New books by subject
M - Music and Books on Music - Concordia University Libraries Recent Acquisitions
Items in Music and Books on Music that were added to the Concordia University Libraries collection in the last 30 days.
Hip hop divas / editors of VibeML 3531 H57 2001
It s time to stand up, take notice, and give props to the women who have made their mark on hip hop culture. Although superstars like Lauryn Hill, Mary J. Blige, and TLC are some of the most popular entertainers in the world today each having sold some 20 million albums apiece the dramatic rise of women to the top of the hip hop industry has never been chronicled before. The revolution was decades in the making, with the female pioneers fighting for a place in the hip hop boy s club, confronting sexist attitudes, and grabbing their piece of the commercial pie while taking hip hop to new creative heights. Now VIBE, the preeminent hip hop magazine, celebrates this pop culture explosion with a book of thoughtful essays, stunning photographs, and informative timelines and sidebars.
Electronic music and musique concrète / F.C. JuddML 3817 J8 2013
Frederick Charles Judd (1914-1992) was a pioneer of British electronic music, composing and recording at his home studio.
'Electronic Music and Musique ConcrEte', originally published in 1961, was one of the earliest books to introduce to a popular audience a form of music then in its infancy. From the late 1950s into the 1960s Judd toured Britain giving lectures and demonstrations of techniques and equipment, often in the company of his friend and fellow innovator Daphne Oram. Judd's biggest commercial success as a musician came in 1963 with Space Patrol, the first British TV series to feature an all-electronic score.
A second book by Judd, 'Electronics In Music' (1972), is also published by Foruli Classics.
Rocking the boat : migration and race in contemporary Spanish music / Silvia BermúdezML 3498 B47 2018
Silvia Bermúdez's fascinating study reveals how Spanish popular music, produced between 1980 and 2013, was the first cultural site to engage in critical debate about ethnicity and race in relation to the immigration patterns that have been changing the social landscape of Spanish society since the late 1970s.
In Rocking the Boat , Bermúdez examines the lyrics of songs by both renowned and up and coming artists to illuminate how these new migrants challenged Spain's notions of homogeneity, boundaries, accommodation, and incorporation. Bermúdez observes that immigration has had such a significant influence on Spanish society that the tattered boats, seen to this day on the shores of Spain and throughout the Mediterranean Sea, have become inverted emblems of the ships that were once symbols of great power and economic development. Rocking the Boat is a nuanced account of how popular urban music shaped the discourse on immigration, transnational migrants, and racialization in Spain's new social landscape.
Music therapy handbook / edited by Barbara L. WheelerML 3920 M89776 2015
Rich with case material, this groundbreaking volume provides a comprehensive overview of music therapy, from basic concepts to emerging clinical approaches. Experts review psychodynamic, humanistic, cognitive-behavioral, and developmental foundations and describe major techniques, including the Nordoff-Robbins model and the Bonny Method of Guided Imagery and Music. An expansive section on clinical applications examines music therapy with children and adults, as well as its recognized role in medical settings. Topics include autism spectrum disorder, school interventions, brain injury, and trauma. An authoritative resource for music therapists, the book also shows how music can be used by other mental health and medical professionals. The companion website features audio downloads illustrative of the Nordoff-Robbins model.
Psychoanalytic explorations in music : second series / edited by Stuart Feder, Richard L. Karmel, George H. PollockML 3830 P89 1993
The first series of essays was published in 1990. This second series consists entirely of original contributions by an international group of scholars working in both music and psychoanalysis. This volume continues the analytic study of individual composers in articles on Bach and Mozart, Schumann, Satie, and Wagner. Wagner receives particular attention in studies of universal fantasies which relate to the music, the psychological function of the Leitmotif, and Freud's familiarity with Wagner, hitherto unexplored. Annotation c. by Book News, Inc., Portland, Or.