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P - Language and Literature - Concordia University Libraries Recent Acquisitions

Items in Language and Literature that were added to the Concordia University Libraries collection in the last 60 days.

  • Screenplays / Werner Herzog ; translated from the German by Alan Greenberg and Martje Herzog
    PN 1997.3.H4

  • Dialectics and nihilism : essays on Lessing, Nietzsche, Mann, and Kafka / Peter Heller
    PT 111.H4

  • Two worlds : an Edinburgh Jewish childhood / David Daiches
    PR 29.D3 A3 1989

  • Reminiscences of Samuel Taylor Coleridge and Robert Southey. By Joseph Cottle
    PR 4483.C6 1847

  • Forked tongues? : comparing twentieth-century British and American literature / edited by Ann Massa and Alistair Stead
    PR 129.U5 F67 1994
    This collection of essays from scholars, critics and poets from both sides of the Atlantic sets out to discover the distinctiveness of modern British and American literature by comparing and contrasting the two traditions. It considers both the way the two literatures have influenced each other and what distinguishing characteristics they each possess.

  • The pessimism of James Thomson (B.V.) in relation to his times
    PR 5659.B9 1965

  • The Cambridge companion to Medieval English law and literature / edited by Candace Barrington, Sebastian Sobecki
    PR275.L35 C36 2019eb

  • Jazz : a novel / Toni Morrison ; with a new foreword by the author
    PS 3563 O8749 J38 2004
    In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe's wife, Violet, attacks the girl's corpse. This passionate, profound story of love and obsession brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of black urban life.

  • Elizabeth Costello / J.M. Coetzee
    PR 9369.3 C58 E44 2004b
    J.M. Coetzee's latest novel, The Schooldays of Jesus , is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

    Since 1982, J. M. Coetzee has been dazzling the literary world. After eight novels that have won, among other awards, two Booker Prizes, and most recently, the Nobel Prize, Coetzee has once again crafted an unusual and deeply affecting tale. Told through an ingenious series of formal addresses, Elizabeth Costello is, on the surface, the story of a woman's life as mother, sister, lover, and writer. Yet it is also a profound and haunting meditation on the nature of storytelling.

  • Bollywood cinema : temples of desire / Vijay Mishra
    PN 1993.5 I8M46 2002eb
    India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.

  • On the nature of things / Lucretius
    PA 6483 E5L837 2012
    This great poem stands with Virgil's Aeneid as one of the vital and enduring achievements of Latin literature. Lost for more than a thousand years, its return to circulation in 1417 reintroduced dangerous ideas about the nature and meaning of existence and helped shape the modern world.

  • Frankenstein alive, alive! : the complete collection / Steve Niles, Bernie Wrightson ; additional art by Kelley Jones ; lettering by Robbie Robbins
    PN 6727 N55F73 2018
    Inspired by Mary Shelley's immortal gothic horror tale, Frankenstein Alive, Alive brings new life to the Promethean monster, courtesy of Steve Niles ( 30 Days of Night ) and Bernie Wrightson ( Frankenstein, Swamp Thing ). Victor Frankenstein's cobbled together creature continues his adventures, embarking on a journey to discover his own humanity. Collecting the four-issue series along with an extended gallery section of never-before-seen layouts and pencils by Wrightson, all scanned from the original art. Additional art is supplied in the final chapter by Kelley Jones (at Wrightson's request), who stepped in to complete the series upon the comic book legend's untimely passing.

  • So long a letter / Mariama Bâ ; translated from the French by Modupé Bodé-Thomas ; introduction by Kenneth W. Harrow
    PQ 3989.2 B23S513 2012

  • Go, went, gone / Jenny Erpenbeck ; translated by Susan Bernofsky
    PT 2665 R59G3713 2017
    Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, "one of the most significant German-language novelists of her generation" (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates.Go, Went, Gone is a scathing indictment of Western policy toward the European refugee crisis, but also a touching portrait of a man who finds he has more in common with the Africans than he realizes. Exquisitely translated by Susan Bernofsky,Go, Went, Gone addresses one of the most pivotal issues of our time, facing it head-on in a voice that is both nostalgic and frightening.

  • The book of Eve / Constance Beresford-Howe
    PS 8503 E73B66 2001
    First published in 1973, The Book of Eve has become a classic. When Eva Carroll walks out on her husband of 40 years, it is an unplanned, completely spontaneous gesture. Yet Eva feels neither guilt nor remorse. Instead, she feels rejuvenated and blissfully free. As she builds a new life for herself in a boarding house on the "wrong" side of Montreal, she finds happiness and independence - and, when she least expects it, love.

  • Emma / Jane Austen ; with an introduction by Andrew Motion
    PR 4034 E5 2014

    The Vintage Classics Austen series is designed by the writer and illustrator Leanne Shapton and introduced by some of our finest contemporary writers and Austen fans- Alexander McCall Smith, Lynne Truss, Amanda Vickery, Francesca Segal, P.D. James and Andrew Motion.

    'Jane Austen's Emma is her masterpiece, mixing the sparkle of her early books with a deep sensibility' Robert McCrum, Observer

    Emma is young, rich and independent. She has decided not to get married and instead spends her time organising her acquaintances' love affairs. Her plans for the matrimonial success of her new friend Harriet, however, lead her into complications that ultimately test her own detachment from the world of romance.

  • The reader / Bernhard Schlink ; translated from the German by Carol Brown Janeway
    PT 2680 L54V6713 1998
    Hailed for its coiled eroticism and the moral claims it makes upon the reader, this mesmerizing novel is a story of love and secrets, horror and compassion, unfolding against the haunted landscape of postwar Germany. When he falls ill on his way home from school, fifteen-year-old Michael Berg is rescued by Hanna, a woman twice his age. In time she becomes his lover--then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.

  • Le métier de journaliste : guide des outils et des pratiques du journalisme au Québec / Pierre Sormany
    PN 4917 Q3S67 2011

  • Love, anger, madness : a Haitian trilogy / Marie Vieux-Chauvet ; a new translation by Rose-Myriam Réjouis and Val Vinokur ; introduction by Edwidge Danticat
    PQ 3949 C493A813 2009
    Now in English for the first time, this major work of Haitian literature is a powerfully rendered response to life under an oppressive regime Suppressed immediately upon publication in 1968 and finally released in France in 2005, this stunning trilogy, brilliantly introduced by Edwidge Danticat, is a scathing response to the powerful racial, sexual, and class struggles that rule Haiti. InLove, three sisters entangle themselves in each other's love lives, creating a complicated family dynamic that echoes the growing chaos outside of the house. InAnger, the daughter of a middle-class family terrorized by paramilitaries agrees to prostitute herself to save the others, but the guilt that ensues upon the sale of her body and soul reveals the profound fissures among them. And finally,Madnesspaints a terrifying portrait of a Haitian town that has been ravaged by troops. A young poet, trapped in his house for days without food, becomes obsessed with the souls of the dead that surround him.Love, Anger, Madnessis an extraordinary, brave, and searing evocation of a country in turmoil. From the Hardcover edition.

  • Reaching Audiences : a Guide to Media Writing / Jan Johnson Yopp, University of North Carolina at Chapel Hill ; Katherine C. McAdams, University of Maryland at College Park
    P 96 A86M38 2013

  • Black bird : a novel / by Michel Basilières
    PS 8553 A8678B58 2003
    With comic brilliance and a delight in the macabre, Michel Basilières holds a fun-house mirror up to a defining moment in Canadian history and reveals, among other things, a family having a very bad year. Holed up in a shambling house at the base of Mount Royal is the family Desouche: three generations of English- and French-Canadians caught in the gears of a national emergency. Their world is dark and hard, but alive with hope and expectation. When one of the eldest, an Anglo Montrealer, dies at the hand of one of the youngest, a militant separatist, so begins a year of turmoil and change that culminates in the October Crisis. Grave-robbing Grandfather consorts with prostitutes and mad scientists, loses an eye and gains a new vision. His disenchanted wife bonds with his canny pet crow. Mother sleeps her grief away through the seasons, while Father ineffectively schemes to get rich quick. Meanwhile, their twin children, Marie and Jean-Baptiste, find their personal ambitions clashing with their public actions as they derail each other at every turn. In this wholly original novel alive with misfortune and magic, Michel Basilières uncovers a Montreal not seen in any other English-Canadian novel: a forgotten blue-collar neighbourhood in between the two solitudes. Gothic, outrageous, yet tender and wise, Black Bird is as liberating as the dreams of its wayward characters, and as gripping as the insurgencies that split its heart.

  • The chain : a play / Vittorio Rossi
    PS 8585 O684C43+ 1989

  • The Cambridge companion to Ian McEwan / edited by Dominic Head, University of Nottingham
    PR 6063 C4Z625 2019eb
    This Companion showcases the best scholarship on Ian McEwan's work, and offers a comprehensive demonstration of his importance in the canon of international contemporary fiction. The whole career is covered, and the connections as well as the developments across the oeuvre are considered. The essays offer both an assessment of McEwan's technical accomplishments and a sense of the contextual factors that have provided him with inspiration. This volume has been structured to highlight the points of intersection between literary questions and evaluations, and the treatment of contemporary socio-cultural issues and topics. For the more complex novels - such as Atonement - this book offers complementary perspectives. In this respect, The Cambridge Companion to Ian McEwan serves as a prism of interpretation, revealing the various interpretive emphases each of McEwan's more complex works invite, and to show how his various recurring preoccupations run through his career.

  • Bordered writers : Latinx identities and literacy practices at Hispanic-serving institutions / edited by Isabel Baca, Yndalecio Isaac Hinojosa, and Susan Wolff Murphy
    PE 1405 U6B67 2019eb

  • Next steps : new directions for/in writing about writing / edited by Barbara Bird, Doug Downs, I. Moriah McCracken, Jan Rieman
    PE 1404 N54 2019eb
    Next Steps: New Directions for/in Writing about Writing is the first collection of teacher and student voices on a writing pedagogy that puts expert knowledge at the center of the writing classroom. More than forty contributors report on implementations of writing-about-writing pedagogies from the basic writing classroom to the graduate seminar, in two-year and four-year schools, and in small colleges and research universities around the United States and the world.

    For more than ten years, WAW approaches have been emerging in all these sites and scenes of college writing instruction, and Next Steps offers an original look at the breadth of ways WAW pedagogy has been taken up by writing instructors and into an array of writing courses. Organized by some of the key foci of WAW instruction--writerly identity, process, and engagement--the book takes readers into thick classroom descriptions as well as vignettes offering shorter takes on particular strategies. The classroom descriptions are fleshed out in more personal ways by student vignettes, reflections on encountering writing about writing in college writing classes. As its theoretical basis, Next Steps includes chapters on threshold concepts, transfer of writing-related learning, and the history of WAW pedagogies.

    As the first extensive look into WAW pedagogies across courses and institutions, Next Steps is ideal for writing instructors looking for new approaches to college composition instruction or curious about what "writing about writing" pedagogy actually is, for graduate students in composition pedagogy and their faculty, and for those researching composition pedagogy, threshold concepts, and learning transfer.

    Linda Adler-Kassner, Olga Aksakalova, Joy Arbor, Matthew Bryan, Shawn Casey, Gabriel Cutrufello, Jennifer deWinter, Kristen di Gennaro, Emma Gaier, Christina Grant, Gwen Hart, Kimberly Hoover, Rebecca Jackson, Frances Johnson, Elizabeth Kleinfeld, Katie Jo LaRiviere, Andrew Lucchesi, Cat Mahaffey, Michael Michaud, Rebecca S. Nowacek, Andrew Ogilvie, Sarah Read, Rebecca Robinson, Kevin Roozen, Mysti Rudd, Christian Smith, Nichole Stack, Samuel Stinson, Hiroki Sugimoto, Lisa Tremain, Valerie Vera, Megan Wallace, Elizabeth Wardle, Christy I. Wenger, Nancy Wilson, Dominique Zino

  • Provoking the press : (MORE) magazine and the crisis of confidence in American journalism / Kevin M. Lerner
    PN 4900 M67L47 2019eb
    At the beginning of the 1970s, broadcast news and a few newspapers such as The New York Times wielded national influence in shaping public discourse, to a degree never before enjoyed by the news media. At the same time, however, attacks from political conservatives such as Vice President Spiro Agnew began to erode public trust in news institutions, even as a new breed of college-educated reporters were hitting their stride. This new wave of journalists, doing their best to cover the roiling culture wars of the day, grew increasingly frustrated by the limitations of traditional notions of objectivity in news writing and began to push back against convention, turning their eyes on the press itself.

    Two of these new journalists, a Pulitzer Prize--winning, Harvard-educated New York Times reporter named J. Anthony Lukas, and a former Newsweek media writer named Richard Pollak, founded a journalism review called (MORE) in 1971, with its pilot issue appearing the same month that the Times began publishing the Pentagon Papers. (MORE) covered the press with a critical attitude that blended seriousness and satire--part New York Review of Books , part underground press. In the eight years that it published, (MORE) brought together nearly every important American journalist of the 1970s, either as a writer, a subject of its critical eye, or as a participant in its series of raucous "A.J. Liebling Counter-Conventions"--meetings named after the outspoken press critic--the first of which convened in 1974. In issue after issue the magazine considered and questioned the mainstream press's coverage of explosive stories of the decade, including the Watergate scandal; the "seven dirty words" obscenity trial; the debate over a reporter's constitutional privilege; the rise of public broadcasting; the struggle for women and minorities to find a voice in mainstream newsrooms; and the U.S. debut of press baron Rupert Murdoch.

    In telling the story of (MORE) and its legacy, Kevin Lerner explores the power of criticism to reform and guide the institutions of the press and, in turn, influence public discourse.

  • The politics of Richard Wright : perspectives on resistance / edited by Jane Anna Gordon and Cyrus Ernesto Zirakzadeh
    PS 3545 R815Z798 2018eb

    A pillar of African American literature, Richard Wright is one of the most celebrated and controversial authors in American history. His work championed intellectual freedom amid social and political chaos. Despite the popular and critical success of books such as Uncle Tom's Children (1938), Black Boy (1945), and Native Son (1941), Wright faced staunch criticism and even censorship throughout his career for the graphic sexuality, intense violence, and communist themes in his work. Yet, many political theorists have ignored his radical ideas.

    In The Politics of Richard Wright , an interdisciplinary group of scholars embraces the controversies surrounding Wright as a public intellectual and author. Several contributors explore how the writer mixed fact and fiction to capture the empirical and emotional reality of living as a black person in a racist world. Others examine the role of gender in Wright's canonical and lesser-known writing and the implications of black male vulnerability. They also discuss the topics of black subjectivity, internationalism and diaspora, and the legacy of and responses to slavery in America.

    Wright's contributions to American political thought remain vital and relevant today. The Politics of Richard Wright is an indispensable resource for students of American literature, culture, and politics who strive to interpret this influential writer's life and legacy.

  • Give the word : responses to Werner Hamacher's 95 theses on philology / edited by Gerhard Richter and Ann Smock
    P 33 G52 2019eb
    Werner Hamacher's witty and elliptical 95 Theses on Philology challenges the humanities--and particularly academic philology--that assume language to be a given entity rather than an event. In Give the Word eleven scholars of literature and philosophy (Susan Bernstein, Michèle Cohen-Halimi, Peter Fenves, Sean Gurd, Daniel Heller-Roazen, Jan Plug, Gerhard Richter, Avital Ronell, Thomas Schestag, Ann Smock, and Vincent van Gerven Oei) take up the challenge presented by Hamacher's theses. At the close Hamacher responds to them in a spirited text that elaborates on the context of his 95 Theses and its rich theoretical and philosophical ramifications.

    The 95 Theses , included in this volume, makes this collection a rich resource for the study and practice of "radical philology." Hamacher's philology interrupts and transforms, parting with tradition precisely in order to remain faithful to its radical but increasingly occluded core.

    The contributors test Hamacher's break with philology in a variety of ways, attempting a philological practice that does not take language as an object of knowledge, study, or even love. Thus, in responding to Hamacher's Theses , the authors approach language that, because it can never be an object of any kind, awakens an unfamiliar desire. Taken together these essays problematize philological ontology in a movement toward radical reconceptualizations of labor, action, and historical time.

  • Contra instrumentalism : a translation polemic / Lawrence Venuti
    P 306 V36 2019eb
    Contra Instrumentalism questions the long-accepted notion that translation reproduces or transfers an invariant contained in or caused by the source text. This "instrumental" model of translation has dominated translation theory and commentary for more than two millennia, and its influence can be seen today in elite and popular cultures, in academic institutions and in publishing, in scholarly monographs and in literary journalism, in the most rarefied theoretical discourses and in the most commonly used clichés.

    Contra Instrumentalism aims to end the dominance of instrumentalism by showing how it grossly oversimplifies translation practice and fosters an illusion of immediate access to source texts. Lawrence Venuti asserts that all translation is an interpretive act that necessarily entails ethical responsibilities and political commitments. Venuti argues that a hermeneutic model offers a more comprehensive and incisive understanding of translation that enables an appreciation of not only the creative and scholarly aspects of what a translator does but also the crucial role translation plays in the cultural and social institutions that shape human life.

  • How to keep your cool : an ancient guide to anger management / Seneca ; selected, translated, and introduced by James Romm
    PA 6665 D5S45 2019eb

    Timeless wisdom on controlling anger in personal life and politics from the Roman Stoic philosopher and statesman Seneca

    In his essay "On Anger" ( De Ira ), the Roman Stoic thinker Seneca (c. 4 BC-65 AD) argues that anger is the most destructive passion: "No plague has cost the human race more dear." This was proved by his own life, which he barely preserved under one wrathful emperor, Caligula, and lost under a second, Nero. This splendid new translation of essential selections from "On Anger," presented with an enlightening introduction and the original Latin on facing pages, offers readers a timeless guide to avoiding and managing anger. It vividly illustrates why the emotion is so dangerous and why controlling it would bring vast benefits to individuals and society.

    Drawing on his great arsenal of rhetoric, including historical examples (especially from Caligula's horrific reign), anecdotes, quips, and soaring flights of eloquence, Seneca builds his case against anger with mounting intensity. Like a fire-and-brimstone preacher, he paints a grim picture of the moral perils to which anger exposes us, tracing nearly all the world's evils to this one toxic source. But he then uplifts us with a beatific vision of the alternate path, a path of forgiveness and compassion that resonates with Christian and Buddhist ethics.

    Seneca's thoughts on anger have never been more relevant than today, when uncivil discourse has increasingly infected public debate. Whether seeking personal growth or political renewal, readers will find, in Seneca's wisdom, a valuable antidote to the ills of an angry age.

  • How to be free : an ancient guide to the Stoic life / Epictetus, Encgeiridion and selections from Discourses ; translated and with an introduction by A. A. Long
    PA 3969 E54 2018eb

    A superb new edition of Epictetus's famed handbook on Stoicism--translated by one of the world's leading authorities on Stoic philosophy

    Born a slave, the Roman Stoic philosopher Epictetus (c. 55-135 AD) taught that mental freedom is supreme, since it can liberate one anywhere, even in a prison. In How to Be Free , A. A. Long--one of the world's leading authorities on Stoicism and a pioneer in its remarkable contemporary revival--provides a superb new edition of Epictetus's celebrated guide to the Stoic philosophy of life (the Encheiridion ) along with a selection of related reflections in his Discourses .

    Freedom, for Epictetus, is not a human right or a political prerogative but a psychological and ethical achievement, a gift that we alone can bestow on ourselves. We can all be free, but only if we learn to assign paramount value to what we can control (our motivations and reactions), treat what we cannot control with equanimity, and view our circumstances as opportunities to do well and be well, no matter what happens to us through misfortune or the actions of other people.

    How to Be Free features splendid new translations and the original Greek on facing pages, a compelling introduction that sets Epictetus in context and describes the importance of Stoic freedom today, and an invaluable glossary of key words and concepts. The result is an unmatched introduction to this powerful method of managing emotions and handling life's situations, from the most ordinary to the most demanding.

  • Albert Camus, Jean Sénac, or the rebel son / Hamid Nacer-Khodja ; translated by Kai Krienke
    PQ 2605 A3734Z7218313 2018eb
    While Albert Camus is an internationally acclaimed figure, Jean Sénac has struggled to gain recognition, even in France and Algeria. The correspondence between the Nobel Prize recipient and the young poet, documented in this illuminating collection, is a testimony to a little-known friendship that lasted for over a decade (1947-1958) and coincided with the escalating conflict between France and Algeria. Their letters shed light on a passionate conflict that opposed two men on two sides of the Algerian War. On one side, Camus distanced himself from an Algerian insurrection that was becoming increasingly violent. On the other, Sénac espoused the armed insurrection of the National Liberation Front and Algeria's right to independence and freedom. The exchange between Sénac and Camus allows for a deeper and more personal understanding of the Algerian conflict, and of the crucial role of writers, poets, and thinkers in the midst of a fratricidal colonial conflict. The letters translated here are also the intimate dialog between two men who had much in common and who shared a deep love for each other and for their homeland.

  • A name that is mine / Mbuh Tennu Mbuh

  • Edith Wharton, Willa Cather, and the place of culture / Julie Olin-Ammentorp
    PS 3545 H16Z754 2019eb
    Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton's The House of Mirth, Ethan Frome, and The Age of Innocence , and Cather's O Pioneers! , My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862-1937) and Cather (1873-1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as "our literary aristocrat," an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describes the lives of rugged western pioneers. These depictions, though partially valid, nonetheless rely on oversimplifications and neglect the striking and important ways the works of these two authors intersect.

    The first comparative study of Edith Wharton and Willa Cather in thirty years, this book combines biographical, historical, and literary analyses with a focus on place and aesthetics to reveal Wharton's and Cather's parallel experiences of dislocation, their relationship to each other as writers, and the profound similarities in their theories of fiction. Julie Olin-Ammentorp provides a new assessment of the affinities between Wharton and Cather by exploring the importance of literary and geographic place in their lives and works, including the role of New York City, the American West, France, and travel. In doing so she reveals the two authors' shared concern about the culture of place and the place of culture in the United States.

  • Shaping identity in medieval French literature : the other within / edited by Adrian P. Tudor and Kristin L. Burr
    PQ 155 I35S53 2019eb
    This collection considers the multiplicity and instability of medieval French literary identity, arguing that it is fluid and represented in numerous ways. The works analyzed span genres--epic, romance, lyric poetry, hagiography, fabliaux--and historical periods from the twelfth century to the late Middle Ages. Contributors examine the complexity of the notion of self through a wide range of lenses, from marginal characters to gender to questions of voice and naming. Studying a variety of texts--including Conte du Graal, Roman de la Rose, Huon de Bordeaux , and the Oxford Roland --they conceptualize the Other Within as an individual who simultaneously exists within a group while remaining foreign to it. They explore the complex interactions between and among individuals and groups, and demonstrate how identity can be imposed and self-imposed not only by characters but by authors and audiences. Taken together, these essays highlight the fluidity and complexity of identity in medieval French texts, and underscore both the richness of the literature and its engagement with questions that are at once more and less modern than they initially appear. Contributors: Adrian P. Tudor | Kristin L. Burr | William Burgwinkle | Jane Gilbert | Francis Gingras | Sara I. James | Douglas Kelly | Mary Jane Schenck | James R. Simpson | Jane H.M. Taylor

  • Public vows : fictions of marriage in the English Enlightenment / Melissa J. Ganz
    PR 858 M36G36 2019eb

    In eighteenth-century England, the institution of marriage became the subject of heated debates, as clerics, jurists, legislators, philosophers, and social observers began rethinking its contractual foundation. Public Vows argues that these debates shaped English fiction in crucial and previously unrecognized ways and that novels, in turn, played a central role in the debates.

    Like many legal and social thinkers of their day, novelists such as Daniel Defoe, Samuel Richardson, Frances Burney, Eliza Fenwick, and Amelia Opie imagine marriage as a public institution subject to regulation by church and state rather than a private agreement between two free individuals. Through recurring scenes of infidelity, fraud, and coercion as well as experiments with narrative form, these writers show the practical and ethical problems that result when couples attempt to establish and dissolve unions simply by exchanging consent. Even as novelists seek to shore up the legal regulation of marriage, however, they contest the specific forms that these regulations take.

    In recovering novelists' engagements with the nuptial controversies of the Enlightenment, Public Vows challenges longstanding accounts of domestic fiction as contributing to sharp divisions between public and private life and as supporting the traditional, patriarchal family. At the same time, the book counters received views of law and literature, highlighting fiction's often simultaneous affirmations and critiques of legal authority.

  • The battle of the bard : Shakespeare on U.S. radio in 1937 / Michael P. Jensen
    PR 2880 A1J46 2018eb

  • Gilgamesh : the life of a poem / Michael Schmidt
    PN 1136 S36 2019eb

    Reflections on a lost poem and its rediscovery by contemporary poets

    Gilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today.

    Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessions of an unlikely cast of characters, from archaeologists and museum curators to tomb raiders and jihadis. Fragments of the poem, incised on clay tablets, were scattered across a huge expanse of desert when it was recovered in the nineteenth century. The poem had to be reassembled, its languages deciphered. The discovery of a pre-Noah flood story was front-page news on both sides of the Atlantic, and the poem's allure only continues to grow as additional cuneiform tablets come to light. Its translation, interpretation, and integration are ongoing.

    In this illuminating book, Schmidt discusses the special fascination Gilgamesh holds for contemporary poets, arguing that part of its appeal is its captivating otherness. He reflects on the work of leading poets such as Charles Olson, Louis Zukofsky, and Yusef Komunyakaa, whose own encounters with the poem are revelatory, and he reads its many translations and editions to bring it vividly to life for readers.

  • Without the novel : romance and the history of prose fiction / Scott Black

    No genre manifests the pleasure of reading--and its power to consume and enchant--more than romance. In suspending the category of the novel to rethink the way prose fiction works, Without the Novel demonstrates what literary history looks like from the perspective of such readerly excesses and adventures.

    Rejecting the assumption that novelistic realism is the most significant tendency in the history of prose fiction, Black asks three intertwined questions: What is fiction without the novel? What is literary history without the novel? What is reading without the novel? In answer, this study draws on the neglected genre of romance to reintegrate eighteenth-century British fiction with its classical and Continental counterparts. Black addresses works of prose fiction that self-consciously experiment with the formal structures and readerly affordances of romance: Heliodorus's Ethiopian Story , Cervantes's Don Quixote , Fielding's Tom Jones , Sterne's Tristram Shandy , and Burney's The Wanderer . Each text presents itself as a secondary, satiric adaptation of anachronistic and alien narratives, but in revising foreign stories each text also relays them. The recursive reading that these works portray and demand makes each a self-reflexive parable of romance itself. Ultimately, Without the Novel writes a wider, weirder history of fiction organized by the recurrences of romance and informed by the pleasures of reading that define the genre.

  • Character and mourning : Woolf, Faulkner, and the novel elegy of the First World War / Erin Penner
    PR 6045 O72Z8585 2019eb

    In response to the devastating trauma of World War I, British and American authors wrote about grief. The need to articulate loss inspired moving novels by Virginia Woolf and William Faulkner. Woolf criticized the role of Britain in the "war to end all wars," and Faulkner recognized in postwar France a devastation of land and people he found familiar from his life in a Mississippi still recovering from the American Civil War. In Character and Mourning, Erin Penner shows how these two modernist novelists took on the challenge of rewriting the literature of mourning for a new and difficult era.

    Faulkner and Woolf address the massive war losses from the perspective of the noncombatant, thus reimagining modern mourning. By refusing to let war poets dominate the larger cultural portrait of the postwar period, these novelists negotiated a relationship between soldiers and civilians--a relationship that was crucial once the war had ended. Highlighting their sustained attention to elegiac reinvention over the course of their writing careers--from Jacob's Room to The Waves, from The Sound and the Fury to Go Down, Moses --Penner moves beyond biographical and stylistic differences to recognize Faulkner and Woolf's shared role in reshaping elegiac literature in the period following the First World War.

  • Overwhelmed : literature, aesthetics, and the nineteenth-century information revolution / Maurice S. Lee
    PS 217 S34L44 2019eb

    An engaging look at how debates over the fate of literature in our digital age are powerfully conditioned by the nineteenth century's information revolution

    What happens to literature during an information revolution? How do readers and writers adapt to proliferating data and texts? These questions appear uniquely urgent today in a world of information overload, big data, and the digital humanities. But as Maurice Lee shows in Overwhelmed , these concerns are not new--they also mattered in the nineteenth century, as the rapid expansion of print created new relationships between literature and information.

    Exploring four key areas--reading, searching, counting, and testing--in which nineteenth-century British and American literary practices engaged developing information technologies, Overwhelmed delves into a diverse range of writings, from canonical works by Coleridge, Emerson, Charlotte Brontë, Hawthorne, and Dickens to lesser-known texts such as popular adventure novels, standardized literature tests, antiquarian journals, and early statistical literary criticism. In doing so, Lee presents a new argument: rather than being at odds, as generations of critics have viewed them, literature and information in the nineteenth century were entangled in surprisingly collaborative ways.

    An unexpected, historically grounded look at how a previous information age offers new ways to think about the anxieties and opportunities of our own, Overwhelmed illuminates today's debates about the digital humanities, the crisis in the humanities, and the future of literature.

  • The broken spell : Indian storytelling and the romance genre in Persian and Urdu / Pasha M. Khan
    PK 6412 R65K43 2019eb

  • Becoming Willa Cather : creation and career / Daryl W. Palmer
    PS 3505 A87Z754 2019eb

  • Histoire de la littérature inuite du Nunavik / Nelly Duvicq
    PM 55 D885 2019eb

  • Lyric complicity : poetry and readers in the golden age of Russian literature / Daria Khitrova
    PG 3051 K45 2019eb

  • The land of story-books : Scottish children's literature in the long nineteenth century / edited by Sarah Dunnigan and Shu-Fang Lai
    PR 8625 L367 2019eb

  • Latin American adventures in literary journalism / Pablo Calvi
    PN 4759 C35 2019eb

  • The dictator novel writers and politics in the global South / Magalí Armillas-Tiseyra

  • Emerson in Iran : the American appropriation of Persian poetry / Roger Sedarat
    PS 1642 P47S43 2019eb

  • Glissant and the middle passage : philosophy, beginning, abyss / John E. Drabinski
    PQ 3949.2 G53Z96 2019eb

    A reevaluation of Édouard Glissant that centers on the catastrophe of the Middle Passage and creates deep, original theories of trauma and Caribbeanness

    While philosophy has undertaken the work of accounting for Europe's traumatic history, the field has not shown the same attention to the catastrophe known as the Middle Passage. It is a history that requires its own ideas that emerge organically from the societies that experienced the Middle Passage and its consequences firsthand. Glissant and the Middle Passage offers a new, important approach to this neglected calamity by examining the thought of Édouard Glissant, particularly his development of Caribbeanness as a critical concept rooted in the experience of the slave trade and its aftermath in colonialism.

    In dialogue with key theorists of catastrophe and trauma--including Aimé Césaire, Frantz Fanon, George Lamming, Gilles Deleuze, Félix Guattari, Derek Walcott, as well as key figures in Holocaust studies-- Glissant and the Middle Passage hones a sharp sense of the specifically Caribbean varieties of loss, developing them into a transformative philosophical idea. Using the Plantation as a critical concept, John E. Drabinski creolizes notions of rhizome and nomad, examining what kinds of aesthetics grow from these roots and offering reconsiderations of what constitutes intellectual work and cultural production.

    Glissant and the Middle Passage establishes Glissant's proper place as a key theorist of ruin, catastrophe, abyss, and memory. Identifying his insistence on memories and histories tied to place as the crucial geography at the heart of his work, this book imparts an innovative new response to the specific historical experiences of the Middle Passage.

  • Reading sideways : the queer politics of art in modern American fiction / Dana Seitler
    PS 374 S46S45 2019eb

  • Against a sharp white background infrastructures of African American print / edited by Brigitte Fielder and Jonathan Senchyne
    PS 153 N5A3967 2019eb

  • Decadence in the age of Modernism / edited by Kate Hext and Alex Murray
    PR 478 D43D43 2019eb

    Decadence in the Age of Modernism begins where the history of the decadent movement all too often ends: in 1895. It argues that the decadent principles and aesthetics of Oscar Wilde, Walter Pater, Algernon Swinburne, and others continued to exert a compelling legacy on the next generation of writers, from high modernists and late decadents to writers of the Harlem Renaissance. Writers associated with this decadent counterculture were consciously celebrated but more often blushingly denied, even as they exerted a compelling influence on the early twentieth century.

    Offering a multifaceted critical revision of how modernism evolved out of, and coexisted with, the decadent movement, the essays in this collection reveal how decadent principles infused twentieth-century prose, poetry, drama, and newspapers. In particular, this book demonstrates the potent impact of decadence on the evolution of queer identity and self-fashioning in the early twentieth century. In close readings of an eclectic range of works by Virginia Woolf, James Joyce, and D. H. Lawrence to Ronald Firbank, Bruce Nugent, and Carl Van Vechten, these essays grapple with a range of related issues, including individualism, the end of Empire, the politics of camp, experimentalism, and the critique of modernity.

    Contributors: Howard J. Booth, Joseph Bristow, Ellen Crowell, Nick Freeman, Ellis Hanson, Kate Hext, Kirsten MacLeod, Kristin Mahoney, Douglas Mao, Michèle Mendelssohn, Alex Murray, Sarah Parker, Vincent Sherry

  • EC Comics : race, shock, and social protest / Qiana Whitted
    PN 6712 W45 2019eb

  • Sex Changes with Kleist Katrin Pahl
    PT 2379 Z5P34 2019eb
    Sex Changes with Kleist analyzes how the dramatist and poet Heinrich von Kleist (1777-1811) responded to a change in the conception of sex and gender that occurred between 1790 and 1810. Specifically, Katrin Pahl shows that Kleist resisted the shift from a one-sex to the two-sex and complementary gender system that is still prevalent today. With creative close readings engaging all eight of his plays, Pahl probes Kleist's appreciation for incoherence, his experimentation with alternative symbolic orders, his provocative understanding of emotion, and his camp humor. Pahl demonstrates that rather than preparing modern homosexuality, Kleist puts an end to modern gender norms even before they take hold and refuses the oppositional organization of sexual desire into homosexual and heterosexual that sprouts from these norms.

    Focusing on the theatricality of Kleist's interventions in the performance of gender, sexuality, and emotion and examining how his dramatic texts unhinge major tenets of classical European theater, Sex Changes with Kleist is vital reading for anyone interested in queer studies, feminist studies, performance studies, literary studies, or emotion studies. This book changes our understanding of Kleist and breathes new life into queer thought.

  • Sandoz Studies, Volume 1 Women in the Writings of Mari Sandoz / edited and with an introduction by Renee M. Laegreid and Shannon D. Smith ; foreword by John Wunder
    PS 3537 A667Z97 2019eb
    Mari Sandoz, born on Mirage Flats, south of Hay Springs, Nebraska, on May 11, 1896, was the eldest daughter of Swiss immigrants. She experienced firsthand the difficulties and pleasures of the family's remote plains existence and early on developed a strong desire to write. Her keen eye for detail combined with meticulous research enabled her to become one of the most valued authorities of her time on the history of the plains and the culture of Native Americans.

    Women in the Writings of Mari Sandoz is the first volume of the Sandoz Studies series, a collection of thematically grouped essays that feature writing by and about Mari Sandoz and her work. When Sandoz wrote about the women she knew and studied, she did not shy away from drawing attention to the sacrifices, hardships, and disappointments they endured to forge a life in the harsh plains environment. But she also wrote about moments of joy, friendship, and--for some--a connection to the land that encouraged them to carry on.

    The scholarly essays and writings of Sandoz contained in this book help place her work into broader contexts, enriching our understanding of her as an author and as a woman deeply connected to the Sandhills of Nebraska.

  • Fukushima fiction : the literary landscape of Japan's triple disaster / Rachel DiNitto
    PL 721 F87D56 2019eb

    Fukushima Fiction introduces readers to the powerful literary works that have emerged out of Japan's triple disaster, now known as 3/11. The book provides a broad and nuanced picture of the varied literary responses to this ongoing tragedy, focusing on "serious fiction" (junbungaku) , the one area of Japanese cultural production that has consistently addressed the disaster and its aftermath. Examining short stories and novels by both new and established writers, author Rachel DiNitto effectively captures this literary tide and names it after the nuclear accident that turned a natural disaster into an environmental and political catastrophe.

    The book takes a spatial approach to a new literary landscape, tracing Fukushima fiction thematically from depictions of the local experience of victims on the ground, through the regional and national conceptualizations of the disaster, to considerations of the disaster as history, and last to the global concerns common to nuclear incidents worldwide. Throughout, DiNitto shows how fiction writers played an important role in turning the disaster into a narrative of trauma that speaks to a broad readership within and outside Japan. Although the book examines fiction about all three of the disasters--earthquake, tsunami, and nuclear meltdowns--DiNitto contends that Fukushima fiction reaches its critical potential as a literature of nuclear resistance. She articulates the stakes involved, arguing that serious fiction provides the critical voice necessary to combat the government and nuclear industry's attempts to move the disaster off the headlines as the 2020 Olympics approach and Japan restarts its idle nuclear power plants.

    Rigorous and sophisticated yet highly readable and relevant for a broad audience, Fukushima Fiction is a critical intervention of humanities scholarship into the growing field of Fukushima studies. The work pushes readers to understand the disaster as a global crisis and to see the importance of literature as a critical medium in a media-saturated world. By engaging with other disasters--from 9/11 to Chernobyl to Hurricane Katrina--DiNitto brings Japan's local and national tragedy to the attention of a global audience, evocatively conveying fiction's power to imagine the unimaginable and the unforeseen.

  • Brides, mourners, Bacchae : women's rituals in Roman literature / Vassiliki Panoussi
    PA 6030 W7P36 2019eb

    Powerful female characters pervade both Greek and Latin literature, even if their presence is largely dictated by the narratives of men. Feminist approaches to the study of women in Greek literature have helped illustrate the importance of their religious and ritual roles in public life--Latin literature, however, has not been subject to similar scrutiny.

    In Brides, Mourners, Bacchae , Vassiliki Panoussi takes up the challenge, exploring women's place in weddings, funerals, Bacchic rites, and women-only rituals. Panoussi probes the multifaceted ways women were able to exercise influence, even power, in ancient Rome from the days of the late Republic to Flavian times. Systematically investigating both poetry and prose, Panoussi covers a wide variety of genres, from lyric poetry (Catullus), epic (Ovid, Lucan, Valerius, Statius), elegy (Propertius, Ovid), and tragedy (Seneca) to historiography (Livy) and the novel (Petronius).

    The first large-scale analysis of this body of evidence from a feminist perspective, the book makes a compelling case that female ritual was an important lens through which Roman authors explored the problems of women's agency, subjectivity, civic identity, and self-expression. By focusing on the fruitful intersection of gender and religion, the book elucidates not only the importance of female religious experience in Rome but also the complexity of ideological processes affecting Roman ideas about gender, sexuality, family, and society. Brides, Mourners, Bacchae will be of value to scholars of classics and ancient religions, as well as anyone interested in the study of gender in antiquity or the connection between religion and ideology.

  • Weak nationalisms : affect and nonfiction in postwar America / Douglas Dowland
    PS 169 N36D69 2019eb
    The question "What is America?" has taken on new urgency. Weak Nationalisms explores the emotional dynamics behind that question by examining how a range of authors have attempted to answer it through nonfiction since the Second World War, revealing the complex and dynamic ways in which affects shape the literary construction of everyday experience in the United States.

    Douglas Dowland studies these attempts to define the nation in an eclectic selection of texts from writers such as Simone de Beauvoir, John Steinbeck, Charles Kuralt, Jane Smiley, and Sarah Vowell. Each of these texts makes use of synecdoche, and Weak Nationalisms shows how this rhetorical technique is variously driven by affects including curiosity, discontent, hopefulness, and incredulity. In exploring the function of synecdoche in the creative construction of the United States, Dowland draws attention to the evocative politics and literary richness of nationalism and connects critical literary practices to broader discussions involving affect theory and cultural representation.

  • Mina Loy's critical modernism / Laura Scuriatti
    PS 3523 O975Z88 2019eb
    This book provides a fresh assessment of the works of British-born poet and painter Mina Loy. Laura Scuriatti shows how Loy's "eccentric" writing and art celebrate ideas and aesthetics central to the modernist movement while simultaneously critiquing them, resulting in a continually self-reflexive and detached stance that Scuriatti terms "critical modernism."Drawing on archival material, Scuriatti illuminates the often-overlooked influence of Loy's time spent amid Italian avant-garde culture. In particular, she considers Loy's assessment of the nature of genius and sexual identity as defined by philosopher Otto Weininger and in Lacerba , a magazine founded by Giovanni Papini. She also investigates Loy's reflections on the artistic masterpiece in relation to the world of commodities; explores the dialogic nature of the self in Loy's autobiographical projects; and shows how Loy used her "eccentric" stance as a political position, especially in her later career in the United States.Offering new insights into Loy's feminism and tracing the writer's lifelong exploration of themes such as authorship, art, identity, genius, and cosmopolitanism, this volume prompts readers to rethink the place, value, and function of key modernist concepts through the critical spaces created by Loy's texts.

  • The new Ray Bradbury review. editor, Jeffrey Kahan ; guest editor, Jonathan R. Eller
    PS 3503 R167Z4587 2019eb

  • Animating black and brown liberation : a theory of American literatures / Michael Datcher
    PS 169 L5D38 2019eb

  • Le personnel est politique : médias, esthétique, et politique de l'autofiction chez Christine Angot, Chloé Delaume, et Nelly Arcan / Mercédès Baillargeon
    PQ 637 A96B35 2019eb

    Regardant les questions de témoignage, de confession, detraumatisme, de sexualité et de violence dans les oeuvres (semi-)autobiographiques,ce livre explore la co-construction d''identités personnelles et collectives pardes femmes écrivains à l''ère des médias et de l''autoreprésentation. À uneépoque où la littérature française est souvent accusée d''être égocentrique ettrop narcissique, Mercédès Baillargeon avance que l''autofiction des femmes aété reçue avec controverse depuis le tournant du millénaire parce qu''elleperturbe les idées reçues à propos des identités nationale, de genre et de race,et parce qu''elle questionne la distinction entre fiction et autobiographie. Eneffet, ces écrivaines se distinguent du reste de la production françaiseactuelle, car elles cultivent une relation particulièrement tumultueuse avecleur public, à cause de la nature très personnelle, mais également politique deleurs textes semi-autobiographiques et à cause de leurs « performances »comme personnalité publique dans les médias. On y examine donc simultanément lafaçon dont les médias stigmatisent ces écrivaines ainsi que la manière dont cesdernières manipulent la culture médiatique comme une extension de leur oeuvrelittéraire. Ce livre analyse ainsi simultanément les implications textuelles etsociopolitiques qui sous-tendent la (dé)construction du sujet autofictionnel,et en particulier la façon dont ces écrivains se redéfinissent constamment àtravers la performance rendue possible par les médias et la technologie. Deplus, ce travail soulève des questions importantes par rapport à la relationcomplexe qu''entretiennent les médias avec les femmes écrivains, en particuliercelles qui discutent ouvertement de traumatisme, de sexualité et de violence,et qui remettent également en question la distinction entre réalité et fiction.Cet ouvrage contribue à une meilleure compréhension des rapports de pouvoir misen jeu dans l''autofiction, tant au niveau de la production que de la réceptiondes oeuvres. Privilégiant l''autofiction comme phénomène principalement français,cet ouvrage s''intéresse à la valeur politique de ce genre semi-autobiographiquepar-delà sa mort annoncée avec la disparition de la littérature engagée del''après-guerre et des avant-gardes des années 50-60, dans le contexte françaiset francophone actuel, traversé par une crise des identités, lemulticulturalisme et une redéfinition du nationalisme à travers l''écriture.

    The Personal Is Political: Media, Aesthetics and Politics in the Autofiction of Christine Angot, Chloé Delaume and Nelly Arcan

    Looking at questions of testimony, confession, trauma,sexuality, and violence in (semi-) autobiographical works, this book explores the co-construction of personal and collectiveidentities by women writers in the age of self-disclosure and mass media. In a time when literature is accused of being self-centeredand overly narcissistic, women''s autofiction in France since the turn of the millennium has been received with controversybecause it disrupts readily accepted ideas about personal andnational identities, gender and race, and fiction versus autobiography. Through the study of polemical writersChristine Angot, Chloé Delaume, and Nelly Arcan, Mercédès Baillargeon contendsthat, by recounting personal stories of trauma and sexuality, and thus opposing themselves in opposition to social convention, and by refusing to dispel doubtsregarding the fictional or factual nature of their texts, autofiction resists and helps redefine categories of literary genreand gender identity. This book analyzes concurrently the textual andsociopolitical implications that underlie the (de)construction of the autofictional subject, and particularlyhow these writers constantly redefine themselves through performance andself-fashioning made possible by media and technology. Moreover, this workraises important questions relating to the media''s complicated relationshipwith women writers, especially those who discuss themes of trauma, sexuality,and violence, and who also question the distinction between fact and fiction.Proposing a new understanding of autofiction as a form of littérature engagée, this work contributes to a broader understanding of the French publishingestablishment and of the literary field as a cultural institution, as well asnew insight on shifting notions of identity, the Self, and nationalism intoday''s ever-changing and multicultural French context.

  • Age in love : Shakespeare and the Elizabethan court / Jacqueline Vanhoutte
    PR 3024 V36 2019eb
    The title Age in Love is taken from Shakespeare's sonnet 138, a poem about an aging male speaker who, by virtue of his entanglement with the dark lady, "vainly" performs the role of "some untutor'd youth." Jacqueline Vanhoutte argues that this pattern of "age in love" pervades Shakespeare's mature works, informing his experiments in all the dramatic genres. Bottom, Malvolio, Claudius, Falstaff, and Antony all share with the sonnet speaker a tendency to flout generational decorum by assuming the role of the lover, normally reserved in Renaissance culture for young men. Hybrids and upstarts, cross-dressers and shape-shifters, comic butts and tragic heroes--Shakespeare's old-men-in-love turn in boundary-blurring performances that probe the gendered and generational categories by which early modern subjects conceived of identity.

    In Age in Love Vanhoutte shows that questions we have come to regard as quintessentially Shakespearean--about the limits of social mobility, the nature of political authority, the transformative powers of the theater, the vagaries of human memory, or the possibility of secular immortality--come to indelible expression through Shakespeare's artful deployment of the "age in love" trope. Age in Love contributes to the ongoing debate about the emergence of a Tudor public sphere, building on the current interest in premodern constructions of aging and ultimately demonstrating that the Elizabethan court shaped Shakespeare's plays in unexpected and previously undocumented ways.

  • Revivalism and Modern Irish Literature the anxiety of transmission and the dynamics of renewal / Fionntán De Brún
    PB 1325 D437 2019eb

  • Essays on John McGahern : assessing a literacy legacy / Derek Hand & Eamon Maher [editors]
    PR 6063 A2176Z564 2019eb

  • Born yesterday : inexperience and the early realist novel / Stephanie Insley Hershinow
    PR 858 C47H47 2019eb

    Between the emergence of the realist novel in the early eighteenth century and the novel's subsequent alignment with self-improvement a century later lies a significant moment when novelistic characters were unlikely to mature in any meaningful way. That adolescent protagonists poised on the cusp of adulthood resisted a headlong tumble into maturity through the workings of plot reveals a curious literary and philosophical counter-tradition in the history of the novel. Stephanie Insley Hershinow's Born Yesterday shows how the archetype of the early realist novice reveals literary character tout court.

    Through new readings of canonical novels by Samuel Richardson, Henry Fielding, Horace Walpole, Ann Radcliffe, Frances Burney, and Jane Austen, Hershinow severs the too-easy tie between novelistic form and character formation, a conflation, she argues, of Bild with Bildung . A pop-culture-infused epilogue illustrates the influence of the eighteenth-century novice, as embodied by Austen's Emma , in the 1995 film Clueless , as well as in dystopian YA works like The Hunger Games .

    Drawing on bold close readings, Born Yesterday alters the landscape of literary historical eighteenth-century studies and challenges some of novel theory's most well-worn assumptions.

  • A history of ambiguity / Anthony Ossa-Richardson
    P 325.5 A46O87 2019eb

    Ever since it was first published in 1930, William Empson's Seven Types of Ambiguity has been perceived as a milestone in literary criticism--far from being an impediment to communication, ambiguity now seemed an index of poetic richness and expressive power. Little, however, has been written on the broader trajectory of Western thought about ambiguity before Empson; as a result, the nature of his innovation has been poorly understood.

    A History of Ambiguity remedies this omission. Starting with classical grammar and rhetoric, and moving on to moral theology, law, biblical exegesis, German philosophy, and literary criticism, Anthony Ossa-Richardson explores the many ways in which readers and theorists posited, denied, conceptualised, and argued over the existence of multiple meanings in texts between antiquity and the twentieth century. This process took on a variety of interconnected forms, from the Renaissance delight in the 'elegance' of ambiguities in Horace, through the extraordinary Catholic claim that Scripture could contain multiple literal--and not just allegorical--senses, to the theory of dramatic irony developed in the nineteenth century, a theory intertwined with discoveries of the double meanings in Greek tragedy. Such narratives are not merely of antiquarian interest: rather, they provide an insight into the foundations of modern criticism, revealing deep resonances between acts of interpretation in disparate eras and contexts. A History of Ambiguity lays bare the long tradition of efforts to liberate language, and even a poet's intention, from the strictures of a single meaning.

  • A Boccaccian renaissance : essays on the early modern impact of Giovanni Boccaccio and his works / edited by Martin Eisner and David Lummus
    PQ 4284.5 B63 2019eb

  • Understanding Bharati Mukherjee / Ruth Maxey
    PR 9499.3 M77Z87 2019eb

    Bharati Mukherjee was the first major South Asian American writer and the first naturalized American citizen to win the National Book Critics Circle Award. Born in Kolkata, India, she immigrated to the United States in 1961 and went on to publish eight novels, two short story collections, two long works of nonfiction, and numerous essays, book reviews, and newspaper articles. She was professor emerita in the Department of English at the University of California, Berkeley, until her death in 2017.

    In Understanding Bharati Mukherjee, Ruth Maxey discusses Mukherjee's influence on younger South Asian American women writers, such as Jhumpa Lahiri and Chitra Divakaruni. Mukherjee's powerful writing also enjoyed popular appeal, with some novels achieving best-seller status and international acclaim; her 1989 novel Jasmine was translated into multiple languages. One of the earliest writers to feature South Asian Americans in literary form, Mukherjee reflected upon the influence of non-European immigrants to the United States, following passage of the Immigration and Nationality Act of 1965, which abolished the quota system. Her vision of a globalized, interconnected world has been regarded as prophetic, and when Mukherjee died, diverse North American writers--Margaret Atwood, Joyce Carol Oates, Russell Banks, Michael Ondaatje, Ann Beattie, Amy Tan, and Richard Ford--came forward to praise her work and its importance.

    Understanding Bharati Mukherjee is the first book to examine this pioneering author's complete oeuvre and to identify its legacy. Maxey offers new insights into widely discussed texts and recuperates overlooked works, such as Mukherjee's first and last published short stories, her neglected nonfiction, and her many essays. Critically situating both well-known and under-discussed texts, this study analyzes the aesthetic and ideological complexity of Mukherjee's writing, considering her sophisticated, erudite, multilayered use of intertextuality, especially her debt to cinema. Maxey argues that understanding the range of formal and stylistic strategies in play is crucial to grasping Mukherjee's work.

  • The poetry and poetics of Olga Sedakova : origins, philosophies, points of contention / edited by Stephanie Sandler, Maria Khotimsky, Margarita Krimmel, and Oleg Novikov ; with translations of Olga Sedakova's writings by Martha M. F. Kelly
    PG 3486 E24Z8313 2019eb

  • A world of disorderly notions : Quixote and the logic of exceptionalism / Aaron R. Hanlon
    PR 858 C47H36 2019eb

    From Jonathan Swift to Washington Irving, those looking to propose and justify exceptions to social and political norms turned to Cervantes's notoriously mad comic hero as a model. A World of Disorderly Notions examines the literary and political effects of Don Quixote, arguing that what makes this iconic character so influential across oceans and cultures is not his madness but his logic. Aaron Hanlon contends that the logic of quixotism is in fact exceptionalism--the strategy of rendering oneself an exception to everyone else's rules.

    As British and American societies of the Enlightenment developed the need to question the acceptance of various forms of imperialism and social contract theory--and to explain both the virtues and limitations of revolutions past and ongoing--it was Quixote's exceptionalism, not his madness, that captured the imaginations of so many writers and statesmen. As a consequence, the eighteenth century witnessed an explosion of imitations of Quixote in fiction and polemical writing, by writers such as Jonathan Swift, Charlotte Lennox, Henry Fielding, and Washington Irving, among others.

    Combining literary history and political theory, Hanlon clarifies an ongoing and immediately relevant history of exceptionalism, of how states from Golden Age Spain to imperial Britain to the formative United States rendered themselves exceptions so they could act with impunity. In so doing, he tells the story of how Quixote became exceptional.

  • Unknowing fanaticism : Reformation literatures of self-annihilation / Ross Lerner

  • Fictioning Namibia as a space of desire : an excursion into the literary space of Namibia during colonialism, apartheid and the liberation struggle / Renzo Baas
    PN 56.3 N25B334 2019eb
    Modern-day Namibian history has largely been shaped by three major eras: German colonial rule, South African apartheid occupation, and the Liberation Struggle. It was, however, not only military conquest that laid the cornerstone for the colony, but also how the colony was imagined, the "dream" of this colony. As a tool of discursive worldmaking, literature has played a major role in providing a framework in which to "dream" Namibia, first from outside its borders, and then from within. In Fictioning Namibia as a Space of Desire, Renzo Baas employs Henri Lefebvre's city-countryside dialectic and reworks it in order to uncover how fictional texts played an integral part in the violent acquisition of a foreign territory.Through the production of myths around whiteness, German and South African authors designed a literary space in which control, destruction, and the dehumanisation of African peoples are understood as a natural order, one that is dictated by history and its linear continuation. These European texts are offset by Namibia's first novel by an African, offering a counter-narrative to the colonial invention that was (German) South West Africa.

  • Wharton, Hemingway, and the advent of modernism / edited by Lisa Tyler ; foreword by Laura Rattray
    PS 3515 E37Z58249 2014eb

  • The restless Ilan Stavans : outsider on the inside / Steven G. Kellman
    PQ 7079.2 S78K45 2019eb

  • Revealing rebellion in Abiayala : the insurgent poetics of contemporary indigenous literature / Hannah Burdette
    PM 157 B87 2019eb

  • Ragged Anthem

  • Language and the construction of multiple identities in the Nigerian novel / Romanus Aboh
    PR 9387.4 A26 2018eb
    Language and the construction of multiple identities in the Nigerian novel examines the multifaceted relation between people and the various identities they construct for themselves and for others through the context-specific ways they use language. Specifically, this book pays attention to how forms of identities - ethnic, cultural, national and gender - are constructed through the use of language in select novels of Adichie, Atta and Betiang. Employing an interdisciplinary approach, this book draws analytical insights from critical discourse analysis, literary discourse analysis and socio-ethno-linguistic analysis. This approach enables the author to engage with the novels, to illuminate the link between the ways Nigerians use language and the identities they construct. Being a context-driven analysis, this book critically scrutinises literary language beyond stylistic borders by interrogating the micro and macro levels of language use, a core analytical paradigm frequently used by discourse analysts who engage in critical discourse analysis.

  • Understanding Randall Kenan / James A. Crank
    PS 3561 E4228Z57 2019eb
    Randall Kenan is an American author best known for his novel A Visitation of Spirits and his collection of stories Let the Dead Bury Their Dead, which was a finalist for the National Book Critics Circle Award, was a nominee for a Los Angeles Times Book Prize for fiction, and named a New York Times Notable Book. He is the recipient of a Guggenheim Fellowship, asa well as the Whiting Writers Award, Sherwood Anderson Award, John Dos Passos Award, Rome Prize, and North Carolina Award for Literature.Understanding Randall Kenan is the first book-length critical study of Kenan, offering a brief biography and an exploration of his considerable oeuvre--memoir, short stories, novels, journalism, folklore, and essays. Kenan's writing can be complex and sometimes highly stylized while covering a broad range of topics, though he often explores African Americans' complicated relationships, specifically as they struggle to make connections along other axes of class, gender, and sexual identity. Crank explores these themes and how they influence Kenan's work through a personal interview with the author.
Updated: Tuesday 24 September 2019
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