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N - Fine Arts - Concordia University Libraries Recent Acquisitions

Items in Fine Arts that were added to the Concordia University Libraries collection in the last 30 days.


  • Views of Albion : the reception of British art and design in Central Europe, 1890-1918 / Andrzej Szczerski
    N 6767.5 A7S93 2015eb
    Views of Albion is the first comprehensive study of the reception of British art and design in Central Europe at the turn of the twentieth century. The author proposes a new map of European Art Nouveau, where direct contacts between peripheral cultures were more significant than the influence of Paris. These new patterns of artistic exchange, often without historic precedence, gave art during this period its unique character and dynamism.
    Beginning with an analysis of the concept of Central Europe, the book examines knowledge about British art and design in the region. In subsequent chapters the author looks at the reception of the Pre-Raphaelites in painting and graphic arts as well as analysing diverse responses to the Arts and Crafts Movement in Germany, Austria, Poland, Bohemia, Slovakia, Hungary and Southern Slavic countries. The epilogue reveals the British interest in Central Europe, echoed in the designs Walter Crane, Charles Robert Ashbee and publications of The Studio.
    The book questions the insularity of British culture and offers new insights into art and design of Central Europe at the fin de si#65533;cle. It presents the region as a vital part of the international Art Nouveau, but also shows its specific features, visible in the works of artists such as Alfons Mucha, Gustav Klimt and Stanislaw Wyspianski.

  • Ceramics and the museum / Laura Breen
    N 72 A77B74 2019eb
    Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970.Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.

  • Women, art, and literature in the Iranian diaspora / Mehraneh Ebrahimi
    NX 574 A1E27 2019eb

  • Louis I. Kahn : the Nordic latitudes / Per Olaf Fjeld and Emily Randall Fjeld
    NA 737 K32F54 2019

  • Entitled : discriminating tastes and the expansion of the arts / Jennifer C. Lena
    NX 180 S6L46 2019

    An in-depth look at how democratic values have widened the American arts scene, even as it remains elite and cosmopolitan

    Two centuries ago, wealthy entrepreneurs founded the American cathedrals of culture--museums, theater companies, and symphony orchestras--to mirror European art. But today's American arts scene has widened to embrace multitudes: photography, design, comics, graffiti, jazz, and many other forms of folk, vernacular, and popular culture. What led to this dramatic expansion? In Entitled , Jennifer Lena shows how organizational transformations in the American art world--amid a shifting political, economic, technological, and social landscape--made such change possible.

    By chronicling the development of American art from its earliest days to the present, Lena demonstrates that while the American arts may be more open, they are still unequal. She examines key historical moments, such as the creation of the Museum of Primitive Art and the funneling of federal and state subsidies during the New Deal to support the production and display of culture. Charting the efforts to define American genres, styles, creators, and audiences, Lena looks at the ways democratic values helped legitimate folk, vernacular, and commercial art, which was viewed as nonelite. Yet, even as art lovers have acquired an appreciation for more diverse culture, they carefully select and curate works that reflect their cosmopolitan, elite, and moral tastes.


  • A history of art history / Christopher S. Wood
    N 5303 W66 2019

    An authoritative history of art history from its medieval origins to its modern predicaments

    In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline.

    The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline.

    Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history.


  • Gender, space and experience at the Renaissance court : performance and practice at the Palazzo Te / Maria F. Maurer
    NA 7756 M3M38 2019
    Gender, Space, and Experience at the Renaissance Court investigates the dynamic relationships between gender and architectural space in Renaissance Italy. It examines the ceremonial use and artistic reception of the Palazzo Te from the arrival of the Holy Roman Emperor Charles V in 1530 to the Sack of Mantua in 1630. This book further proposes that we conceptualise the built environment as a performative space, a space formed by the gendered relationships and actors of its time, asserting that the Palazzo Te was constituted by the gendered behaviors of sixteenth-century courtiers, but it was not simply a passive receptor of gender performance. Through its multivalent form and ceremonial function, Maria F. Maurer argues that the palace was an active participant in the construction and perception of femininity and masculinity in the early modern court.

  • Green worlds in early modern Italy : art and the verdant earth / edited by Karen Hope Goodchild, April Oettinger and Leopoldine Prosperetti
    NX 552 G66 2019
    The green mantle of the earth! This metaphor conceives of the vegetation of the earth as a green cloth that drapes the barren earth. Long popular in patristic literature Il mantello verde della terra is a poetical image that ponders the providential greening of the earth on the third day of the Creation. Borrowing from the vocabulary of weaving it epitomizes the Renaissance interest in "fashioning green worlds" in art and poetry. Rachel Carson invoked the phrase to draw attention to environmental damage done to earth's "brilliant robe." Here it serves as a motto for a cultural poetics that made "living nature" an object of renewed interest. The essays gathered in this volume explore the expanding technologies and cultural dimensions of verzure and verdancy in the Italian Renaissance, and the role of painting in shaping the poetics and expression of greenery in the visual arts of the 16th-century and after.

  • Dictator's dreamscape : how architecture and vision built Machado's Cuba and invented modern Havana / Joseph R. Hartman
    NA 804 H3H37 2019eb

  • Still-life as portrait in early modern Italy : Baschenis, Bettera and the painting of cultural identity / Ornat Lev-er
    ND 1393 I8L48 2019
    Still-Life as Portrait in Early Modern Italy centers on the still-life compositions created by Evaristo Baschenis and Bartolomeo Bettera, two 17th-century painters living and working in the Italian city of Bergamo. This highly original study explores how these paintings form a dynamic network in which artworks, musical instruments, books, and scientific apparatuses constitute links to a dazzling range of figures and sources of knowledge. Putting into circulation a wealth of cultural information and ideas and mapping a complex web of social and intellectual relations, these works paint a portrait of both their creators and their patrons, while enacting a lively debate among humanist thinkers, aristocrats, politicians, and artists. Engaging with literary blockbusters and banned books, theatrical artifice and music, and staging a war among the arts, Baschenis and Bettera capture the latest social intrigues, political rivalries, intellectual challenges, and scientific innovations of their time. In doing so, they structure an unstable economy of social, aesthetic, and political values that questions the notion of absolute truth, while probing the distinctions between life and artifice, meaningless marks and meaningful signs.

  • Orientaciones transpacíficas : la modernidad mexicana y el espectro de Asia / por Laura J. Torres-Rodríguez
    NX 514 A1T67 2019

  • Chinese architecture : a history / Nancy Shatzman Steinhardt
    NA 1540 S74 2019

    An unprecedented survey of the origins and evolution of Chinese architecture, from the last millennia BCE to today

    Throughout history, China has maintained one of the world's richest built civilizations. The nation's architectural achievements range from its earliest walled cities and the First Emperor's vision of city and empire, to bridges, pagodas, and the twentieth-century constructions of the Socialist state. In this beautifully illustrated book, Nancy Shatzman Steinhardt presents the first fully comprehensive survey of Chinese architecture in any language. With rich political and historical context, Steinhardt covers forty centuries of architecture, from the genesis of Chinese building through to the twenty-first century and the challenges of urban expansion and globalism.

    Steinhardt follows the extraordinary breadth of China's architectural legacy--including excavation sites, gardens, guild halls, and relief sculpture--and considers the influence of Chinese architecture on Japan, Korea, Mongolia, and Tibet. Architectural examples from Chinese ethnic populations and various religions are examined, such as monasteries, mosques, observatories, and tombs. Steinhardt also shows that Chinese architecture is united by a standardized system of construction, applicable whether buildings are temples, imperial palaces, or shrines. Every architectural type is based on the models that came before it, and principles established centuries earlier dictate building practices. China's unique system has allowed its built environment to stand as a profound symbol of Chinese culture.

    With unprecedented breadth united by a continuous chronological narrative, Chinese Architecture offers the best scholarship available on this remarkable subject for scholars, students, and general readers.


  • Redefining eclecticism in early modern Bolognese painting : ideology, practice, and criticism / Daniel M. Unger
    ND 614 U64 2019
    This book focuses on the unique nature of early modern Bolognese painting that found its expression in stylistic diversity. The flourishing of different stylistic approaches in the Mannerist paintings of the previous generation evolved, at the turn the seventeenth century, in the work of the Bolognese painters into an approach best described as eclecticism, characterized by the combination of two or more styles in a single work of art. Eclectism was a major innovation and major contribution to the history of art. But it then also became a critical term that suffered much negative press. The book therefore also traces the role of ecclecticism as a concept in the evolution of criticism and scholarship about the Bolognese school of painting over 250 years, showing how the dramatically vascilatting attitudes towards this concept shaped the historical view of the Bolognese painters, ultimately having a tremendous dampening impact on our understanding of seventeenth-century art.

  • PICTORIAL ART OF EL GRECO : transmaterialities, temporalities, and media
    NX562
    This book investigates El Greco's pictorial art as foundational to the globalising trends manifested in the visual culture of early modernity. It also exposes the figurative, semantic, and allegorical senses he created to challenge an Italian Renaissance-centered discourse. Even though he was guided by the unprecedented flowering of devotional art in the post-Tridentine decades and by the expressive possibilities of earlier religious artifacts, especially those inherited from the apostolic past, the author demonstrates that El Greco forged his own independent trajectory. While his paintings have been studied in relation to the Italian and Spanish school traditions, his pictorial art in a global Mediterranean context continues to receive scant attention. Taking a global perspective as its focus, the book sheds new light on El Greco's highly original contribution to early Mediterranean and multi-institutional configurations of the Christian faith in Byzantium, Venice, Rome, Toledo, and Madrid.

  • Ottoman Baroque : the architectural refashioning of eighteenth-century Istanbul / Ünver Rüstem
    NA 1370 R88 2019eb

    A new approach to late Ottoman visual culture and its place in the world

    With its idiosyncratic yet unmistakable adaptation of European Baroque models, the eighteenth-century architecture of Istanbul has frequently been dismissed by modern observers as inauthentic and derivative, a view reflecting broader unease with notions of Western influence on Islamic cultures. In Ottoman Baroque --the first English-language book on the topic--Ünver Rüstem provides a compelling reassessment of this building style and shows how between 1740 and 1800 the Ottomans consciously coopted European forms to craft a new, politically charged, and globally resonant image for their empire's capital.

    Rüstem reclaims the label "Ottoman Baroque" as a productive framework for exploring the connectedness of Istanbul's eighteenth-century buildings to other traditions of the period. Using a wealth of primary sources, he demonstrates that this architecture was in its own day lauded by Ottomans and foreigners alike for its fresh, cosmopolitan effect. Purposefully and creatively assimilated, the style's cross-cultural borrowings were combined with Byzantine references that asserted the Ottomans' entitlement to the Classical artistic heritage of Europe. Such aesthetic rebranding was part of a larger endeavor to reaffirm the empire's power at a time of intensified East-West contact, taking its boldest shape in a series of imperial mosques built across the city as landmarks of a state-sponsored idiom.

    Copiously illustrated and drawing on previously unpublished documents, Ottoman Baroque breaks new ground in our understanding of Islamic visual culture in the modern era and offers a persuasive counterpoint to Eurocentric accounts of global art history.


  • Improvised city : architecture and governance in Shanghai, 1843-1937 / Cole Roskam
    NA 2543 S6R65 2019

  • The decorated tenement : how immigrant builders and architects transformed the slum in the Gilded Age / Zachary J. Violette
    NA7880

    A reexamination of working-class architecture in late nineteenth-century urban America

    As the multifamily building type that often symbolized urban squalor, tenements are familiar but poorly understood, frequently recognized only in terms of the housing reform movement embraced by the American-born elite in the late nineteenth century. This book reexamines urban America's tenement buildings of this period, centering on the immigrant neighborhoods of New York and Boston.

    Zachary J. Violette focuses on what he calls the "decorated tenement," a wave of new buildings constructed by immigrant builders and architects who remade the slum landscapes of the Lower East Side of Manhattan and the North and West Ends of Boston in the late nineteenth century. These buildings' highly ornamental facades became the target of predominantly upper-class and Anglo-Saxon housing reformers, who viewed the facades as garish wrappings that often hid what they assumed were exploitative and brutal living conditions. Drawing on research and fieldwork of more than three thousand extant tenement buildings, Violette uses ornament as an entry point to reconsider the role of tenement architects and builders (many of whom had deep roots in immigrant communities) in improving housing for the working poor.

    Utilizing specially commissioned contem-porary photography, and many never-before-published historical images, The Decorated Tenement complicates monolithic notions of architectural taste and housing standards while broadening our understanding of the diversity of cultural and economic positions of those responsible for shaping American architecture and urban landscapes.


  • Living on campus : an architectural history of the American dormitory / Carla Yanni
    NA6602.D6

    An exploration of the architecture of dormitories that exposes deeply held American beliefs about education, youth, and citizenship

    Every fall on move-in day, parents tearfully bid farewell to their beloved sons and daughters at college dormitories: it is an age-old ritual. The residence hall has come to mark the threshold between childhood and adulthood, housing young people during a transformational time in their lives. Whether a Gothic stone pile, a quaint Colonial box, or a concrete slab, the dormitory is decidedly unhomelike, yet it takes center stage in the dramatic arc of many American families. This richly illustrated book examines the architecture of dormitories in the United States from the eighteenth century to 1968, asking fundamental questions: Why have American educators believed for so long that housing students is essential to educating them? And how has architecture validated that idea? Living on Campus is the first architectural history of this critical building type.

    Grounded in extensive archival research, Carla Yanni's study highlights the opinions of architects, professors, and deans, and also includes the voices of students. For centuries, academic leaders in the United States asserted that on-campus living enhanced the moral character of youth; that somewhat dubious claim nonetheless influenced the design and planning of these ubiquitous yet often overlooked campus buildings. Through nuanced architectural analysis and detailed social history, Yanni offers unexpected glimpses into the past: double-loaded corridors (which made surveillance easy but echoed with noise), staircase plans (which prevented roughhousing but offered no communal space), lavish lounges in women's halls (intended to civilize male visitors), specially designed upholstered benches for courting couples, mixed-gender saunas for students in the radical 1960s, and lazy rivers for the twenty-first century's stressed-out undergraduates.

    Against the backdrop of sweeping societal changes, communal living endured because it bolstered networking, if not studying. Housing policies often enabled discrimination according to class, race, and gender, despite the fact that deans envisioned the residence hall as a democratic alternative to the elitist fraternity. Yanni focuses on the dormitory as a place of exclusion as much as a site of fellowship, and considers the uncertain future of residence halls in the age of distance learning.


  • Graphic satire in the Soviet Union : Krokodil's political cartoons / John Etty
    NC 1578 K7E88 2019

  • Divine and demonic imagery at Tor de'Specchi, 1400-1500 : religious women and art in fifteenth-century Rome / Suzanne M. Scanlan
    NX 552 R65S33 2018eb
    This book offers the first English-language examination of art commissioned by religious women in fifteenth-century Rome. Detailed photographs show readers the impressive array of paintings commissioned by oblates for their living quarters, Tor de'Specchi. The book focuses primarily on the sensual and corporeal, as earthly, divine, and demonic figures occur throughout the imagery. The book uses formal analysis, theories of vision and anthropological models to explore the disciplinary and educational purposes of the images, as well as their relationship to important papal projects at the Vatican.

  • A dream and a chisel : Louisiana sculptor Angela Gregory in Paris, 1925-1928 / Angela Gregory and Nancy L. Penrose
    NB 237 G825A2 2019
    Angela Gregory is considered by many the doyenne of Louisiana sculpture and is a notable twentieth century American sculptor. In A Dream and a Chisel, Angela Gregory and Nancy Penrose explore Gregory's desire, even as a teenager, to learn the art of cutting stone and to become a sculptor. Through sheer grit and persistence, Gregory achieved her dream of studying with French artist Antoine Bourdelle, one of Auguste Rodin's most trusted assistants and described by critics of the era as France's greatest living sculptor. In Bourdelle's Paris studio, Gregory learned not only sculpting techniques but also how to live life as an artist. Her experiences in Paris inspired a prolific sixty-year career in a field dominated by men.After returning to New Orleans from Paris, Gregory established her own studio in 1928 and began working in earnest. She created bas-relief profiles for the Louisiana State Capitol built in 1932 and sculpted the Bienville Monument, a bronze statue honoring the founder of New Orleans, in the 1950s. Her works also include two other monuments, sculptures incorporated into buildings, portrait busts, medallions, and other forms that appear in museums and public spaces throughout the state. She was the first Louisiana woman sculptor to achieve international recognition, and, at the age of thirty-five, became one of the few women recognized as a fellow of the National Sculpture Society. Gregory's work appeared in group shows at many prestigious museums and in exhibitions, including the Salon des Tuileries and the Salon d'Automne in Paris, the Palace of the Legion of Honor in San Francisco, the National Collection of Fine Arts in the Smithsonian in Washington, D.C., and the Metropolitan Museum of Art in New York.This memoir is based on Penrose's oral history interviews with Gregory, as well as letters and diaries compiled before Gregory's death in 1990. A Dream and a Chisel demonstrates the importance of mentorships, offers a glimpse into the realities of an artist's life and studio, and captures the vital early years of an extraordinary woman who carved a place for herself in Louisiana's history.

  • Men of steel, women of wonder : modern American superheroes in contemporary art / Alejo Benedetti
    N6487.F39

  • Architects : portraits of a practice / Thomas Yarrow
    NA 997 M55Y37 2019

    What is creativity? What is the relationship between work life and personal life? How is it possible to live truthfully in a world of contradiction and compromise? These deep and deeply personal questions spring to the fore in Thomas Yarrow's vivid exploration of the life of architects. Yarrow takes us inside the world of architects, showing us the anxiety, exhilaration, hope, idealism, friendship, conflict, and the personal commitments that feed these acts of creativity.

    Architects rethinks "creativity," demonstrating how it happens in everyday practice. It highlights how the pursuit of good architecture, relates to the pursuit of a good life in intimate and individually specific ways. And it reveals the surprising and routine social negotiations through which designs and buildings are actually made.


  • Women made visible : feminist art and media in post-1968 Mexico City / Gabriela Aceves Sepúlveda
    NX 180 F4A29 2018eb
    In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality.

    Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role played by artists and feminist activists in changing the ways female bodies were viewed and appropriated. Through their concern for self-representation (both visually and in formal politics), these women played a crucial role in transforming existing regimes of media and visuality--increasingly important intellectual spheres of action. Foregrounding the work of female artists and their performative and visual, rather than written, interventions in urban space in Mexico City, Aceves Sepúlveda demonstrates that these women feminized Mexico's mediascapes and shaped the debates over the female body, gender difference, and sexual violence during the last decades of the twentieth century.

    Weaving together the practices of activists, filmmakers, visual artists, videographers, and photographers, Women Made Visible questions the disciplinary boundaries that have historically undermined the practices of female artists and activists and locates the development of Mexican second-wave feminism as a meaningful actor in the contested political spaces of the era, both in Mexico City and internationally.

  • The icon and the square : Russian modernism and the Russo-Byzantine revival / Maria Taroutina
    N 6987 T37 2018eb

  • Teaching art, (re)imagining identity : a collection of articles from Visual Arts Research / edited by Laura Hetrick
    N 85 T43 2018eb

  • Saint Marks : words, images, and what persists / Jonathan Goldberg
    N8080.M28

  • Shifting grounds : landscape in contemporary Native American art / Kate Morris
    N 8213 M696 2019

  • The rent of form : architecture and labor in the digital age / Pedro Fiori Arantes ; translated by Adriana Kauffmann ; foreword by Reinhold Martin
    NA2543.T43

    A critique of prominent architects' approach to digitally driven design and labor practices over the past two decades


    With the advent of revolutionary digital design and production technologies, contemporary architects and their clients developed a taste for dramatic, unconventional forms. Seeking to amaze their audiences and promote their global brands, "starchitects" like Herzog & de Meuron and Frank Gehry have reaped substantial rewards through the pursuit of spectacle enabled by these new technologies. This process reached a climax in projects like Gehry's Guggenheim Bilbao and the "Bilbao effect," in which spectacular architectural designs became increasingly sought by municipal and institutional clients for their perceived capacity to enhance property values, which author Pedro Fiori Arantes calls the "rent of form."

    Analyzing many major international architectural projects of the past twenty years, Arantes provides an in-depth account of how this "architecture of exception" has come to dominate today's industry. Articulating an original, compelling critique of the capital and labor practices that enable many contemporary projects, Arantes explains how circulation (via image culture), consumption (particularly through tourism), the division of labor, and the distribution of wealth came to fix a certain notion of starchitecture at the center of the industry.

    Significantly, Arantes's viewpoint is not that of Euro-American capitalism. Writing from the Global South, this Brazilian theorist offers a fresh perspective that advances ideas less commonly circulated in dominant, English-language academic and popular discourse. Asking key questions about the prevailing logics of finance capital, and revealing inconvenient truths about the changing labor of design and the treatment of construction workers around the world, The Rent of Form delivers a much-needed reevaluation of the astonishing buildings that have increasingly come to define world cities.


  • Spirit : the life and art of Jesse Treviño / Anthony Head ; with a foreword by Henry Cisneros
    N 6537 T676H43 2019

  • A new Middle Kingdom : painting and cultural politics in late Chosŏn Korea (1700-1850) / J.P. Park
    ND 1063.4 P37 2018

  • Proportional systems in the history of architecture : a critical reconsideration / edited by Matthew A. Cohen and Maarten Delbeke
    NA 2760 P767 2018

  • Athens, Etruria, and the many lives of Greek figured pottery / Sheramy D. Bundrick
    NK 4645 B855 2019

  • Visualities 2 : more perspectives on contemporary American Indian film and art / edited by Denise K. Cummings
    NX 512.3 A4V57 2019
    Echoing and expanding the aims of the first volume, Visualities: Perspectives on Contemporary American Indian Film and Art , this second volume contains illuminating global Indigenous visualities concerning First Nations, Aboriginal Australian, Maori, and Sami peoples. This insightful collection of essays explores how identity is created and communicated through Indigenous film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach, Visualities Two draws on American Indian studies, film studies, art history, cultural studies, visual culture studies, women's studies, and postcolonial studies. Among the artists and media makers examined are Tasha Hubbard, Rachel Perkins, and Ehren "Bear Witness" Thomas, as well as contemporary Inuit artists and Indigenous agents of cultural production working to reimagine digital and social platforms. Films analyzed include T he Exiles, Winter in the Blood, The Spirit of Annie Mae, Radiance, One Night the Moon , Bran Nue Dae , Ngati , Shimásání , and Sami Blood .

  • Grand theater urbanism : Chinese cities in the 21st century / editor, Charlie Qiuli Xue
    NA6840.C6

  • Contemporary art and unforgetting in colonial landscapes : islands of empire / Kate McMillan
    N 6497 M36 2019eb

  • Dense and green building typologies : design perspectives / Thomas Schröpfer, Sacha Menz
    NA2542.36

  • Performing image / Isobel Harbison
    N 6490 H255 2019eb

    An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era.

    In Performing Image , Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation--from home video to social media--suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer , Mark Leckey, Wu Tsang, and Martine Syms.

    Harbison argues that while we produce images, images also produce us--those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices--and a declaration of the value of art in an economy of attention and a crisis of representation.


  • Iterate : ten lessons in design and failure / John Sharp and Colleen Macklin ; illustrated by Steven Davis and Yu Jen Chen ; drawings by Tuba Ozkan and Carla Molins Pitarch
    NK 1520 S47 2019eb

    How to confront, embrace, and learn from the unavoidable failures of creative practice; with case studies that range from winemaking to animation.

    Failure is an inevitable part of any creative practice. As game designers, John Sharp and Colleen Macklin have grappled with crises of creativity, false starts, and bad outcomes. Their tool for coping with the many varieties of failure: iteration, the cyclical process of conceptualizing, prototyping, testing, and evaluating. Sharp and Macklin have found that failure--often hidden, covered up, a source of embarrassment--is the secret ingredient of iterative creative process. In Iterate , they explain how to fail better.

    After laying out the four components of creative practice--intention, outcome, process, and evaluation--Sharp and Macklin describe iterative methods from a wide variety of fields. They show, for example, how Radiolab cohosts Jad Abumrad and Robert Krulwich experiment with radio as a storytelling medium; how professional skateboarder Amelia Bródka develops skateboarding tricks through trial and error; and how artistic polymath Miranda July explores human frailty through a variety of media and techniques. Whimsical illustrations tell parallel stories of iteration, as hard-working cartoon figures bake cupcakes, experiment with levitating office chairs, and think outside the box in toothbrush design ("let's add propellers!"). All, in their various ways, use iteration to transform failure into creative outcomes. With Iterate , Sharp and Macklin offer useful lessons for anyone interested in the creative process.

    Case Studies:

    Allison Tauziet, winemaker; Matthew Maloney, animator; Jad Abumrad and Robert Krulwich, Radiolab cohosts; Wylie Dufresne, chef; Nathalie Pozzi, architect, and Eric Zimmerman, game designer; Andy Milne, jazz musician; Amelia Bródka, skateboarder; Baratunde Thurston, comedian; Cas Holman, toy designer; Miranda July, writer and filmmaker


  • Pretense design : surface over substance / Per Mollerup
    NK 1520 M65 2019eb

    How some design appears to be something that it is not--by beautifying, amusing, substituting, or deceiving.

    Pretense design pretends to be something that it is not. Pretense design includes all kinds of designed objects: a pair of glasses that looks like a fashion accessory rather than a medical necessity, a hotel in Las Vegas that simulates a Venetian ambience complete with canals and gondolas, boiler plates that look like steel but are vinyl. In this book, Danish designer Per Mollerup defines and describes a ubiquitous design category that until now has not had a name: designed objects with an intentional discrepancy between surface and substance, between appearance and reality. Pretense design, he shows us, is a type of material rhetoric; it is a way for physical objects to speak persuasively, most often to benefit users but sometimes to deceive them.

    After explaining the means and the meanings of pretense design, Mollerup describes four pretense design applications, providing a range of examples for each: beautification, amusement, substitution, and deception. Beautification, he explains, includes sunless tanning, high heels, and even sporty accessories for a family car. Amusement includes forms of irrational otherness--columns that don't hold anything up, an old building's façade that hides a new building, a new Chinese town that mimics an old European town. Substitution pretends to be a natural thing: plastic laminate is a substitute for wood, Corian a substitute for marble, and prosthetics substitute for human organs. Deception doesn't just bend the truth; it suspends it. Soldiers wear camouflage to hide; hunters use decoys to attract their prey; malware hides in a harmless program only to wreak havoc on a user's computer. With Pretense Design, Per Mollerup adds a new concept to design thinking.


  • From fingers to digits : an artificial aesthetic / Margaret A. Boden and Ernest Edmonds
    N 7433.8 B62 2019eb

    Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence.

    In From Fingers to Digits , a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not? Is writing a computer program equivalent to painting with a brush?

    Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays.


  • Mismatch : how inclusion shapes design / Kat Holmes
    NK 1520H64 2018eb

    How inclusive methods can build elegant design solutions that work for all.

    Sometimes designed objects reject their users: a computer mouse that doesn't work for left-handed people, for example, or a touchscreen payment system that only works for people who read English phrases, have 20/20 vision, and use a credit card. Something as simple as color choices can render a product unusable for millions. These mismatches are the building blocks of exclusion. In Mismatch , Kat Holmes describes how design can lead to exclusion, and how design can also remedy exclusion. Inclusive design methods--designing objects with rather than for excluded users--can create elegant solutions that work well and benefit all.

    Holmes tells stories of pioneers of inclusive design, many of whom were drawn to work on inclusion because of their own experiences of exclusion. A gamer and designer who depends on voice recognition shows Holmes his "Wall of Exclusion," which displays dozens of game controllers that require two hands to operate; an architect shares her firsthand knowledge of how design can fail communities, gleaned from growing up in Detroit's housing projects; an astronomer who began to lose her eyesight adapts a technique called "sonification" so she can "listen" to the stars.

    Designing for inclusion is not a feel-good sideline. Holmes shows how inclusion can be a source of innovation and growth, especially for digital technologies. It can be a catalyst for creativity and a boost for the bottom line as a customer base expands. And each time we remedy a mismatched interaction, we create an opportunity for more people to contribute to society in meaningful ways.


  • Don Proch : masking and mapping / Patricia Bovey
    N 6548 B684 2019
    Since 1970, Manitoba artist Don Proch has built an astonishing body of work evoking a semi-mythical Prairie past and an unsettled and unresolved modernity. In his complex sculptures and life-size masks, Proch combines intricate draftsmanship with natural and found materials in surprising and transformative ways. Proch grew up in the farmland of north-central Manitoba. Using the rolling hills and unique parkland vistas of the Asessippi valley he creates a complex personal iconography based on prairie life, landscape, geology and history. The result is what art critic Robert Enright called "inexplicable as a miracle."Proch first came to the Canadian art world's attention as part of a group of radical young artists in the 1970s, intent on shaking up the art establishment. His complex installations, masks, and silkscreen prints quickly established his reputation as an innovator with a unique vision. Today he is recognized as one of the most influential visual artists to come out of western Canada, and his work can be found in major public and corporate collections including Canada's major art galleries. Richly illustrated with more than 80 plates, the book includes rare excerpts from Proch's notebooks that reveal his intricate working process. Surveying the course of Proch's career, curator and art historian Patricia Bovey discusses the themes and influences behind his work and their context within the history of Canadian art.

  • Computer-Aided Architectural Design : "Hello, culture": 18th International Conference, CAAD Futures 2019, Daejeon, Republic of Korea, June 26-28, 2019 : selected papers / Ji-Hyun Lee (ed.)
    NA2728

  • Indian Cotton Textiles in West Africa : African Agency, Consumer Demand and the Making of the Global Economy, 1750--1850 / Kazuo Kobhayashi
    NK8876.A3

  • Arts Education and Cultural Diversity Policies, Research, Practices and Critical Perspectives / Chee-Hoo Lum, Ernst Wagner, editors
    NA85

  • Advances in the Economics of Religion
    HB72

  • Uncertainty and possibility : new approaches to future making in design anthropology / Yoko Alama, Sarah Pink, and Shanti Sumartojo
    NK 1520 A33 2018eb
    Uncertainty and possibility are emerging as both theoretical concepts and fields of empirical investigation, as scholars and practitioners seek new creative, hopeful and speculative modes of understanding and intervening in a world of crisis.This book offers new perspectives on the central issues of uncertainty and possibility, and identifies new research methods which take advantage of disruptive and experimental techniques. Advancing a practical agenda for future making, it reveals how uncertainty can be engaged as a generative 'technology' for understanding, researching and intervening in the world. Drawing on key themes in creative methodologies, such as making, essaying, inhabiting and attuning, chapters explore contemporary sites of practice. The book looks at maker spaces and technology design, the imaginaries of architectural design, the temporalities of built cultural heritage, and interdisciplinary making and performing. Based on the authors' own academic work and their applied research with a range of different organizations, Uncertainty and Possibility outlines new opportunities for research and intervention. It is essential reading for students, scholars and practitioners in design anthropology and human-centred design.

  • Architects : portraits of a practice / Thomas Yarrow
    NA 997 M55Y37 2019

    What is creativity? What is the relationship between work life and personal life? How is it possible to live truthfully in a world of contradiction and compromise? These deep and deeply personal questions spring to the fore in Thomas Yarrow's vivid exploration of the life of architects. Yarrow takes us inside the world of architects, showing us the anxiety, exhilaration, hope, idealism, friendship, conflict, and the personal commitments that feed these acts of creativity.

    Architects rethinks "creativity," demonstrating how it happens in everyday practice. It highlights how the pursuit of good architecture, relates to the pursuit of a good life in intimate and individually specific ways. And it reveals the surprising and routine social negotiations through which designs and buildings are actually made.


  • Julian Rosefeldt : manifesto : eine Filminstallation in zwolf Szenena / mit Texten von Burcu Dogramaci, Anna-Catharina Gebbers, Udo Kittelmann, Reinhard Spiedler ; und einem Interview mit dem Künstler von Sarah Tutton und Justin Paton
    N 6888 R67A4 2016

  • N.C. Wyeth : new perspectives / Jessica May and Christine B. Podmaniczky ; with contributions by D.B. Dowd [and three other]
    ND 237 W94M39 2019
    A fresh and surprising overview of N. C. Wyeth's career that considers the full range of the multifaceted artist's oeuvre

    N. C. Wyeth (1882-1945) was widely renowned for his iconic images of characters such as King Arthur, Robin Hood, and Robinson Crusoe that were reproduced as illustrations for books and magazines. The patriarch of the Wyeth family, father of Andrew Wyeth and grandfather of Jamie, he was also an artist with a broad purview whose work includes impressionist views of the Pennsylvania countryside and 1930s modernist interpretations of Maine coastal scenes.

    The book's essays look at topics such as Wyeth's contributions to the visual mythology of the American West, the darker nuances found in his Treasure Island illustrations, and correlations between his illustrations and cinema. Also explored is the way in which Wyeth's own Chadds Ford properties reflect his conception of home and the role of the artist in American society. Complete with a detailed chronology, this carefully researched study of Wyeth's life and work provides a long overdue assessment of the remarkable breadth of this complex yet often misunderstood artist.

  • Whitney Biennial 2019 / organized by Jane Panetta and Rujeko Hockley, with Ramsay Kolber
    N 6512.7 W492 2019
    This highly anticipated book showcases the work and voices of an exciting selection of artists shaping the conversation about contemporary art in the United States today

    Since its introduction in 1932, the Whitney Biennial--the Museum's signature exhibition--has charted new developments in contemporary art. The 2019 Biennial is curated by members of the museum's curatorial staff Rujeko Hockley and Jane Panetta, well-known in the contemporary art world for their track records of working with emerging artists and producing historically minded exhibitions. The book features process images and source material from each of the Biennial participants, in addition to a commissioned text on each artist and essays by the curators on the themes of the exhibition.

    Adam D. Weinberg, the Whitney's Alice Pratt Brown Director, notes, "The Biennial is a tradition that goes back to the institution's historical roots while providing us with a barometer of the new. Pushing beyond what is comfortable, presenting diverse approaches to artmaking, and understanding that art can never be severed from the world at large have become the hallmarks of the Biennial." Coming in the midst of dramatic shifts in the cultural, social, and political landscapes, this book will serve as an important resource on present-day trends in contemporary art in the United States.

  • Gothic sculpture / Paul Binski
    NB 180 B558 2019
    In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a "poetic." Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts.

  • Inventing Boston : design, production, and consumption / Edward S. Cooke, Jr
    NK 838 B67 C66 2019
    During the late 17th and early 18th centuries, Boston was both a colonial capital and the third most important port in the British empire, trailing only London and Bristol. Boston was also an independent entity that pursued its own interests and articulated its own identity while selectively appropriating British culture and fashion. This revelatory book examines period dwellings, gravestones, furniture, textiles, ceramics, and silver, revealing through material culture how the inhabitants of Boston were colonial, provincial, metropolitan, and global, all at the same time. Edward S. Cooke, Jr.'s detailed account of materials and furnishing practices demonstrates that Bostonians actively filtered ideas and goods from a variety of sources, combined them with local materials and preferences, and constructed a distinct sense of local identity, a process of hybridization that, the author argues, exhibited a conscious desire to shape a culture as a means to resist a distant, dominant power.

  • The women of Atelier 17 : modernist printmaking in midcentury New York / Christina Weyl
    NE 538 N5W69 2019
    A timely reexamination of the experimental New York print studio Atelier 17, focusing on the women whose work defied gender norms through novel aesthetic forms and techniques

    In this important book Christina Weyl takes us into the experimental New York print studio Atelier 17 and highlights the women whose work there advanced both modernism and feminism in the 1940s and 1950s. Weyl focuses on eight artists--Louise Bourgeois, Minna Citron, Worden Day, Dorothy Dehner, Sue Fuller, Alice Trumbull Mason, Louise Nevelson, and Anne Ryan--who bent the technical rules of printmaking and blazed new aesthetic terrain with their etchings, engravings, and woodcuts. She reveals how Atelier 17 operated as an uncommonly egalitarian laboratory for revolutionizing print technique, style, and scale. It facilitated women artists' engagement with modernist styles, providing a forum for extraordinary achievements that shaped postwar sculpture, fiber art, neo-Dadaism, and the Pattern and Decoration movement. Atelier 17 fostered solidarity among women pursuing modernist forms of expression, providing inspiration for feminist collective action in the 1960s and 1970s. The Women of Atelier 17 also identifies for the first time nearly 100 women, many previously unknown, who worked at the studio, and provides incisive illustrated biographies of selected artists.

  • Karel Teige : captain of the avant-garde / Rea Michalová ; [editor, indexing: Eva Hrubá ; English translation: Daniel Morgan (chapters 1, 3-7), Stephan von Pohl]
    N 6834.5 T45M42413 2018

    Art theorist and critic, graphic designer, artist, author and translator Karel Teige (1900-51) is today recognized not just as the creator of internationally acclaimed surrealist collages, but also as a leading figure of the European avant-garde. Teige spent his entire life commenting on and interpreting developments in the visual arts. His multifaceted theoretical writings helped shape the conceptual foundations of modern art, and his activities and intensive contacts with other members of the European avant-garde helped secure Czech art's place on the international art scene. His work anticipated, initiated and helped to develop the progressive artistic movements that fundamentally influenced art in the 20th century.

    Karel Teige was one of the great European intellectuals of his time; his efforts were aimed at creating not just a system of aesthetics but also an all-encompassing life philosophy. He was intensively interested in architecture and found inspiration in Germany's Bauhaus (where he spent a year lecturing); architectural functionalism would have looked completely different without his input. Teige's preference for rational, minimalist designs with an emphasis on the social uses of modern architecture was the "most functionalist functionalism" of his time.

    Teige's own work consisted primarily of a series of phenomenal collages that reveal the hidden and passionate aspects of his personality. His book designs set the tone for an entire generation, and his design principles remain valid today. Teige's complicated personality, full of contradictions, utopian dreams and a yearning for order and logic make him an indecipherable and deeply human individual, a perfect symbol for the 20th century.

    This comprehensive, nearly 800-page monograph, by the art historian Rea Michalov , takes a wide-ranging look at the evolution of Teige's ideological, theoretical and political views, and recalls important moments in his life and their significance within the international context. The book includes a rich set of illustrations, photographs from his life, and examples of his unique collages and graphic designs.


  • Artistic transfer : efficiency through unruly thinking / Ursula Bertram ; with thought-sketches by Werner Preißing
    NX 160 B475 2018
    Nonconformist, nonlinear, unruly thought and action have always led to great works of art, path-breaking inventions, and forward-looking perspectives. But how can this precious good find its way into our everyday working life to help us deal with social, ecological, and economic challenges? The crucial step, Ursula Bertram contends, is to reach a synergy of logically justifiable knowledge and the capacity to navigate in open systems. To find out how such synergy could come about, Ursula Bertram has observed the strategies and principles of artists, choreographers, musicians, and unruly thinkers and compared them with the statements of physicists, mathematicians, managers, and researchers. She shows that when artistic thought is circulated and probed in nonartistic fields, an extremely efficient pattern called artistic transfer emerges.

    The book features contributions by Werner Preißing and others.

  • Carbon + light : Juan Geuer's luminous precision / Barry Ace, Doug Back, Juan Geuer, Darsha Hewitt, Catherine Richards, Daniel Sharp, Michael Snow, Norman White ; curator, Caroline Seck Langill = Carbone + lumière : la précision lumineuse de Juan Geuer / Barry Ace, Doug Back, Juan Geuer, Darsha Hewitt, Catherine Richards, Daniel Sharp, Michael Snow, Norman White ; commissaire, Caroline Seck Langill
    N 6545.6 C37 2019

  • Le petit pot de roses : jonglerie / Nicole Jolicœur
    N 6549 J65P48 2018

  • Freedom of the presses : artists' books in the twenty-first century / edited by Marshall Weber
    N 7433.3 F74 2019
    Freedom of the Presses provides perspectives on how to deconstruct colonial and contemporary restraints on the concept, content, design, production, and distribution of artists' and activists' publications along with models of how to reimagine artists' bookmaking as a socially engaged practice. With its provocative mix of humorous, intimate and scholarly writing, the book offers an engaging read that will no doubt have a positive impact on both creative publishing and librarianship. Book jacket.

  • Bill Viola/Michelangelo : life death rebirth / edited by Martin Clayton and Kira Perov
    N 6537 V56A4 2019
    At first glance, there may appear to be more to separate Michelangelo (1475-1564) and Bill Viola (b. 1951) than to unite them: one, the great master of the Italian Renaissance; the other, the creator of state-of-the-art immersive sound and video installations. And yet, when Martin Clayton showed Viola Her Majesty The Queen's unsurpassed collection of Michelangelo drawings at Windsor in 2006, the two men began to discover parallels. This book presents a new perspective on both artists' works. Stills and sequences from twelve key video pieces by Viola are reproduced alongside seventeen of Michelangelo's presentation drawings, as well as the Taddei Tondo, the only Michelangelo marble sculpture in the UK and a treasure of the Royal Academy's collection. Texts by Martin Clayton examine how existential concerns - the preoccupation of many Renaissance artists, not least Michelangelo - are explored in Viola's often profoundly moving video installations, while Kira Perov provides insight into Viola's working processes. AUTHORS: Martin Clayton is Head of Prints and Drawings at Royal Collection Trust. Kira Perov is Bill Viola's partner and executive director of Bill Viola Studio. She manages, creatively guides and assists with the production of all his videotapes and installations, and curates exhibitions of his works worldwide. SELLING POINTS: * A selection of key works by the American video artist Bill Viola are presented alongside Michelangelo's drawings - revealing surprising parallels * Accompanies an exhibition presenting both artists' works at the Royal Academy of Arts, London, from 26 January to 31 March 2019 140 colour images

  • The art of the sketchbook / chief editor: Wang Shaoqiang
    N 7433.5 A78 2019
    For every commercial work released by an artist, countless doodles and sketches remain in sketchbooks, unseen by all but a select few. It is a rare treat to see an artist's looser, more playful experiments. These early drafts and creative diversions can reveal new facets of the artist's process, and often constitute a body of work just as valuable as what the artist deems worthy of the public eye. The Art of the Sketchbook cracks opens the covers of more than thirty private sketchbooks and reveals the personal work of artists in their leisure.
Updated: Tuesday 24 September 2019
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