nineteenth-Century Art / Mey-Yen Moriuchi
    N 6554 M67 2018eb

  • The Monumental Challenge of Preservation : The Past in a Volatile World / Michele Valerie Cloonan
    N 8850 C566 2018eb

    The enormous task of preserving the world's heritage in the face of war, natural disaster, vandalism, neglect, and technical obsolescence.

    The monuments--movable, immovable, tangible, and intangible--of the world's shared cultural heritage are at risk. War, terrorism, natural disaster, vandalism, and neglect make the work of preservation a greater challenge than it has been since World War II. In The Monumental Challenge of Preservation Michèle Cloonan makes the case that, at this critical juncture, we must consider preservation in the broadest possible contexts. Preservation requires the efforts of an increasing number of stakeholders.

    In order to explore the cultural, political, technological, economic, and ethical dimensions of preservation, Cloonan examines particular monuments and their preservation dilemmas. The massive Bamiyan Buddhas, blown up by the Taliban in 2001, are still the subject of debates over how, or whether, to preserve what remains, and the U. S. National Park Service has undertaken the complex task of preserving the symbolic and often ephemeral objects that visitors leave at the Vietnam Veterans Memorial--to take just two of the many examples described in the book. Cloonan also considers the ongoing genocide and cultural genocide in Syria; the challenges of preserving our digital heritage; the dynamic between original and copy; efforts to preserve the papers and architectural fragments of the architect Louis Sullivan; and the possibility of sustainable preservation. In the end, Cloonan suggests, we are what we preserve--and don't preserve. Every day we make preservation decisions, individually and collectively, that have longer-term ramifications than we might expect.

  • Modernism's Visible Hand : Architecture and Regulation in America / Michael Osman
    NA 2543 T43 O86 2018eb

    A groundbreaking history of the confluence of regulatory thinking and building design in the United States

    What is the origin of "room temperature"? When did food become considered fresh or not fresh? Why do we think management makes things more efficient? The answers to these questions share a history with architecture and regulation at the turn of the twentieth century. This pioneering technological and architectural history of environmental control systems during the Gilded Age begins with the premise that regulation--of temperature, the economy, even the freshness of food--can be found in the guts of buildings. From cold storage and scientific laboratories to factories, these infrastructures first organized life in a way we now call "modern."

    Drawing on a range of previously unexplored archival resources, Michael Osman examines the increasing role of environmental technologies in building design from the late nineteenth century. He shows how architects appropriated and subsumed the work of engineers as thermostats, air handlers, and refrigeration proliferated. He argues that this change was closely connected to broader cultural and economic trends in management and the regulation of risk. The transformation shaped the evolution of architectural modernism and the development of the building as a machine. Rather than assume the preexisting natural order of things, participants in regulation--including architects, scientists, entrepreneurs, engineers, managers, economists, government employees, and domestic reformers--became entangled in managing the errors, crises, and risks stemming from the nation's unprecedented growth.

    Modernism's Visible Hand not only broadens our conception of how industrial capitalism shaped the built environment but is also vital to understanding the role of design in dealing with ecological crises today.

  • A Paris Life, A Baltimore Treasure : The Remarkable Lives of George A. Lucas and His Art Collection / Stanley Mazaroff
    N 5220 L76 M39 2018eb

    In 1857, George A. Lucas, a young Baltimorean who was fluent in French and enamored of French art, arrived in Paris. There, he established an extensive personal network of celebrated artists and art dealers, becoming the quintessential French connection for American collectors. The most remarkable thing about Lucas was not the art that he acquired for his clients (who included William and Henry Walters, the founders of the Walters Art Museum, and John Taylor Johnston, the founding president of the Metropolitan Museum of Art) but the massive collection of 18,000 paintings, drawings, sculptures, and etchings, as well as 1,500 books, journals, and other sources about French artists, that he acquired for himself. Paintings by Cabanel, Corot, and Daubigny, prints by Whistler, Manet, and Cassatt, and portfolios of information about hundreds of French artists filled his apartment and spilled into the adjacent flat of his mistress.

    Based primarily on Lucas's notes and diaries, as well as thousands of other archival documents, Stanley Mazaroff's A Paris Life, A Baltimore Treasure tells the fascinating story of how Lucas brought together the most celebrated French artists with the most prominent and wealthy American collectors of the time. It also details how, nearing the end of his life, Lucas struggled to find a future home for his collection, eventually giving it to Baltimore's Maryland Institute. Without the means to care for the collection, the Institute loaned it to the Baltimore Museum of Art, where most of the art was placed in storage and disappeared from public view. But in 1990, when the Institute proposed to auction or otherwise sell the collection, it rose from obscurity, reached new glory as an irreplaceable cultural treasure, and became the subject of an epic battle fought in and out of court that captivated public attention and enflamed the passions of art lovers and museum officials across the nation.

    A Paris Life, A Baltimore Treasure is a richly illustrated portrayal of Lucas's fascinating life as an agent, connoisseur, and collector of French mid-nineteenth-century art. And, as revealed in the book, following Lucas's death, his enormous collection continued to have a vibrant life of its own, presenting new challenges to museum officials in studying, conserving, displaying, and ultimately saving the collection as an important and intrinsic part of the culture of our time.

  • The Log Cabin : An American Icon / Alison K. Hoagland
    NA 8470 H63 2017eb

    For roughly a century, the log cabin occupied a central and indispensable role in the rapidly growing United States. Although it largely disappeared as a living space, it lived on as a symbol of the settling of the nation. In her thought-provoking and generously illustrated new book, Alison Hoagland looks at this once-common dwelling as a practical shelter solution--easy to construct, built on the frontier's abundance of trees, and not necessarily meant to be permanent--and its evolving place in the public memory.

    Hoagland shows how the log cabin was a uniquely adaptable symbol, responsive to the needs of the cultural moment. It served as the noble birthplace of presidents, but it was also seen as the basest form of housing, accommodating the lowly poor. It functioned as a paragon of domesticity, but it was also a basic element in the life of striving and wandering. Held up as a triumph of westward expansion, it was also perceived as a building type to be discarded in favor of more civilized forms.

    In the twentieth century, the log cabin became ingrained in popular culture, serving as second homes and motels, as well as restaurants and shops striking a rustic note. The romantic view of the past, combined with the log cabin's simplicity, solidity, and compatibility with nature, has made it an enduring architectural and cultural icon.

    Preparation of this volume has been supported by Furthermore: a program of the J. M. Kaplan Fund

  • The Truth Is Always Grey : A History of Modernist Painting / Frances Guerin
    ND 1495 P8 G84 2018eb

    Changing how we look at and think about the color grey

    Why did many of the twentieth century's best-known abstract painters often choose grey, frequently considered a noncolor and devoid of meaning? Frances Guerin argues that painters (including Jasper Johns, Cy Twombly, Agnes Martin, Brice Marden, Mark Rothko, and Gerhard Richter) select grey to respond to a key question of modernist art: What is painting?

    By analyzing an array of modernist paintings, Guerin demonstrates that grey has a unique history and a legitimate identity as a color. She traces its use by painters as far back as medieval and Renaissance art, through Romanticism, to nineteenth- and twentieth-century modernism to show how grey is the perfect color to address the questions asked by painting within art history and to articulate the relationship between painting and the historical world of industrial modernity.

    A work of exceptional erudition, breadth, and clarity, presenting an impressive range of canonical paintings across centuries as examples, The Truth Is Always Grey is a treatise on color that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the color grey.

  • Roman Artists, Patrons, and Public Consumption : Familiar Works Reconsidered / edited by Brenda Longfellow and Ellen Perry
    N 72 S6 R64 2017eb

  • Modernism as Memory : Building Identity in the Federal Republic of Germany / Kathleen James-Chakraborty
    NA 1068 J36 2018eb

    After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and '20s. As Modernism as Memory illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror.

    While others have characterized contemporary Berlin's museums and memorials as postmodern, Kathleen James-Chakraborty argues that these environments are examples of an "architecture of modern memory" that is much older, more complex, and historically contingent. She reveals that churches and museums repaired and designed before 1989 in D#65533;ren, Hanover, Munich, Neviges, Pforzheim, Stuttgart, and Weil am Rhein contributed to a modernist precedent for the relationship between German identity and the past developed since then in the Ruhr region and in Berlin.

    Modernism as Memory demonstrates that how one remembers can be detached from what one remembers, contrasting ruins with recollections of modernism to commemorate German suffering, the Holocaust, and the industrial revolution, as well as new spaces for Islam in the country.

  • Interpreting Kigali, Rwanda : Architectural Inquiries and Prospects for a Developing African City / Korydon H. Smith and Tomà Berlanda ; with a foreword and work from Peter Rich and work from Stephen Luoni and the University of Arkansas Community Design Center
    NA 2542.4 S538 2018eb

  • Taking African Cartoons Seriously : Politics, Satire, and Culture / edited by Peter Limb and Tejumola Olaniyan
    NC 1730 T35 2018eb
    Cartoonists make us laugh--and think--by caricaturing daily events and politics. The essays, interviews, and cartoons presented in this innovative book vividly demonstrate the rich diversity of cartooning across Africa and highlight issues facing its cartoonists today, such as sociopolitical trends, censorship, and use of new technologies. Celebrated African cartoonists including Zapiro of South Africa, Gado of Kenya, and Asukwo of Nigeria join top scholars and a new generation of scholar-cartoonists from the fields of literature, comic studies and fine arts, animation studies, social sciences, and history to take the analysis of African cartooning forward. Taking African Cartoons Seriously presents critical thematic studies to chart new approaches to how African cartoonists trade in fun, irony, and satire. The book brings together the traditional press editorial cartoon with rapidly diverging subgenres of the art in the graphic novel and animation, and applications on social media. Interviews with bold and successful cartoonists provide insights into their work, their humor, and the dilemmas they face. This book will delight and inform readers from all backgrounds, providing a highly readable and visual introduction to key cartoonists and styles, as well as critical engagement with current themes to show where African political cartooning is going and why.

  • Subversive Spirits : The Female Ghost in British and American Popular Culture / Robin Roberts
    NX 650 G48 R63 2018eb

    The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows--the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts.

    Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles.

    Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human , where the female ghost expands her influence to become a mother and savior to all humanity.

  • The Sculpture of Robyn Horn
    NB 237 H577 S38 2018eb

  • Buddhist Visual Cultures, Rhetoric, and Narrative in Late Burmese Wall Paintings / Alexandra Green
    ND 2832.6 A1 G743 2018eb

  • London Art Worlds : Mobile, Contingent, and Ephemeral Networks, 1960–1980 / edited by Jo Applin, Catherine Spencer, and Amy Tobin
    N 6770 L6495 2018eb

  • Thomas Hirschhorn : A New Political Understanding of Art? / Christina Braun ; translated by Steven Lindberg
    N 7153 H57 B7313 2018eb
    Thomas Hirschhorn, a leading installation artist whose work is owned and exhibited by modern art museums throughout Europe and the United States, is known for compelling, often site-specific and interactive environments tackling issues of critical theory, global politics, and consumerism. His work initially engages the viewer through sheer superabundance. Combining found images and texts, bound up in handcrafted constructions of cardboard, foil, and packing tape, the artworks reflect the intellectual scavenging and sensory overload that characterize our own attempts to grapple with the excess of information in daily life.

    Christina Braun, the first to compile and systematically analyze the extensive source material on this artist's theoretical principles, sheds light on the complicated yet constitutive relations between Hirschhorn's work and theory. Her study, now translated into English, makes a major contribution to the study of contemporary art.

  • The Black Skyscraper : Architecture and the Perception of Race / Adrienne Brown
    NA 2543 R37 B76 2017eb

    With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and concluding with the 1931 erection of the 110-story Empire State Building, Adrienne Brown's The Black Skyscraper provides a detailed account of how scale and proximity shape our understanding of race.

    Over the next half-century, as city skylines grew, American writers imagined the new urban backdrop as an obstacle to racial differentiation. Examining works produced by writers, painters, architects, and laborers who grappled with the early skyscraper's outsized and disorienting dimensions, Brown explores this architecture's effects on how race was seen, read, and sensed at the turn of the twentieth century.

    In lesser-known works of apocalyptic science fiction, light romance, and Jazz Age melodrama, as well as in more canonical works by W. E. B. Du Bois, F. Scott Fitzgerald, Aaron Douglas, and Nella Larsen, the skyscraper mediates the process of seeing and being seen as a racialized subject. From its distancing apex--reducing bodies to specks--to the shadowy mega-blocks it formed at street level, Brown argues that the skyscraper called attention to the malleable nature of perception. A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.

  • A Capsule Aesthetic : Feminist Materialisms in New Media Art / Kate Mondloch
    N 72 F45 M66 2018eb

    How new media art informed by feminism yields important and original insights about interacting with technologies

    In A Capsule Aesthetic , Kate Mondloch examines how new media installation art intervenes in the fields of technoscience and new materialism, showing how three diverse artists--Pipilotti Rist, Patricia Piccinini, and Mariko Mori--contribute to the urgent conversation about everyday technology and the ways it constructs our bodies.

    A Capsule Aesthetic establishes the unique insights that feminist theory offers to new media art and new materialisms, offering a fuller picture of human-nonhuman relations. In-depth readings of works by Rist, Piccinini, and Mori explore such questions as the role of the contemporary art museum in our experience of media art, how the human is conceived of by biotechnologies, and how installation art can complicate and enrich contemporary science's understanding of the brain. With vivid, firsthand descriptions of the artworks, Mondloch takes the reader inside immersive installation pieces, showing how they allow us to inhabit challenging theoretical concepts and nonanthropomorphic perspectives.

    Striving to think beyond the anthropocentric and fully consider the material world, A Capsule Aesthetic brings new approaches to questions surrounding our technology-saturated culture and its proliferation of human-to-nonhuman interfaces.

  • Finding Voice : A Visual Arts Approach to Engaging Social Change / Kim Shelley Berman
    N 72 S6 B475 2017eb

  • Superhumanity : Design of the Self / Nick Axel, Beatriz Colomina, Nikolaus Hirsch, Anton Vidokle, Mark Wigley, editors
    NK 1520 S874 2018eb

    A wide-ranging and challenging exploration of design and how it engages with the self

    The field of design has radically expanded. As a practice, design is no longer limited to the world of material objects but rather extends from carefully crafted individual styles and online identities to the surrounding galaxies of personal devices, new materials, interfaces, networks, systems, infrastructures, data, chemicals, organisms, and genetic codes.

    Superhumanity seeks to explore and challenge our understanding of "design" by engaging with and departing from the concept of the "self." This volume brings together more than fifty essays by leading scientists, artists, architects, designers, philosophers, historians, archaeologists, and anthropologists, originally disseminated online via e-flux Architecture between September 2016 and February 2017 on the invitation of the Third Istanbul Design Biennial. Probing the idea that we are and always have been continuously reshaped by the artifacts we shape, this book asks: Who designed the lives we live today? What are the forms of life we inhabit, and what new forms are currently being designed? Where are the sites, and what are the techniques, to design others?

    This vital and far-reaching collection of essays and images seeks to explore and reflect on the ways in which both the concept and practice of design are operative well beyond tangible objects, expanding into the depths of self and forms of life.

    Contributors: Zeynep #65533;elik Alexander, Lucia Allais, Shumon Basar, Ruha Benjamin, Franco "Bifo" Berardi, Daniel Birnbaum, Ina Blom, Benjamin H. Bratton, Giuliana Bruno, Tony Chakar, Mark Cousins, Simon Denny, Keller Easterling, Hu Fang, Rub#65533;n Gallo, Liam Gillick, Boris Groys, Rupali Gupte, Andrew Herscher, Tom Holert, Brooke Holmes, Francesca Hughes, Andr#65533;s Jaque, Lydia Kallipoliti, Thomas Keenan, Sylvia Lavin, Yongwoo Lee, Lesley Lokko, MAP Office, Chus Mart#65533;nez, Ingo Niermann, Ahmet #65533;g#65533;t, Trevor Paglen, Spyros Papapetros, Raqs Media Collective, Juliane Rebentisch, Sophia Roosth, Felicity D. Scott, Jack Self, Prasad Shetty, Hito Steyerl, Kali Stull, Pelin Tan, Alexander Tarakhovsky, Paulo Tavares, Stephan Tr#65533;by, Etienne Turpin, Sven-Olov Wallenstein, Eyal Weizman, Mabel O. Wilson, Brian Kuan Wood, Liam Young, and Arseny Zhilyaev.

  • The Anime Ecology : A Genealogy of Television, Animation, and Game Media / Thomas Lamarre
    NC 1766 J3 L34 2018eb

    A major work destined to change how scholars and students look at television and animation

    With the release of author Thomas Lamarre's field-defining study The Anime Machine , critics established Lamarre as a leading voice in the field of Japanese animation. He now returns with The Anime Ecology , broadening his insights to give a complete account of anime's relationship to television while placing it within important historical and global frameworks.

    Lamarre takes advantage of the overlaps between television, anime, and new media--from console games and video to iOS games and streaming--to show how animation helps us think through television in the contemporary moment. He offers remarkable close readings of individual anime while demonstrating how infrastructures and platforms have transformed anime into emergent media (such as social media and transmedia) and launched it worldwide.

    Thoughtful, thorough illustrations plus exhaustive research and an impressive scope make The Anime Ecology at once an essential reference book, a valuable resource for scholars, and a foundational textbook for students.

  • Interpreting Anime / Christopher Bolton
    NC 1766 J3 B65 2018eb

    For students, fans, and scholars alike, this wide-ranging primer on anime employs a panoply of critical approaches

    Well-known through hit movies like Spirited Away , Akira , and Ghost in the Shell , anime has a long history spanning a wide range of directors, genres, and styles. Christopher Bolton's Interpreting Anime is a thoughtful, carefully organized introduction to Japanese animation for anyone eager to see why this genre has remained a vital, adaptable art form for decades.

    Interpreting Anime is easily accessible and structured around individual films and a broad array of critical approaches. Each chapter centers on a different feature-length anime film, juxtaposing it with a particular medium--like literary fiction, classical Japanese theater, and contemporary stage drama--to reveal what is unique about anime's way of representing the world. This analysis is abetted by a suite of questions provoked by each film, along with Bolton's incisive responses.

    Throughout, Interpreting Anime applies multiple frames, such as queer theory, psychoanalysis, and theories of postmodernism, giving readers a thorough understanding of both the cultural underpinnings and critical significance of each film. What emerges from the sweep of Interpreting Anime is Bolton's original, articulate case for what makes anime unique as a medium: how it at once engages profound social and political realities while also drawing attention to the very challenges of representing reality in animation's imaginative and compelling visual forms.

  • Race Experts : Sculpture, Anthropology, and the American Public in Malvina Hoffman's Races of Mankind / Linda Kim
    NB 237 H55 A74 2018eb
    In Race Experts Linda Kim examines the complicated and ambivalent role played by sculptor Malvina Hoffman in T​he Races of Mankind series created for the Chicago Field Museum in 1930. Although Hoffman had training in fine arts and was a protégé of Auguste Rodin and Ivan Mestrović, she had no background in anthropology or museum exhibits. She was nonetheless commissioned by the Field Museum to make a series of life-size sculptures for the museum's new racial exhibition, which became the largest exhibit on race ever installed in a museum and one of the largest sculptural commissions ever undertaken by a single artist.

    Hoffman's Races of Mankind exhibit was realized as a series of 104 bronzes of racial types from around the world, a unique visual mediation between anthropological expertise and everyday ideas about race in interwar America. Kim explores how the artist brought scientific understandings of race and the everyday racial attitudes of museum visitors together in powerful and productive friction. The exhibition compelled the artist to incorporate not only the expertise of racial science and her own artistic training but also the popular ideas about race that ordinary Americans brought to the museum. Kim situates the Races of Mankind exhibit at the juncture of these different forms of racial expertise and examines how the sculptures represented the messy resolutions between them.

    Race Experts is a compelling story of ideological contradiction and accommodation within the racial practices of American museums, artists, and audiences.

  • White space is not your enemy : a beginner's guide to communicating visually through graphic, web & multimedia design / Rebecca Hagen, Kim Golombisky
    NC 997 G563 2017eb

  • Beyond the pink tide : art and political undercurrents in the Americas / Macarena Gómez-Barris
    NX 650 P6 G66 2018
    How can we create a model of politics that reaches beyond the nation-state, and beyond settler-colonialism, authoritarianism, and neoliberalism? In Beyond the Pink Tide, Macarena Gómez-Barris explores the alternatives of recent sonic, artistic, activist, visual, and embodied cultural production. By focusing on radical spaces of potential, including queer, youth, trans-feminist, Indigenous, and anticapitalist movements and artistic praxis, Gómez-Barris offers a timely call for a decolonial, transnational American Studies. She reveals the broad possibilities that emerge by refusing national borders in the Americas and by seeing and thinking beyond the frame of state-centered politics. Concrete social justice and transformation begin at the level of artistic, affective, and submerged political imaginaries--in Latin America and the United States, across South-South solidarities, and beyond.

  • Never alone, except for now : art, networks, populations / Kris Cohen
    NX 180 I57 C64 2017
    How is it that one can be connected to a vast worldwide network of other people and places via digital technologies and yet also be completely alone? Kris Cohen tackles this philosophical question in Never Alone, Except for Now by exploring how contemporary technologies are changing group formations and affiliations within social life. He identifies a new form of collectivity that exists between publics, which are built through conscious acts, and populations, which are automatically constructed through the collection of Big Data. Finding traditional liberal concepts of the public sphere and neoliberal ideas of populations inadequate on their own to examine these new forms of sociality, Cohen places familiar features of the web--such as emoticons, trolling, and search engines--in conversation with artworks by Felix Gonzalez-Torres, William Gibson, Sharon Hayes, and Thomson & Craighead to more precisely articulate the affective and aesthetic experiences of living between publics and populations. This liminal experience--caught between existing as a set of data points and as individuals newly empowered to create their own online communities--explains, Cohen contends, how one is simultaneously alone and connected in ways never before possible.

  • Interpreting basic buildings / Gianfranco Caniggia, Gian Luigi Maffei ; curatorship, introduction and critical glossary by Nicola Marzot
    NA 2760 C36 2017

  • Much loved : photographs / by Mark Nixon
    NK 9509.95 S63 N59 2013
    Award-winning Dublin-based portrait photographer Mark Nixon has created a wonderful, whimsical and nostalgic collection of images of individual stuffed animals that have been lovingly abused from years of play. "The well-worn toys show battle scars of being the prized possessions of children and cherished companions that have seen many a repair as different parts start wearing down," says Nixon. An exhibit in the photographer's professional studio led to a small sensation on the Internet when a few of the images circulated unofficially on scores of blogs and on many legitimate news sites. Viewers have been intrigued by these funny, bittersweet images and their ironic juxtaposition of childhood innocence and aged, loving wear & tear. When you see these teddy bears and bunnies with missing noses and un-done stuffing, you can't help but think back to childhood and it earliest companions who asked for nothing and gave a lot back. MuchLoved includes sixty 4-colour portraits along with an accompanying background story for each animal.

  • Art and engagement in early postwar Japan / Justin Jesty
    N 72 P6 J47 2018

    Justin Jesty's Art and Engagement in Early Postwar Japan reframes the history of art and its politics in Japan post-1945. This fascinating cultural history addresses our broad understanding of the immediate postwar era moving toward the Cold War and subsequent consolidations of political and cultural life. At the same time, Jesty delves into an examination of the relationship between art and politics that approaches art as a mode of intervention, but he moves beyond the idea that the artwork or artist unilaterally authors political significance to trace how creations and expressive acts may (or may not) actually engage the terms of shared meaning and value.

    Art and Engagement in Early Postwar Japan centers on a group of social realists on the radical left who hoped to wed their art with anti-capitalist and anti-war activism, a liberal art education movement whose focus on the child inspired innovation in documentary film, and a regional avant-garde group split between ambition and local loyalty. In each case, Jesty examines writings and artworks, together with the social movements they were a part of, to demonstrate how art--or more broadly, creative expression--became a medium for collectivity and social engagement. He reveals a shared if varied aspiration to create a culture founded in amateur-professional interaction, expanded access to the tools of public authorship, and dispersed and participatory cultural forms that intersected easily with progressive movements. Highlighting the transformational nature of the early postwar, Jesty deftly contrasts it with the relative stasis, consolidation, and homogenization of the 1960s.

  • Anni Albers / edited by Ann Coxon, Briony Fer, and Maria Müller-Schareck
    NK 8898 A43 A4 2018
    A long-overdue reassessment of one of the most important and influential woman artists working at midcentury

    Anni Albers (1899-1994) was a German textile designer, weaver, and printmaker, and among the leading pioneers of 20th-century modernism. Although she has heavily influenced generations of artists and designers, her contribution to modernist art history has been comparatively overlooked, especially in relation to that of her husband, Josef. In this groundbreaking and beautifully illustrated volume, Albers's most important works are examined to fully explore and redefine her contribution to 20th-century art and design and highlight her significance as an artist in her own right.

    Featured works--from her early activity at the Bauhaus as well as from her time at Black Mountain College, and spanning her entire fruitful career--include wall hangings, designs for commercial use, drawings and studies, jewelry, and prints. Essays by international experts focus on key works and themes, relate aspects of Albers's practice to her seminal texts On Designing and On Weaving , and identify broader contextual material, including examples of the Andean textiles that Albers collected and in which she found inspiration for her understanding of woven thread as a form of language. Illuminating Albers's skill as a weaver, her material awareness, and her deep understanding of art and design, this publication celebrates an artist of enormous importance and showcases the timeless nature of her creativity.

  • Migrations, arts and postcoloniality in the Mediterranean / Celeste Ianniciello
    N 8214.5 M48 I23 2018

    This book is focused on the transcultural memory of the Mediterranean region and the different ways it is articulated by contemporary art practices and museum projects linked to migrations, exile, diaspora and transnationality. The artistic and curatorial examples analysed in this study articulate a critical relationship between the cultural representations and the sense of heritage, property and belonging, offering the opportunity of a more problematic and stimulating vision of the preservation of the European arts, traditions and histories. Artists and projects examined include the project Porto M in Lampedusa, Zineb Sedira, Ursula Biemann, Lara Baladi, Mona Hatoum, Emily Jacir, Kader Attia and Walid Raad.

  • Artistic research in the future academy / Danny Butt
    N 345 B88 2017
    The rapid growth of doctoral-level art education challenges traditional ways of thinking about academic knowledge and, yet, as Danny Butt argues in this book, the creative arts may also represent a positive blueprint for the future of the university. Synthesizing institutional history with aesthetic theory, Artistic Research in the Future Academy reconceptualizes the contemporary crisis in university education toward a valuable renewal of creative research.

  • The anime ecology : a genealogy of television, animation, and game media / Thomas Lamarre
    NC 1766 J3 L34 2018
    A major work destined to change how scholars and students look at television and animation With the release of author Thomas Lamarre's field-defining study The Anime Machine, critics established Lamarre as a leading voice in the field of Japanese animation. He now returns with The Anime Ecology, broadening his insights to give a complete account of anime's relationship to television while placing it within important historical and global frameworks. Lamarre takes advantage of the overlaps between television, anime, and new media--from console games and video to iOS games and streaming--to show how animation helps us think through television in the contemporary moment. He offers remarkable close readings of individual anime while demonstrating how infrastructures and platforms have transformed anime into emergent media (such as social media and transmedia) and launched it worldwide. Thoughtful, thorough illustrations plus exhaustive research and an impressive scope make The Anime Ecology at once an essential reference book, a valuable resource for scholars, and a foundational textbook for students.

  • Frank Stella unbound : literature and printmaking / Mitra Abbaspour, Calvin Brown, Erica Cooke
    NE 539 S72 A4 2018

  • Sophie Taeuber-Arp and the avant-garde : a biography / Roswitha Mair ; translated by Damion Searls
    N 7153 T33 M313 2018
    Sophie Taeuber-Arp was a quiet innovator whose fame has too often been yoked to that of her husband, Jean Arp. Over time, however, she has slowly come to be seen as one of the foremost abstract artists and designers of the twentieth century. The Swiss-born Taeuber-Arp had a front row seat to the first wave of Dadaism and was, along with Mondrian and Malevich, a pioneer of Constructivism. Her singular artwork incorporated painting, sculpture, dance, fiber arts, and architecture, as hers was one of the first oeuvres to successfully bridge the divide between fine and functional art.

    Now Roswitha Mair has brought us the first biography of this unique polymath, illuminating not just Tauber-Arp's own life and work, but also the various milieux and movements in which she traveled. No fan of the Dadaists and their legacy will want to miss this first English-language translation.

  • Leonardo : discoveries from Verrocchio's studio : early paintings and new attributions / Laurence Kanter ; with contributions by Bruno Mottin and Rita Piccione Albertson
    NB 623 L6 K36 2018
    Presents exciting, original conclusions about Leonardo da Vinci's early life as an artist and amplifies his role in Andrea del Verrocchio's studio

    This groundbreaking reexamination of the beginnings of Leonardo da Vinci's (1452-1519) life as an artist suggests new candidates for his earliest surviving work and revises our understanding of his role in the studio of his teacher, Andrea del Verrocchio (1435-1488). Anchoring this analysis are important yet often overlooked considerations about Verrocchio's studio--specifically, the collaborative nature of most works that emerged from it and the probability that Leonardo must initially have learned to paint in tempera, as his teacher did. The book searches for the young artist's hand among the tempera works from Verrocchio's studio and proposes new criteria for judging Verrocchio's own painting style. Several paintings are identified here as likely the work of Leonardo, and others long considered works by Verrocchio or his assistant Lorenzo di Credi (1457/59-1536) may now be seen as collaborations with Leonardo sometime before his departure from Florence in 1482/83. In addition to Laurence Kanter's detailed arguments, the book features three essays presenting recent scientific analysis and imaging that support the new attributions of paintings, or parts of paintings, to Leonardo.

  • Graphic culture : illustration and artistic enterprise in Paris, 1830-1848 / Jillian Lerner
    NE 485 L47 2018
    Nineteenth-century Paris is often celebrated as the capital of modernity. However, this story is about cultural producers who were among the first to popularize and profit from that idea. Graphic Culture investigates the graphic artists and publishers who positioned themselves as connoisseurs of Parisian modernity in order to market new print publications that would amplify their cultural authority while distributing their impressions to a broad public. Jillian Lerner's exploration of print culture illuminates the changing conditions of vision and social history in July Monarchy Paris. Analyzing a variety of caricatures, fashion plates, celebrity portraits, city guides, and advertising posters from the 1830s and 1840s, she shows how quotidian print imagery began to transform the material and symbolic dimensions of metropolitan life. The author's interdisciplinary approach situates the careers and visual strategies of illustrators such as Paul Gavarni and Achille Devéria in a broader context of urban entertainments and social practices; it brings to light a rich terrain of artistic collaboration and commercial experimentation that linked the worlds of art, literature, fashion, publicity, and the theatre. A timely historical meditation on the emergence of a commercial visual culture that prefigured our own, Graphic Culture traces the promotional power of artistic celebrities and the crucial perceptual and social transformations generated by new media.

  • Winslow Homer and the camera : photography and the art of painting / Dana E. Byrd, Frank H. Goodyear III
    N 6537 H58 A4 2018
    A revelatory exploration of Winslow Homer's engagement with photography, shedding new light on his celebrated paintings and works on paper

    One of the greatest American painters of the 19th century, Winslow Homer (1836-1910) also maintained a deep engagement with photography throughout his career. Focusing on the important, yet often-overlooked, role that photography played in Homer's art, this volume exposes Homer's own experiments with the camera (he first bought one in 1882). It also explores how the medium of photography and the larger visual economy influenced his work as a painter, watercolorist, and printmaker at a moment when new print technologies inundated the public with images. Frank Goodyear and Dana Byrd demonstrate that photography offered Homer new ways of seeing and representing the world, from his early commercial engravings sourced from contemporary photographs to the complex relationship between his late-career paintings of life in the Bahamas, Florida, and Cuba and the emergent trend of tourist photography. The authors argue that Homer's understanding of the camera's ability to create an image that is simultaneously accurate and capable of deception was vitally important to his artistic practice in all media. Richly illustrated and full of exciting new discoveries, Winslow Homer and the Camera is a long-overdue examination of the ways in which photography shaped the vision of one of America's most original painters.

  • Ink worlds : contemporary Chinese painting from the collection of Akiko Yamazaki and Jerry Yang = Mo jing : Shanqi Langzi Yang Zhiyuan cang dang dai shui mo hua / Richard Vinograd, Ellen Huang with contributions from Michael Knight, Yanzhi Wang, Likun Yang, Yechen Zhao
    ND 2068 V56 2018

    Ink arts have flourished in China for more than two millennia. Once primarily associated with elite culture, ink painting is now undergoing a popular resurgence. Ink Worlds explores the modern evolution of this art form, from scrolls and panel paintings to photographic and video forms, and documents how Chinese ink arts speak to present-day concerns while simultaneously referencing deeply historical materials, themes, and techniques.

    Presenting the work of some two dozen artists from China, Taiwan, Hong Kong, and the United States in more than 100 full-color reproductions, the book spans pioneering abstract work from the late 1960s through twenty-first century technological innovations. Nine illustrated essays build a compelling case for understanding the modern form as a distinct genre, fusing art and science, history and technology, painting and film into an accessible theory of contemporary ink painting.

    The Yamazaki/Yang collection is widely recognized as one of the most important private collections of contemporary Chinese ink art. Ink Worlds is the first book to represent the collection from the perspective of contemporary art history. From its atmospheric mountainscapes to precise calligraphy, this book is a revelation, bringing together the past, present, and future of an enduring and adaptable art form.

  • Lee Lozano : not working / Jo Applin
    N 6537 L679 L44 2018
    An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight

    This is the first in‑depth study of the idiosyncratic ten‑year career of Lee Lozano (1930-1999), assuring this important artist a key place in histories of post‑war art. The book charts the entirety of Lozano's production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract "Wave Paintings" at the Whitney Museum of American Art in 1970.

    Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her "dropout" and "boycott of women" lasted until her death, by which time she was all but forgotten. This book tackles head‑on the challenges that Lozano poses to art history--and especially to feminist art history--attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the "right way" to live and work.

  • Ray Johnson : selective inheritance / Kate Dempsey Martineau
    N 6537J63 M37 2018
    Believing that one thing was real only insofar as it corresponded with others, twentieth-century artist Ray Johnson highlighted the connections between himself and other artists including Andy Warhol, Jackson Pollock, Anni Albers, and especially Marcel Duchamp. This study of Johnson through the lens of Duchamp and the other artists who inspired him entails the investigation of hieroglyphs, codes, action figures, queer theory, and cultural history. By examining Johnson's collage and Correspondence art in relation to his main inspirations, this critical work brings new light to the study of Johnson and to the dynamic networks of artistic inheritance and correspondence of the twentieth century.

  • Separating sheep from goats : Sherman E. Lee and Chinese art collecting in postwar America / Noelle Giuffrida
    N 5201 G58 2018
    Separating Sheep from Goats investigates the history of collecting and exhibiting Chinese art through the lens of the career of renowned American curator and museum director Sherman E. Lee (1918-2008). Drawing upon artworks and archival materials, Noelle Giuffrida excavates an international society of collectors, dealers, curators, and scholars who constituted the art world in which Lee operated. From his early training in Michigan and his work in Occupied Japan as a monuments man to his acquisitions, exhibitions, and publications for museums in Detroit, Seattle, and Cleveland, this study traces how Lee shaped public and scholarly understandings of Chinese art. By examining transnational efforts to collect and present Chinese art and scrutinizing scholarly and museological discourses of the postwar era, this book contributes to the historiography of both Chinese art and American museums.

  • #exstrange : a curatorial intervention on eBay / Marialaura Ghidini & Rebekah Modrak
    N 6497 G53 2017
    #exstrange: a curatorial intervention on eBay presents the #exstrange exhibition project, which transformed one of the largest marketplaces on the web -- eBay -- into a site of artistic production. This book documents artworks, reveals the aftermath of auctions and correspondences between artists and bidders, and features essays by lead curators Marialaura Ghidini and Rebekah Modrak, cultural critic Mark Dery, journalist Rob Walker, media and material culture scholar Padma Chirumamilla, guest curator Gaia Tedone, and artist and writer Renee Carmichael.

    Over 80 contemporary artists and designers created "artworks as auctions" for #exstrange between January 15 and April 15, 2017, each using the elements of the auction listing--descriptive text, images, pricing, and categories--as tools of production.

    Works include artist Lucy Pawlak's collaboration with the Beat Officer to sell a series of clay objects as missing evidence from unexplained events in Mexico; IOCOSE's sale of instant protests in the category "Specialty Services" where buyers chose the protest mantras, and outsourced performers demonstrated; and Susanne Cockrell & Ted Purves' offering of a stick-gun with the memory of their son's play in "Entertainment Memorabilia."

    Featured artists:
    10.000 * Lanfranco Aceti * AILADI * Aysha Al Moayyed * Nasser Alzayani * Mary Ayling * Georgia Banks * Ann Bartges * Yogesh Barve * Kim Beck * Ajit Bhadoriya * Natalie Boterman * Sophia Brueckner * Carmel Buckley * Renee Carmichael * Alessio Chierico * Mia Cinelli * Susanne Cockrell * ConnX * Da Burn Gallery * Julia del R#65533;o * Tyler Denmead * C#65533;sar Escudero * Nihaal Faizal * FICTILIS * Eryn Foster * John D. Freyer * Elisa Giardina Papa * Angela Glanzmann * Maximilian Goldfarb * Archana Hande * Abhishek Hazra * Adam Hewins * Megan Hildebrandt * Joey Holder * Masimba Hwati * Regin Igloria * IOCOSE * JODI * Geraldine Ju#65533;rez * KairUs Art+Research * Katerina Kamprani * Kamilia Kard * Tara Kelton * Matt Kenyon * Stephanie LaFreniere * Eno Laget * Nicol#65533;s Lamas * Martin Lang * Taekyeom Lee * LEXX Exhibitor Space * Lloyd Corporation * Silvio Lorusso * Breda Lynch * Garrett Lynch * Eva and Franco Mattes * Kembrew McLeod * Kathleen Meaney * Maria Miranda * Crisia Miroiu * Joana Moll * Mart#65533;n Nadal * Norie Neumark * Xi Jie Ng * Maeve O'Neill * Chiara Passa * Lucy Pawlak * Sreshta Rit Premnath * Niko Princen * Ted Purves * Renuka Rajiv * Luis Romero * Armando Rosales * Robert Sakrowski * Alessandro Sambini * Sarah Ancelle Sch#65533;nfeld * Anke Sch#65533;ttler * Guido Segni * Chinar Shah * Jenine Sharabi * Yastika Prakash Shetty * Anupam Singh * Gagan Singh * Ishan Srivstava * Isabella Streffen * Surabhi Vaya * Wang Yue * Wu Jiaru * Yashaswini * Laura Yuile * Carlo Zanni * Huaqian Zhang

    Guest curators:
    Latifa Al Khalifa * Bani Brusadin * Peter Dykhuis * Fred Feinberg & Lu Zhang * Harrell Fletcher * Tamara Ibarra * Jo#65533;o Laia * Nora O Murch#65533; * Domenico Quaranta * Gaia Tedone * TSAO Yidi

  • Elephant child : Camille Henrot / edited by Clara Meister, Michael Connor, Jacob Bromberg, Kristina Scepanski ; interview editor and translator, Jacob Bromberg
    N 6537 H38935 A4 2016

    Elephant Child is a natural extension of the artistic practice of New York-based French artist Camille Henrot. Originated during an Artist Research Fellowship at the Smithsonian Institution, which laid the groundwork for her 2013 video Grosse Fatigue and the subsequent installation The Pale Fox (2014-15), Elephant Child represents the culmination of a long-term inquiry into the human effort to make the universe comprehensible. The book contains an original text by Henrot written with Clara Meister and Michael Connor, documentation, sketches, and research materials. An interview between Henrot and social anthropologist Monique Jeudy-Ballini offers insight into Henrot's characteristic approach of knowledge production and organization. Ultimately, the book is an object of high universalist ambition--devoid of authority, creating instead a vivid prismatic image of the realm of thought.

  • Fait main = Hand made
    N 6545.6 F32 2018

  • Simplicity : the charm of minimalism = le pouvoir du minimalisme = el poder del minimalismo / editor Wang Shaoqiang
    NC 997 S55 2017

    The smaller the number of graphic elements, the stronger the impact of each element. From Mies van der Rohe to the Nordic and Japanese design schools, more and more designers have applied minimalism in their works to infuse them with a clear style, be it branding, editorial, communication, or packaging.

  • Please make this look nice : the graphic design process / Peter Ahlberg
    NC 997 A683 2016
    Equal parts design inspiration and manual, Please Make This Look Nice combines interviews, writings, case studies, and personal ephemera from celebrated designers into a solid primer for designers and design enthusiasts alike. Please Make This Look Nice is a behind-the-scenes look at the graphic design process of more than fifty graphic designers, typographers, and studios from around the world. Hundreds of never-before-seen images mined from their archives are woven together with first-hand observations, resulting in a rich and diverse perspective on the nature of making. A must-have for students, devotees, and practicing designers, it expands the most basic understanding of graphic design--how it gets made and its effect on the modern world. Celebrated graphic design contributors including Maira Kalman, Milton Glaser, Michael Bierut, Experimental Jetset, Carin Goldberg, Ivan Chermayeff & Tom Geismar, Paul Sahre, and Stefan Sagmeister, as well as emerging design stars share their far-ranging insights and personal means of finding inspiration. Kalman advises on the importance of journals and walking; Sagmeister meditates on his desire to find, define, and create beauty in a world defined by efficiency; Bierut speaks to the existence of many possible solutions to a single design problem as well as how his own process developed in response to his mentor Massimo Vignelli; and Ed Fella encourages designers to experiment, innovate, and discover a personal methodology unique to their own criteria, interests, and values. Please Make This Look Nice is sure to appeal to type and graphic design professionals, students, and design fans alike.

  • Women design / Libby Sellers
    NK 1174 S45 2017

    From architects and product designers to textile artists and digital innovators, Women Design profiles a selection of the most dynamic female designers from the modern era, showcasing their finest work and celebrating their enduring influence.

    Design throughout history has been profoundly shaped and enhanced by the creativity of women; as practitioners, commentators, educators and commissioners. But in a narrative that eagerly promotes their male counterparts, their contributions are all too often overlooked. Through 21 engaging profiles, Women Design rediscovers and revels in the work of pioneers such as Eileen Gray, Lora Lamm and Lella Vignelli, while shining a spotlight on modern-day trailblazers including Kazuyo Sejima, Hella Jongerius and Neri Oxman. Richly illustrated with archival imagery, this is a rare glimpse into the working worlds of some of the most influential forces in contemporary design.

  • Van Gogh and music : a symphony in blue and yellow / Natascha Veldhorst ; translated by Diane Webb
    ND 653 G7 V4513 2018
    "Ah! . . . to make of painting what the music of Berlioz and Wagner has been before us . . . a consolatory art for distressed hearts!"--Vincent van Gogh

    This engaging book is the first in-depth investigation of the influential role that music and sound played throughout Vincent van Gogh's (1853-1890) life. From psalms and hymns to the operas of Richard Wagner to simple birdsong, music represented to Van Gogh the ultimate form of artistic expression. And he believed that by emulating music painting could articulate deep truths and impart a lasting emotional impact on its viewers. In Van Gogh and Music Natascha Veldhorst provides close readings of the many allusions to music in the artist's prolific correspondence and examines the period's artistic theory to offer a rich picture of the status of music in late 19th-century culture. Veldhorst shows the extent to which Van Gogh not only admired the ability of music to inspire emotion, but how he incorporated musical subject matter and techniques into his work, with illustrations of celebrated paintings such as Sunflowers in a Vase , which he described as "a symphony in blue and yellow." An expansive inquiry into the significance of sound and music for the artist, including the formative influence of his song-filled upbringing, Van Gogh and Music is full of fascinating new insights into the work of one of history's most venerated artists.

  • Venice illuminated : power and painting in Renaissance manuscripts / Helena Katalin Szépe
    ND 3161 V4 S94 2018
    For patricians in the Republic of Venice, paintings in manuscripts marking their appointment to high office expressed a tension between selfless service and individual ambition. Originally of value in confirming and instructing an elected officer, these unique documents were transformed through art into enduring monuments promoting state ideals, individual status, and family memory. This book introduces the reader to a long-hidden world of beautiful and complex images, and to tales of personal sacrifice, political maneuvering, and family intrigue. Analysis of these small paintings within books opens up new perspectives on canonical works by such artists as Giovanni Bellini, Titian, and Veronese, as well as on tomb sculptures and public memorials. Extensive original material on artistic patronage in Venice and its territories abroad encourages an expanded understanding of art in the service of the state and of Venice as empire.

  • What is the present? / Michael North
    N 8253 T5 N67 2018

    A provocative new look at concepts of the present, their connection to ideas about time, and their effect on literature, art, and culture

    The problem of the present--what it is and what it means--is one that has vexed generations of thinkers and artists. Because modernity places so much value on the present, many critics argue that people today spend far too much time in the here and now--but how can we tell without first knowing what the here and now actually is? What Is the Present? takes a provocative new look at this moment in time that remains a mystery even though it is always with us.

    Michael North tackles puzzles that have preoccupied philosophy, neuroscience, psychology, history, and aesthetic theory and examines the complex role of the present in painting, fiction, and film. He engages with a range of thinkers, from Aristotle and Augustine to William James and Henri Bergson. He draws illuminating examples from artists such as Fra Angelico and Richard McGuire, filmmakers like D. W. Griffith and Christopher Nolan, and novelists such as Elizabeth Bowen and Willa Cather. North offers a critical analysis of previous models of the present, from the experiential present to the historical period we call the contemporary. He argues that the present is not a cosmological or experiential fact but a metaphor, a figurative relationship with the whole of time.

    Presenting an entirely new conception of the temporal mystery Georg Lukács called the "unexplained instant," What Is the Present? explores how the arts have traditionally represented the present--and also how artists have offered radical alternatives to that tradition.

  • The politics of parody : a literary history of caricature, 1760-1830 / David Francis Taylor
    NC 1473 T39 2018
    This engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century British public make sense of political issues, outrages, and personalities. The first in-depth exploration of the relationship between literature and visual satire in this period, David Taylor's book explores how great texts, seen through the lens of visual parody, shape how we understand the political world. It offers a fascinating, novel approach to literary history.
page last updated on: Monday 15 October 2018
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