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Classical Languages and Linguistics - Concordia University Libraries Recent Acquisitions

Items in Classical Languages and Linguistics (PA) that were added to the Concordia University Libraries collection in the last 120 days.


  • Frogs and other plays / Aristophanes ; translated with an introduction and notes by Stephen Halliwell
    PA 3877 A2 2016
    Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combinationof fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter.This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at theThesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of "literary criticism" of each other's plays. Featuring expansiveintroductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes.

  • Horace in his odes / with introduction, notes and vocabulary by J.A. Harrison
    PA 6393 C3 1981

    This selection form Horace's Odes , intended for upper school level, includes 33 poems arranged in the following categories: I Religion, Philosophy and the Shortness of Life (13 poems); II Friends (5 poems); III Love (6 poems); IV The Countryside (4 poems); V The Roman State (5 poems). The Latin text is in each case faced by a short introduction and a line-by-line commentary. A brief introduction to the book covers the life of Horace and his chosen metres.


  • I, the poet : first-person form in Horace, Catullus, and Propertius / Kathleen McCarthy
    PA 6063 M33 2019

  • Language and Authority in <em>De Lingua Latina</em> Varro's Guide to Being Roman / Diana Spencer
    PA 6792 A3S64 2019

  • Pindar, song, and space : toward a lyric archaeology / Richard Neer and Leslie Kurke
    PA 4276 N44 2019

    In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space.

    Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"--and how these ways of inhabiting space were essentially political.

    Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks built--and a new model for studying the ancient world.


  • How to Think about God : An Ancient Guide for Believers and Nonbelievers / Marcus Tullius Cicero ; selected, translated, and introduced by Philip Freeman
    PA 6307 A2F74 2019

    A vivid and accessible new translation of Cicero's influential writings on the Stoic idea of the divine

    Most ancient Romans were deeply religious and their world was overflowing with gods--from Jupiter, Minerva, and Mars to countless local divinities, household gods, and ancestral spirits. One of the most influential Roman perspectives on religion came from a nonreligious belief system that is finding new adherents even today: Stoicism. How did the Stoics think about religion? In How to Think about God , Philip Freeman presents vivid new translations of Cicero's On the Nature of the Gods and The Dream of Scipio . In these brief works, Cicero offers a Stoic view of belief, divinity, and human immortality, giving eloquent expression to the religious ideas of one of the most popular schools of Roman and Greek philosophy.

    On the Nature of the Gods and The Dream of Scipio are Cicero's best-known and most important writings on religion, and they have profoundly shaped Christian and non-Christian thought for more than two thousand years, influencing such luminaries as Augustine, Thomas Aquinas, Dante, and Thomas Jefferson. These works reveal many of the religious aspects of Stoicism, including an understanding of the universe as a materialistic yet continuous and living whole in which both the gods and a supreme God are essential elements.

    Featuring an introduction, suggestions for further reading, and the original Latin on facing pages, How to Think about God is a compelling guide to the Stoic view of the divine.


  • Fides in Flavian literature / edited by Antony Augoustakis, Emma Buckley, and Claire Stocks
    PA 6027 F53 2019

    Fides in Flavian Literature explores the ideology of "good faith" ( fides ) during the time of the emperors Vespasian, Titus, and Domitian (69-96 CE), the new imperial dynasty that gained power in the wake of the civil wars of the period. The contributors to this volume consider the significance and semantic range of this Roman value in works that deal in myth, contemporary poetry, and history in both prose and verse. Though it does not claim to offer the comprehensive "last word" on fides in Flavian Rome, the book aims to show that fides in this period was subjected to a particularly striking and special brand of contestation and reconceptualization, used to interrogate the broad cultural changes and anxieties of the Flavian period as well as connect to a republican and imperial past. The editors argue that fides was both a vehicle for reconciliation and a means to test the nature of "good faith" in the wake of a devastating and divisive period in Roman history.


  • Acharnenses. Cum prolegomenis et commentariis edidit J. van Leeuwen
    PA 3875.A6 F01

  • Geschichte der byzantinischen Litteratur von Justinian bis zum Ende des Oströmischen Reiches, 527-1453
    PA 5110.K7 1970

  • On the nature of things / Lucretius
    PA 6483 E5L837 2012
    This great poem stands with Virgil's Aeneid as one of the vital and enduring achievements of Latin literature. Lost for more than a thousand years, its return to circulation in 1417 reintroduced dangerous ideas about the nature and meaning of existence and helped shape the modern world.

  • How to keep your cool : an ancient guide to anger management / Seneca ; selected, translated, and introduced by James Romm
    PA 6665 D5S45 2019eb

    Timeless wisdom on controlling anger in personal life and politics from the Roman Stoic philosopher and statesman Seneca

    In his essay "On Anger" ( De Ira ), the Roman Stoic thinker Seneca (c. 4 BC-65 AD) argues that anger is the most destructive passion: "No plague has cost the human race more dear." This was proved by his own life, which he barely preserved under one wrathful emperor, Caligula, and lost under a second, Nero. This splendid new translation of essential selections from "On Anger," presented with an enlightening introduction and the original Latin on facing pages, offers readers a timeless guide to avoiding and managing anger. It vividly illustrates why the emotion is so dangerous and why controlling it would bring vast benefits to individuals and society.

    Drawing on his great arsenal of rhetoric, including historical examples (especially from Caligula's horrific reign), anecdotes, quips, and soaring flights of eloquence, Seneca builds his case against anger with mounting intensity. Like a fire-and-brimstone preacher, he paints a grim picture of the moral perils to which anger exposes us, tracing nearly all the world's evils to this one toxic source. But he then uplifts us with a beatific vision of the alternate path, a path of forgiveness and compassion that resonates with Christian and Buddhist ethics.

    Seneca's thoughts on anger have never been more relevant than today, when uncivil discourse has increasingly infected public debate. Whether seeking personal growth or political renewal, readers will find, in Seneca's wisdom, a valuable antidote to the ills of an angry age.


  • How to be free : an ancient guide to the Stoic life / Epictetus, Encgeiridion and selections from Discourses ; translated and with an introduction by A. A. Long
    PA 3969 E54 2018eb

    A superb new edition of Epictetus's famed handbook on Stoicism--translated by one of the world's leading authorities on Stoic philosophy

    Born a slave, the Roman Stoic philosopher Epictetus (c. 55-135 AD) taught that mental freedom is supreme, since it can liberate one anywhere, even in a prison. In How to Be Free , A. A. Long--one of the world's leading authorities on Stoicism and a pioneer in its remarkable contemporary revival--provides a superb new edition of Epictetus's celebrated guide to the Stoic philosophy of life (the Encheiridion ) along with a selection of related reflections in his Discourses .

    Freedom, for Epictetus, is not a human right or a political prerogative but a psychological and ethical achievement, a gift that we alone can bestow on ourselves. We can all be free, but only if we learn to assign paramount value to what we can control (our motivations and reactions), treat what we cannot control with equanimity, and view our circumstances as opportunities to do well and be well, no matter what happens to us through misfortune or the actions of other people.

    How to Be Free features splendid new translations and the original Greek on facing pages, a compelling introduction that sets Epictetus in context and describes the importance of Stoic freedom today, and an invaluable glossary of key words and concepts. The result is an unmatched introduction to this powerful method of managing emotions and handling life's situations, from the most ordinary to the most demanding.


  • Brides, mourners, Bacchae : women's rituals in Roman literature / Vassiliki Panoussi
    PA 6030 W7P36 2019eb

    Powerful female characters pervade both Greek and Latin literature, even if their presence is largely dictated by the narratives of men. Feminist approaches to the study of women in Greek literature have helped illustrate the importance of their religious and ritual roles in public life--Latin literature, however, has not been subject to similar scrutiny.

    In Brides, Mourners, Bacchae , Vassiliki Panoussi takes up the challenge, exploring women's place in weddings, funerals, Bacchic rites, and women-only rituals. Panoussi probes the multifaceted ways women were able to exercise influence, even power, in ancient Rome from the days of the late Republic to Flavian times. Systematically investigating both poetry and prose, Panoussi covers a wide variety of genres, from lyric poetry (Catullus), epic (Ovid, Lucan, Valerius, Statius), elegy (Propertius, Ovid), and tragedy (Seneca) to historiography (Livy) and the novel (Petronius).

    The first large-scale analysis of this body of evidence from a feminist perspective, the book makes a compelling case that female ritual was an important lens through which Roman authors explored the problems of women's agency, subjectivity, civic identity, and self-expression. By focusing on the fruitful intersection of gender and religion, the book elucidates not only the importance of female religious experience in Rome but also the complexity of ideological processes affecting Roman ideas about gender, sexuality, family, and society. Brides, Mourners, Bacchae will be of value to scholars of classics and ancient religions, as well as anyone interested in the study of gender in antiquity or the connection between religion and ideology.


  • In the flesh : embodied identities in Roman elegy / Erika Zimmermann Damer
    PA 6059 E6Z56 2019eb

  • Virgil's double cross : design and meaning in the Aeneid / David Quint
    PA6825eb

    The message of Virgil's Aeneid once seemed straightforward enough: the epic poem returned to Aeneas and the mythical beginnings of Rome in order to celebrate the city's present world power and to praise its new master, Augustus Caesar. Things changed when late twentieth-century readers saw the ancient poem expressing their own misgivings about empire and one-man rule. In this timely book, David Quint depicts a Virgil who consciously builds contradiction into the Aeneid . The literary trope of chiasmus, reversing and collapsing distinctions, returns as an organizing signature in Virgil's writing: a double cross for the reader inside the Aeneid 's story of nation, empire, and Caesarism.

    Uncovering verbal designs and allusions, layers of artfulness and connections to Roman history, Quint's accessible readings of the poem's famous episodes--the fall of Troy, the story of Dido, the trip to the Underworld, and the troubling killing of Turnus--disclose unsustainable distinctions between foreign war/civil war, Greek/Roman, enemy/lover, nature/culture, and victor/victim. The poem's form, Quint shows, imparts meanings it will not say directly. The Aeneid 's life-and-death issues--about how power represents itself in grand narratives, about the experience of the defeated and displaced, and about the ironies and revenges of history--resonate deeply in the twenty-first century.

    This new account of Virgil's masterpiece reveals how the Aeneid conveys an ambivalence and complexity that speak to past and present.


  • Logicomix / Apostolos Doxiadis, Christos H. Papadimitriou ; art, Alecos Papadatos ; color, Annie Di Donna
    PA 5615 O87L6413 2009

    This exceptional graphic novel recounts the spiritual odyssey of philosopher Bertrand Russell. In his agonized search for absolute truth, Russell crosses paths with legendary thinkers like Gottlob Frege, David Hilbert, and Kurt Gödel, and finds a passionate student in the great Ludwig Wittgenstein. But his most ambitious goal-to establish unshakable logical foundations of mathematics-continues to loom before him. Through love and hate, peace and war, Russell persists in the dogged mission that threatens to claim both his career and his personal happiness, finally driving him to the brink of insanity.


    This story is at the same time a historical novel and an accessible explication of some of the biggest ideas of mathematics and modern philosophy. With rich characterizations and expressive, atmospheric artwork, the book spins the pursuit of these ideas into a highly satisfying tale.


    Probing and ingeniously layered, the book throws light on Russell's inner struggles while setting them in the context of the timeless questions he spent his life trying to answer. At its heart, Logicomix is a story about the conflict between an ideal rationality and the unchanging, flawed fabric of reality.


  • Rewriting humour in comic books : cultural transfer and translation of Aristophanic adaptations / Dimitris Asimakoulas
    PA 3878 Z9A85 2019

  • The Greek plays : sixteen plays by Aeschylus, Sophocles, and Euripides / new translations edited by Mary Lefkowitz and James Romm
    PA 3463 G74 2017
    A landmark edition, with modernized translations, cutting-edge annotations, in-depth appendices, and a very readable and practical interior design, this is the ideal 21st century single-volume of Greek drama from today?s top English translators. Some of the plays included are such classics as Agamemnon, Prometheus Bound, Bacchae, Electra, Medea, Antigone, and Oedipus Rex.

  • Classicism and Christianity in late antique Latin poetry / Philip Hardie
    PA 6053 H37 2019
    After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to construct their relationship with Rome's imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the "cosmic sense" of late antiquity, novelty and renouatio , paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity.

  • Tacitus Annals XVI / edited by Lee Fratantuono
    PA 6705 A9 T33 2018
    Book XVI of Tacitus' Annals is the last of the surviving books of the great Roman historian's monumental account of the reigns of the emperors from Tiberius to Nero. The unfinished book offers a stunning portrait of Nero in his last years, a man now free of the restraining influences of his mother Agrippina and tutor Seneca. Annals XVI presents such unforgettable scenes as the spectacle of Petronius' suicide, and the mad quest of Nero to find the gold of the Carthaginian queen Dido. This edition provides a commentary to the entire book, with notes carefully aimed at first-time readers of Tacitus as well as more advanced students. An introduction provides a guide to what we know of Tacitus' life and work, as well as to the reign of Nero and Tacitus' depiction of an empire in transition, of a Rome teetering on the verge of chaos and collapse. A full vocabulary at the end of the volume is a vital resource for students preparing this text for class work or assessment.

  • A handbook of Latin literature from the earliest times to the death of St. Augustine
    PA 6003 R6 1949
Updated: Friday 6 December 2019
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