New books by subject
Photography - Concordia University Libraries Recent Acquisitions
Titles in the call number range TR1 - TR1050 (Photography) that were added to the Concordia University Libraries collection in the last 60 days.
Eden turned on its side / photoworks by Meridel Rubenstein ; foreword by Arif Khan ; essays by Shawn Michelle Smith and Alan WeismanTR 721 R79 2017
Over the course of her career, internationally renowned artist and University of New Mexico alumna Meridel Rubenstein creates photographic artworks that engage the natural world and investigate humanity's place within nature.
Eden Turned on Its Side looks at ecological and human processes across time that either reinforce or destroy the notion of "Eden." Focusing on poetic intersections of nature and culture in relation to ecological and social imbalance, the work consists of large-scale photographic images that tend toward immersive installation, as is characteristic of much of Rubenstein's art. It comprises three parts--Photosynthesis, Volcano Cycle, and Eden in Iraq--which respectively explore ecologies on the scales of human time, geological time, and mythical time.
Eden Turned on Its Side will accompany an exhibition of the same name, organized by the University of New Mexico Art Museum and opening in February 2018.
Photography and sculpture : the art object in reproduction / edited by Sarah Hamill and Megan R. LukeTR 658.3 P49 2017
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
The healthy edit : creative editing techniques for perfecting your movie / John RosenbergTR 899 R663 2018eb
This updated and revised new edition of The Healthy Edit provides aspiring and working editors with creative editing strategies they can employ to enhance a film, while also overcoming common production problems. With decades of experience editing and film doctoring Hollywood features, author John Rosenberg reveals both the aesthetic and technical aspects of the editor's art, demonstrating tricks and techniques for nursing an ailing project back to health or enhancing a well one. Whether it's a bad performance from an actor, a hole in the story or script, a continuity or pacing issue, or a poorly-composed shot, every film or show we watch encounters challenges during production--and fixing these issues becomes the job of the editor.
Utilizing an approach comparing film editing to medicine, working editor and professor John Rosenberg offers a software-agnostic guide to best editing practices, offering solutions to everything from story and script inconsistencies to genre-specific structural issues. Accessibly written and brought fully up-to-date to embrace the predominance of file-based digital production, this second edition offers new insights into ultra-high-resolution footage, transitions, visual effects, collaboration, sound and music editing, as well as highlighting historic advances in the art form.
Grammar of the shot / Christopher J. BowenTR 850 T377 2018eb
Grammar of the edit / Christopher J. BowenTR 899 T49 2018eb
Tell more effective visual stories by learning the "grammar" of cinematic language with this elegant, accessible reference. The fourth edition of Grammar of the Edit gives you the answers to the all-important questions of when to cut and why , and teaches readers the principles behind transitions, editing for continuity, selecting the best shots, editing sound, color correction, and more. Designed as an easy-to-use guide, Grammar of the Edit presents each topic succinctly with clear photographs and diagrams illustrating key concepts, practical exercises and quiz questions, and is a staple of any filmmaker's library.
New to the fourth edition:An expanded companion website offering downloadable and editable raw footage so that students can practice the techniques described in the book, and instructional videos showcasing examples of different editing choices and types of shot transitions. New and expanded quiz questions and practical exercises at the end of each chapter help test readers on their knowledge using real-world scenarios. Updated topic discussions, explanations, illustrations and visual examples. An all-new chapter on Sound resources in filmmaking and Audio Editing guidelines.
Together with its companion volume, Grammar of the Shot , the core concepts discussed in these books offer concise and practical resources for both experienced and aspiring filmmakers.
Digital compositing for film and video : production workflows and techniques / Steve WrightTR 850 W75 2018
Written by senior compositor, technical director and master trainer Steve Wright, this book condenses years of production experience into an easy-to-read and highly-informative guide suitable for both working and aspiring visual effects artists.
This expanded and updated edition of Digital Compositing for Film and Video addresses the problems and difficult choices that professional compositors face on a daily basis with an elegant blend of theory, practical production techniques and workflows. It is written to be software-agnostic, so it is applicable to any brand of software. This edition features many step-by-step workflows, powerful new keying techniques and updates on the latest tech in the visual effects industry.
Workflow examples for:Grain Management Lens Distortion Management Merging CGI Render Passes Blending Multiple Keys Photorealistic Color Correction Rotoscoping
Production Techniques for:Keying Difficult Greenscreens Replicating Optical Lens Effects Advanced Spill Suppression Fixing Discoloured Edges Adding Interactive Lighting Managing Motion Blur
With brand new information on:Working in linear ACES Color Management Light Field Cinematography Planar Tracking Creating Color Difference Keys Premultiply vs. Unpremultiply Deep Compositing VR Stitching 3D Compositing from 2D Images How Color Correction ops Effect Images Color Spaces Retiming Clips Working with Digital Cinema Images OpenColorIO
A companion website offers images from the examples discussed in the book allowing readers to experiment with the material first-hand.
Technologies of vision : the war between data and images / Steve F. AndersonTR 184 A53 2017
An investigation of the computational turn in visual culture, centered on the entangled politics and pleasures of data and images.
If the twentieth century was tyrannized by images, then the twenty-first is ruled by data. In Technologies of Vision , Steve Anderson argues that visual culture and the methods developed to study it have much to teach us about today's digital culture; but first we must examine the historically entangled relationship between data and images. Anderson starts from the supposition that there is no great divide separating pre- and post-digital culture. Rather than creating an insular field of new and inaccessible discourse, he argues, it is more productive to imagine that studying "the digital" is coextensive with critical models -- especially the politics of seeing and knowing -- developed for understanding "the visual."
Anderson's investigation takes on an eclectic array of examples ranging from virtual reality, culture analytics, and software art to technologies for computer vision, face recognition, and photogrammetry. Mixing media archaeology with software studies, Anderson mines the history of technology for insight into both the politics of data and the pleasures of algorithms. He proposes a taxonomy of modes that describe the functional relationship between data and images in the domains of space, surveillance and data visualization. At stake in all three are tensions between the totalizing logic of data and the unruly chaos of images.
Understanding photojournalism / Jennifer Good and Paul LoweTR 820 G67 2017
Understanding Photojournalism explores the interface between theory and practice at the heart of photojournalism, mapping out the critical questions that photojournalists and picture editors consider in their daily practice and placing these in context. Outlining the history and theory of photojournalism, this textbook explains its historical and contemporary development; who creates, selects and circulates images; and the ethics, aesthetics and politics of the practice. Carefully chosen, international case studies represent a cross section of key photographers, practices and periods within photojournalism, enabling students to understand the central questions and critical concepts. Illustrated with a range of photographs and case material, including interviews with contemporary photojournalists, this book is essential reading for students taking university and college courses on photography within a wide range of disciplines and includes an annotated guide to further reading and a glossary of terms to further expand your studies.
Nonhuman photography / Joanna ZylinskaTR 183 Z95 2017
A new philosophy of photography that goes beyond humanist concepts to consider imaging practices from which the human is absent, as both subject and agent.
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography , Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element -- that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.
Zylinska explores the potential of photography for developing new modes of seeing and imagining, and presents images from her own photographic project, Active Perceptual Systems . She also examines the challenges posed by digitization to established notions of art, culture, and the media. In connecting biological extinction and technical obsolescence, and discussing the parallels between photography and fossilization, she proposes to understand photography as a light-induced process of fossilization across media and across time scales.
Girl on girl : art and photography in the age of the female gaze / Charlotte JansenTR 681 W6 J36 2017
A new generation of female artists is emerging who have grown up in a culture saturated with social media and selfies.
This book looks at how young women are using photography and the internet to explore issues of self-image and female identity, and the impact this is having on contemporary art.
Forty artists are featured, all of whose principal subject matter is either themselves or other women. Each is accompanied by a short profile based on personal interviews with the author, giving a fascinating insight into this exciting shift in female creativity.
Bathers / Ruth KaplanTR 655 K375 2017
Bathers explores the social theatre of communal bathing, a ritual that is both private and public. Ruth Kaplan's journey began in the nudist hot springs of California in 1991. By participating in the baths, Kaplan gradually became accepted and was able to make photographs of her fellow bathers, occupying the dual role of empathetic voyeur and participant. From California she then travelled to Eastern Europe seeking a more traditional form of the practice in the spa towns of the Czech Republic, Slovakia, Poland, Hungary and Romania. The unique display of individual body types and ages became a component of the work, as did the decaying architecture of the interiors. She then travelled to higher-tech spas in Germany, France, Italy and Denmark, completing the series in 2002 in Moroccan hamams and Icelandic hot springs. Hedonism, decadence, sensuality, innocence and social bonding were some of the underlying themes that emerged, but what drew Kaplan to the baths was the powerful physicality, the way in which people manifested themselves through their bodies, and the psychological presence they evoked. The waters became a backdrop to this exploration. With the migration from analog to digital that took hold during the 1990's, and escalating concerns surrounding individual privacy, these photographs have come to stand as a unique document of a subject difficult to photograph at the best of times, but nearly impossible to achieve currently without staging them. Along with the bizarre juxtapositions of body and place that sometimes occurred, these images reveal and celebrate the experience of immersion; physicality and transcendence.