New books by subject
Classical Languages and Linguistics - Concordia University Libraries Recent Acquisitions
Items in Classical Languages and Linguistics (PA) that were added to the Concordia University Libraries collection in the last 120 days.
The Cambridge companion to Roman comedy / edited by Martin T. DinterPA 6069 C25 2019eb
Controversies : Apologia adversus articulos aliquot per monachos quosdam in Hispaniis exhibitos ; Responsio adversus Febricitantis cuiusdam libellum ; Epistola ad quosdam impudentissimos Gracculos / edited and translated by Charles FantazziPA 8502 E5F36 2019
Despite having enemies in the powerful Spanish religious orders, and being warned of the controversies that would arise, Erasmus published the fourth edition of his New Testament in 1527, resulting in a major crisis for Erasmianism in Spain. This period is marked by a bitter dispute between Erasmus and the conservative elements in Spain, involving behind-the-scenes manoeuvring, where it was impossible to distinguish friend from foe. Following this tension, a confrontation culminated in the Valladolid conference where enemies of Erasmus were obliged to come forward and where, following these events, Erasmus himself was forced to respond publicly to the charges brought against him.
The three texts in the present volume were written by Erasmus in response to his antagonists, and include An Apologia of Desiderius Erasmus of Rotterdam Against Several Articles Presented by Certain Monks in Spain, The Answer of Desiderius Erasmus to the Pamphlet of a Certain Fever-ridden Individual, and Letter to Certain Highly Impudent Jackdaws.
Laughter on the fringes : the reception of old comedy in the imperial Greek world / Anna PetersonPA 3161 P48 2019
This book examines the impact that Athenian Old Comedy had on Greek writers of the imperial era. It is generally acknowledged that imperial-era Greeks responded to Athenian Old Comedy in one of two ways: either as a treasure trove of Atticisms or as a genre defined by and repudiated for itsaggressive humor. Worthy of further consideration, however, is the degree to which both approaches, and particularly the latter one that relegated Old Comedy to the fringes of the literary canon, led authors to engage with the ironic and self-reflexive humor of Aristophanes, Eupolis and Cratinus.Authors ranging from serious moralizers (Plutarch and Aelius Aristides) to comic writers in their own right (Lucian, Alciphron) to other figures not often associated with Old Comedy (Libanius) adopted aspects of the genre to negotiate power struggles, facilitate literary and sophistic rivalries, andas a model for autobiographical writing. To varying degrees, these writers wove recognizable features of the genre (e.g. the parabasis, its agonistic language, the stage biographies of the individual poets) into their writings. The image of Old Comedy that emerges from this time is that of a genrein transition. It was, on the one hand, with the exception of Aristophanes' extant plays, on the verge of being almost completely lost; on the other hand, its reputation and several of its most characteristic elements were being renegotiated and reinvented.
Aristotle's art of rhetoric / translated and with an interpretive essay by Robert C. BartlettPA 3893 R313 2019
For more than two thousand years. Aristotle's "Art of Rhetoric" has shaped thought on the theory and practice of rhetoric, the art of persuasive speech. In three sections, Aristotle discusses what rhetoric is, as well as the three kinds of rhetoric (deliberative, judicial, and epideictic), the three rhetorical modes of persuasion, and the diction, style, and necessary parts of a successful speech. Throughout, Aristotle defends rhetoric as an art and a crucial tool for deliberative politics while also recognizing its capacity to be misused by unscrupulous politicians to mislead or illegitimately persuade others.
Here Robert C. Bartlett offers a literal, yet easily readable, new translation of Aristotle's "Art of Rhetoric," one that takes into account important alternatives in the manuscript and is fully annotated to explain historical, literary, and other allusions. Bartlett's translation is also accompanied by an outline of the argument of each book; copious indexes, including subjects, proper names, and literary citations; a glossary of key terms; and a substantial interpretive essay.
Weeping for Dido : the classics in the medieval classroom / Marjorie Curry WoodsPA 3013 W66 2019
Saint Augustine famously "wept for Dido, who killed herself by the sword," and many later medieval schoolboys were taught to respond in similarly emotional ways to the pain of female characters in Virgil's Aeneid and other classical texts. In Weeping for Dido , Marjorie Curry Woods takes readers into the medieval classroom, where boys identified with Dido, where teachers turned an unfinished classical poem into a bildungsroman about young Achilles, and where students not only studied but performed classical works.
Woods opens the classroom door by examining teachers' notes and marginal commentary in manuscripts of the Aeneid and two short verse narratives: the Achilleid of Statius and the Ilias latina , a Latin epitome of Homer's Iliad . She focuses on interlinear glosses--individual words and short phrases written above lines of text that elucidate grammar, syntax, and vocabulary, but that also indicate how students engaged with the feelings and motivations of characters. Interlinear and marginal glosses, which were the foundation of the medieval classroom study of classical literature, reveal that in learning the Aeneid , boys studied and empathized with the feelings of female characters; that the unfinished Achilleid was restructured into a complete narrative showing young Achilles mirroring his mentors, including his mother, Thetis; and that the Ilias latina offered boys a condensed version of the Iliad focusing on the deaths of young men. Manuscript evidence even indicates how specific passages could be performed.
The result is a groundbreaking study that provides a surprising new picture of medieval education and writes a new chapter in the reception history of classical literature.
Reading the late Byzantine romance : a handbook / edited by Adam J. Goldwyn, North Dakota State University, Ingela Nilsson, Uppsala University, SwedenPA 5165 R43 2019
The corpus of Palaiologan romances consists of about a dozen works of imaginative fiction from the thirteenth to the fifteenth centuries which narrate the trials and tribulations of aristocratic young lovers. This volume brings together leading scholars of Byzantine literature to examine the corpus afresh and aims to be the definitive work on the subject, suitable for scholars and students of all levels. It offers interdisciplinary and transnational approaches which demonstrate the aesthetic and cultural value of these works in their own right and their centrality to the medieval and early modern Greek, European and Mediterranean literary traditions. From a historical perspective, the volume also emphasizes how the romances represent a turning point in the history of Greek letters: they are a repository of both ancient and medieval oral poetic and novelistic traditions and yet are often considered the earliest works of Modern Greek literature.
Ruins : classical theater and broken memory / Odai JohnsonPA 3201 J64 2018
Much of the theater of antiquity is marked by erasures: missing origins, broken genres, fragments of plays, ruins of architecture, absented gods, remains of older practices imperfectly buried and ghosting through the civic productions that replaced them. Ruins: Classical Theater and Broken Memory traces the remains, the remembering, and the forgetting of performance traditions of classical theater. The book argues that it is only when we look back over the accumulation of small evidence over a thousand-year sweep of classical theater that the remarkable and unequaled endurance of the tradition emerges. In the absence of more evidence, Odai Johnson turns instead to the absence itself, pressing its most legible gaps into a narrative about scars, vanishings, erasures, and silence: all the breakages that constitute the ruins of antiquity.
In ten wide-ranging case studies, theater history and performance theory are brought together to examine the texts, artifacts, and icons left behind, reading them in fresh ways to offer an elegantly written, extended meditation on "how the aesthetic of ruins offered a model for an ideal that dislodged and ultimately stood in for the historic."
In the flesh : embodied identities in Roman elegy / Erika Zimmermann DamerPA 6059 E6 Z56 2019
In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets--Propertius, Tibullus, and Ovid--writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change.
Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse--mistresses, rivals, enslaved characters, overlooked members of households--their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.
Greek & Roman hell : visions, tours and descriptions of the infernal otherworld / edited by Eileen GardinerPA 3416 Z5 H38 2019
The literary texts of the ancient Mediterranean present a fairly clear picture of an underworld and bear witness to the changes in its nature and purpose. The strong stamp of Hesiod and Homer defines the geography and inhabitants of later underworld descriptions. Plato and the mystery religions leave their mark on the genre, while satirical and comic works provide us with a totally different perspective on ancient beliefs.
Works written during the long interval between the Iliad and the Odyssey (c.700 bce) and the works of Lucian of Samosata (2nd century ce), a span of almost a millennium, show a remarkable consistency in terms of the underworld's physical features and denizens. They also provide a backdrop to the significant changes in Greco-Roman understandings of the nature of the soul and thus the fate of the dead in the otherworld.
This anthology includes seventeen texts that range from epic poems by Homer and Virgil to plays by Aristophanes and Seneca, dialogues by Plato, and satirical pieces by Lucian of Samosata, and to novels and narrative poems. It provides a comprehensive overview of the nature of Greek and Roman hell.
Greek & Roman Hell is published in conjunction with Eileen Gardiner's www.Hell-on-Line.org, a website that presents a cross-cultural collection of materials on the more than 100 visions, tours and descriptions of the infernal otherworld from around the world, dating from 2000 bce to the present.
Preface, introduction, glossary, notes, bibliography & web resources. Illustrated.
How to be free : an ancient guide to the stoic life : Encheiridion and selections from Discourses / Epictetus ; translated and with an introduction by A.A. LongPA 3969 E54 2018
A superb new edition of Epictetus's famed handbook on Stoicism--translated by one of the world's leading authorities on Stoic philosophy
Born a slave, the Roman Stoic philosopher Epictetus (c. 55-135 AD) taught that mental freedom is supreme, since it can liberate one anywhere, even in a prison. In How to Be Free , A. A. Long--one of the world's leading authorities on Stoicism and a pioneer in its remarkable contemporary revival--provides a superb new edition of Epictetus's celebrated guide to the Stoic philosophy of life (the Encheiridion ) along with a selection of related reflections in his Discourses .
Freedom, for Epictetus, is not a human right or a political prerogative but a psychological and ethical achievement, a gift that we alone can bestow on ourselves. We can all be free, but only if we learn to assign paramount value to what we can control (our motivations and reactions), treat what we cannot control with equanimity, and view our circumstances as opportunities to do well and be well, no matter what happens to us through misfortune or the actions of other people.
How to Be Free features splendid new translations and the original Greek on facing pages, a compelling introduction that sets Epictetus in context and describes the importance of Stoic freedom today, and an invaluable glossary of key words and concepts. The result is an unmatched introduction to this powerful method of managing emotions and handling life's situations, from the most ordinary to the most demanding.