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Photography - Concordia University Libraries Recent Acquisitions

Titles in the call number range TR1 - TR1050 (Photography) that were added to the Concordia University Libraries collection in the last 60 days.


  • The healthy edit : creative editing techniques for perfecting your movie / John Rosenberg
    TR 899 R663 2018eb

    This updated and revised new edition of The Healthy Edit provides aspiring and working editors with creative editing strategies they can employ to enhance a film, while also overcoming common production problems. With decades of experience editing and film doctoring Hollywood features, author John Rosenberg reveals both the aesthetic and technical aspects of the editor's art, demonstrating tricks and techniques for nursing an ailing project back to health or enhancing a well one. Whether it's a bad performance from an actor, a hole in the story or script, a continuity or pacing issue, or a poorly-composed shot, every film or show we watch encounters challenges during production--and fixing these issues becomes the job of the editor.

    Utilizing an approach comparing film editing to medicine, working editor and professor John Rosenberg offers a software-agnostic guide to best editing practices, offering solutions to everything from story and script inconsistencies to genre-specific structural issues. Accessibly written and brought fully up-to-date to embrace the predominance of file-based digital production, this second edition offers new insights into ultra-high-resolution footage, transitions, visual effects, collaboration, sound and music editing, as well as highlighting historic advances in the art form.


  • Grammar of the shot / Christopher J. Bowen
    TR 850 T377 2018eb

  • Grammar of the edit / Christopher J. Bowen
    TR 899 T49 2018eb

    Tell more effective visual stories by learning the "grammar" of cinematic language with this elegant, accessible reference. The fourth edition of Grammar of the Edit gives you the answers to the all-important questions of when to cut and why , and teaches readers the principles behind transitions, editing for continuity, selecting the best shots, editing sound, color correction, and more. Designed as an easy-to-use guide, Grammar of the Edit presents each topic succinctly with clear photographs and diagrams illustrating key concepts, practical exercises and quiz questions, and is a staple of any filmmaker's library.

    New to the fourth edition:

    An expanded companion website offering downloadable and editable raw footage so that students can practice the techniques described in the book, and instructional videos showcasing examples of different editing choices and types of shot transitions. New and expanded quiz questions and practical exercises at the end of each chapter help test readers on their knowledge using real-world scenarios. Updated topic discussions, explanations, illustrations and visual examples. An all-new chapter on Sound resources in filmmaking and Audio Editing guidelines.

    Together with its companion volume, Grammar of the Shot , the core concepts discussed in these books offer concise and practical resources for both experienced and aspiring filmmakers.


  • Technologies of vision : the war between data and images / Steve F. Anderson
    TR 184 A53 2017

    An investigation of the computational turn in visual culture, centered on the entangled politics and pleasures of data and images.

    If the twentieth century was tyrannized by images, then the twenty-first is ruled by data. In Technologies of Vision , Steve Anderson argues that visual culture and the methods developed to study it have much to teach us about today's digital culture; but first we must examine the historically entangled relationship between data and images. Anderson starts from the supposition that there is no great divide separating pre- and post-digital culture. Rather than creating an insular field of new and inaccessible discourse, he argues, it is more productive to imagine that studying "the digital" is coextensive with critical models -- especially the politics of seeing and knowing -- developed for understanding "the visual."

    Anderson's investigation takes on an eclectic array of examples ranging from virtual reality, culture analytics, and software art to technologies for computer vision, face recognition, and photogrammetry. Mixing media archaeology with software studies, Anderson mines the history of technology for insight into both the politics of data and the pleasures of algorithms. He proposes a taxonomy of modes that describe the functional relationship between data and images in the domains of space, surveillance and data visualization. At stake in all three are tensions between the totalizing logic of data and the unruly chaos of images.


  • Nonhuman photography / Joanna Zylinska
    TR 183 Z95 2017

    A new philosophy of photography that goes beyond humanist concepts to consider imaging practices from which the human is absent, as both subject and agent.

    Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography , Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element -- that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.

    Zylinska explores the potential of photography for developing new modes of seeing and imagining, and presents images from her own photographic project, Active Perceptual Systems . She also examines the challenges posed by digitization to established notions of art, culture, and the media. In connecting biological extinction and technical obsolescence, and discussing the parallels between photography and fossilization, she proposes to understand photography as a light-induced process of fossilization across media and across time scales.


  • Girl on girl : art and photography in the age of the female gaze / Charlotte Jansen
    TR 681 W6 J36 2017
    A new generation of female artists is emerging who have grown up in a culture saturated with social media and selfies.

    This book looks at how young women are using photography and the internet to explore issues of self-image and female identity, and the impact this is having on contemporary art.

    Forty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into this exciting shift in female creativity.

  • Photography after photography : gender, genre, history / Abigail Solomon-Godeau ; edited by Sarah Parsons
    TR 642 S64 2017
    Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man , insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations.

  • Bathers / Ruth Kaplan
    TR 655 K375 2017
    Bathers explores the social theatre of communal bathing, a ritual that is both private and public. Ruth Kaplan's journey began in the nudist hot springs of California in 1991. By participating in the baths, Kaplan gradually became accepted and was able to make photographs of her fellow bathers, occupying the dual role of empathetic voyeur and participant. From California she then travelled to Eastern Europe seeking a more traditional form of the practice in the spa towns of the Czech Republic, Slovakia, Poland, Hungary and Romania. The unique display of individual body types and ages became a component of the work, as did the decaying architecture of the interiors. She then travelled to higher-tech spas in Germany, France, Italy and Denmark, completing the series in 2002 in Moroccan hamams and Icelandic hot springs. Hedonism, decadence, sensuality, innocence and social bonding were some of the underlying themes that emerged, but what drew Kaplan to the baths was the powerful physicality, the way in which people manifested themselves through their bodies, and the psychological presence they evoked. The waters became a backdrop to this exploration. With the migration from analog to digital that took hold during the 1990's, and escalating concerns surrounding individual privacy, these photographs have come to stand as a unique document of a subject difficult to photograph at the best of times, but nearly impossible to achieve currently without staging them. Along with the bizarre juxtapositions of body and place that sometimes occurred, these images reveal and celebrate the experience of immersion; physicality and transcendence.

  • The book of alternative photographic processes / Christopher James
    TR 350 J35 2016
    Written by internationally acclaimed artist and photographer Christopher James, THE BOOK OF ALTERNATIVE PHOTOGRAPHIC PROCESSES: 3rd Edition is the definitive text for students and professionals studying alternative photographic processes and the art of hand-made photographic image making. This innovative Third Edition brings the medium up to date with new and historic processes that are integrated with the latest contemporary innovations, adaptations, techniques, and art work. This 800 page edition is packed with more than 700 exquisite illustrations featuring historical examples as well as the art that is currently being made by professional alternative process, artists, teachers, and students of the genre. The third edition is the complete and comprehensive technical and aesthetic resource exploring and delving into every aspect of alternative photographic process photography. Each chapter introduces the history of a technique, presents an overview of the alternative photographic process that will be featured, reviews its chemistry, and provides practical and easy to follow guidance in how to make it work. In his conversational writing style, James also explores the idiosyncrasies, history, and cultural connections that are such a significant part of the history of photography. Featuring traditional and digital contact negative production as well as an array of processes, spread out over 28 chapters, THE BOOK OF ALTERNATIVE PHOTOGRAPHIC PROCESSES: 3RD EDITION delivers clear instructions, practical workflows and advice, humor, history, art, and immeasurable inspiration.

  • Sleeping by the Mississippi / Alec Soth ; essays by Patricia Hampl and Anne Wilkes Tucker
    TR 655 S68 2017

  • Normes pour les travaux de photographie aérienne / Gouvernement du Québec, Ministère des terres et forêts, Service de la cartographie
    TR 810 Q4 1980
page last updated on: Sunday 25 February 2018
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